-
Libération: "Sean Landers, tartan roi de la jungle"
Clémentine Mercier, November 7, 2023 -
Blue Chip: Familiar Dysphoria
Blue Chip, November 4, 2023 -
Art in America: "In Berlin, Autumn’s Art Shows Usher in an Anxious Changing of the Seasons" (Ragen Moss)
Martin Herbert, October 31, 2023 -
Connaissance des arts: "Exposition à Paris : les animaux surréalistes de Sean Landers"
Guy Boyer, October 24, 2023 -
Artsy: The 10 Best Booths at Paris+ par Art Basel 2023
Arun Kakar, October 19, 2023 -
The New York Times Style Magazine: "Eddie Martinez Defers to the Desires of His Paints"
October 6, 2023 -
Spike: "Terrible Stories, Beautifully Written" (Andrea Bowers, Mary Weatherford)
August 10, 2023 -
BORDERCROSSINGS: "Sean Landers"
Benjamin Klein, August 1, 2023 -
Artline: "Monika Sosnowska, Models Aus den Ruinen Warschaus"
July 19, 2023 -
Ideat: "Gratwanderungen" (Sarah Morris)
Annabelle Hirsch, IDEAT, July 1, 2023 -
Artforum: "Exposé*es" (Zoe Leonard)
June 23, 2023 -
Artforum: "Isabella Ducrot"
June 23, 2023 -
Zeit: "Der Wunsch nach Frieden, Kunstschau in Altdöbern" (Andrea Bowers)
dpa, June 13, 2023 -
Vernissage TV: "Monika Sosnowska / Zentrum Paul Klee"
Heinrich Schmidt, Vernissage Tv, June 4, 2023 -
MONOPOL: "Das Streben nach Authentizität gehört der Vergangenheit an" (Pieter Schoolwerth)
Claire Koron Elat, May 26, 2023 -
Monopol: "Malcolm mittendrin"
Sebastian Frenzel, May 4, 2023 -
The New York Times: "Mimicking the 19th Century in the Age of AI" (Seth Price)
The New York Times, May 3, 2023 -
Artforum: "The Screen Age: Video's Past and Future" (Seth Price)
Artforum, May 1, 2023 -
Monopol: "12 Highlights zum Gallery Weekend, die Sie nicht verpassen sollten"
Elke Buhr, Sebastian Frenzel, Jens Hinrichsen und Saskia Trebing, April 28, 2023 -
Monica Bonvicini ‘I do You’ review: bondage, mirrors and feminist takes on masculine architecture
Emily McDermott, Wallpaper MagazineApril 25, 2023 -
Spike: "5 SHOWS ON OUR RADAR Gallery Weekend Berlin 2023"
April 24, 2023 -
Monopol: "Watchlist" (Leyla Yenirce)
Ferial Nadja Karrasch, April 22, 2023 -
Frieze: "Peter Piller Returns to Nature"
Ben Livne Weitzman, April 3, 2023 -
Brooklyn Rail: "Matt Mullican with Dan Cameron"
Dan Cameron, April 1, 2023 -
ARTFORUM: "Matt Mullican's adventures in Slumberland"
Laura Hoffmann, March 29, 2023 -
Frieze: ''Isabella Ducrot's Practice Is Free From Rules''
Ana Vukadin, March 24, 2023 -
MONOPOL: "Freies Spiel der Beziehungen. Peter Piller in der Kunsthalle Düsseldorf"
Silke Hohmann, March 22, 2023 -
ODDA Magazine
Monica Bonvicini in conversation with Richard PallardyMarch 20, 2023 -
ArtReview: ''Sanya Kantarovsky Deconstructs Our Everyday Obsessions''
Cassie Packard, March 8, 2023 -
Monica Bonvicini “I do You” at Neue Nationalgalerie, Berlin
Ana Teixeira Pinto, MOUSSE, March 7, 2023 -
Faz: "KUNSTMESSE ARCO MADRID: Im Meer der Möglichkeiten"
NICOLE SCHEYERER, February 25, 2023 -
elemmental: Arco Madrid 2023: más de doscientas galerías
DANIELLE CRUZ, February 24, 2023 -
The Art Newspaper: "A brush with... Amy Sillman" (Podcast)
Ben Luke, The Art Newspaper, February 22, 2023 -
Tagesspiegel: "Gut ist nicht schlecht genug. Zwei Ausstellungen feiern das Werk von Martin Kippenberger"
Jens Müller, February 18, 2023 -
Frankfurter Rundschau: "Martin Kippenberger zum 70. Geburtstag: Das Stillose war sein Stil"
Ingeborg Ruthe, February 2, 2023 -
Missy Magazine: "Polycule der Kunst" (Leyla Yenirce)
Ferial Nadja Karrasch, January 1, 2023 -
ARTFORUM: "Predicaments" (Sanya Kantarovsky)
Barry Schwabsky, January 1, 2023 -
CULTURED MAG: "STEFANIE HEINZE IS REORDERING REALITY"
Chiara Di Leone , December 31, 2022 -
Texte Zur Kunst: "Mnemosyne in Neon" (Austin Martin White)
Julia Modes, December 30, 2022 -
KUNSTFORUM: "Stefanie Heinze: Dimensions of the Fool"
Jens Asthoff, December 16, 2022 -
Mikołaj Sobczak: Leibeigene. History in Drag
Jens Bülskämper, ArtlineDecember 15, 2022 -
MONOPOL: "Zur Malerei von Stefanie Heinze. Die Dimensionen des Narren"
Oliver Koerner von Gustorf, December 15, 2022 -
FRIEZE: "Matt Mullican’s Cosmology of the Self"
Mitch Speed, December 14, 2022 -
artmagazine: "Matt Mullican - Mapping the world. 50 years of work: Die Welt ist nicht genug"
Werner Remm, December 7, 2022 -
Artforum: "Austin Martin White"
Martin Herbert, December 1, 2022 -
Monica Bonvicini’s Feminist House of Mirrors Upends the Masculine Architecture of Berlin’s Neue Nationalgalerie
Kate Brown, Artnet NewsNovember 24, 2022 -
Mikołaj Sobczak Upends History Painting
Krzysztof Kościuczuk, FriezeNovember 18, 2022 -
Numéro: "Apocalyptic Romance" (Pieter Schoolwerth)
Adam Lehrer, November 9, 2022 -
ArtReview: "The Return of Rococo in Contemporary Culture" (Karla Black)
Danielle Thom, November 8, 2022 -
taz: "Mutige Frauen" (Leyla Yenirce)
Alexander Diehl, October 23, 2022 -
Flash Art: "Austin Martin White 'Last Dance' Capitain Petzel / Berlin"
Philipp Hindahl, October 20, 2022 -
Tagesspiegel: "Spät entdeckt: Maria Lassnigs Kunst"
Christiane Meixner, October 18, 2022 -
Libération: "Zoe Leonard: 'La photo peut-elle défaire des systèmes qu’elle a bâtis ?'"
Clémentine Mercier, October 13, 2022 -
The New York Times Style Magazine: "Zoe Leonard Goes With the Flow"
Rose Courteau, October 11, 2022 -
PARNASS: "Monika Sosnowska"
Edith Schlocker, September 29, 2022 -
032c: "SMASHED COLLARBONES: Berlin Art Week 2022" (Austin Martin White)
Claire Koron Elat, September 27, 2022 -
Welt am Sonntag: "Das Beste ihrer Art: Austin Martin White Bei Capitain Petzel"
September 17, 2022 -
Art in America: "One Work: Andrea Bowers's 'Letter to an Army of Three'"
Jackson Davidow , August 25, 2022 -
Texte zur Kunst: "There is Light Somewhere" (Sanya Kantarovsky)
Louisa Elderton, August 12, 2022 -
ARTNews: "Artist Barbara Bloom and Writer Ben Lerner Invent a New Kind of Book"
Shanti Escalante-De Mattei, July 28, 2022 -
Berlin Art Link: "‘the state I am in’ at Capitain Petzel"
Natalie Russett, July 20, 2022 -
XIBT: "Pieter Schoolwerth in Conversation with Editor in Chief Alice Zucca"
Alice Zucca, July 18, 2022 -
Der Standard: "Maria Lassnig in Innsbruck: Ein Kopf als Käse, Würfel und Zyklopenauge"
Ivona Jelcic, July 8, 2022 -
Los Angeles Times: "Andrea Bowers' activist art has long been a conduit for hope — and still is today"
Catherine Womack, July 8, 2022 -
The New York Times: "Should I Go to Art School?" (Robert Longo)
Noor Brara, July 6, 2022 -
Los Angeles Times: "At the Hammer Museum, Andrea Bowers’ art becomes an act of nonviolent civil disobedience"
Christopher Knight, July 6, 2022 -
CULTURED MAG: "Artists Eddie Martinez and Sam Moyer Reveal Their Two-Person Exhibition in Montauk"
July 2, 2022 -
Tiroler Tageszeitung: "Die Hand als Waffe zur Selbsterspürung: Maria Lassnig im Ferdinandeum"
Edith Schlocker, June 24, 2022 -
Los Angeles Times: "‘The time is now’" (Andrea Bowers)
Deborah Vankin, June 3, 2022 -
Art Forum: "JEFFREY KASTNER ON PIETER SCHOOLWERTH"
June 1, 2022 -
Spike Magazine: "The Third Bank of the River. Zoe Leonard: 'A View from the Levee'"
Kristian Vistrup Madsen, June 1, 2022 -
Plus Magazine: "Stefanie"
Christopher Chow, June 1, 2022 -
Monopol: "Alte Meister von Neuen geliebt: Sanya Kantarovsky"
Sanya Kantarovsky, June 1, 2022 -
Berliner Zeitung: "Critics Picks: Das sind unsere Highlights zum Berliner Gallery Weekend ‘22"
April 30, 2022 -
Monopol: "Unsere Highlights zum Gallery-Weekend"
April 29, 2022 -
Frieze: "Zoe Leonard's Conceptual Landscapes"
Jessica Lynne, April 28, 2022 -
Art Agenda: "Zoe Leonard’s 'A View from the Levee'"
April 15, 2022 -
The Guardian: "‘Painting is like a cockroach or a shark, perfectly evolved’: artist Seth Price"
Dominic Rushe, April 13, 2022 -
Art Agenda: "Andrea Bowers’s “Can the world mend in this body?”"
Brian Karl, April 8, 2022 -
Monopol: "Zoe Leonard fotografiert den Río Bravo. Eine Grenze, zwei Perspektiven"
Brigitte Werneburg, April 8, 2022 -
TAZ: "Mit politischer Aufgabe betraut" (Zoe Leonard)
April 5, 2022 -
Artforum: "Critic's Picks: Zoe Leonard"
April 4, 2022 -
Kunstforum International: "Maria Lassnig. Wach bleiben"
Annelie Pohlen, April 1, 2022 -
Art Magazine: "Zoe Leonard - A View from the Levee: Die Grenze der Repräsentation"
March 28, 2022 -
LA Weekly: "A Haunting Film at UC Irvine is Not for the Faint of Heart" (Yael Bartana)
Liz Goldner, March 25, 2022 -
FAZ: "Keine Sandkunst mehr" (Maria Lassnig)
March 4, 2022 -
Artistc ARTs: "In the Studio with Seth Price"
February 1, 2022 -
New City Art: "Engines of Change. Andrea Bowers Highlights Activists Making History"
Kerry Cardoza, January 7, 2022 -
Artnet: "Artist Sarah Morris on Why She Started Painting Spiderwebs During Lockdown"
Katie White, January 7, 2022 -
The New York Times: "Andrea Bowers: Her Activism Animates Her Art"
Siddhartha Mitter, December 30, 2021 -
FAZ: "Ausstellung zu Sigmar Polke : In der Nacht und unter Drogen" (Seth Price)
Stefan Trinks, December 29, 2021 -
Frieze: "Charline von Heyl's Alchemical Images"
Camilla McHugh, December 8, 2021 -
Artforum: "Passages Unstraight Lines Louise Fishman (1939–2021)"
Amy Sillman, December 8, 2021 -
The New York Times: "A Monument to the Lives of Black Women and Girls" (ANDREA BOWERS)
Gina Cherelus, December 7, 2021 -
Monopol: "Hinschauen auf eigene Gefahr" (AMY SILLMAN)
Jens Hinrichsen, December 6, 2021 -
Art Magazine: "Possehl-Preis für Internationale Kunst 2022 geht an Matt Mullican"
November 29, 2021 -
Monopol: "Auszeichnung aus Lübeck: Matt Mullican bekommt Possehl-Preis für Internationale Kunst 2022"
November 29, 2021 -
Welt am Sonntag: "Wie Amy Sillman die Malerei emanzipiert hat"
Gesine Borcherdt, November 28, 2021 -
Taz: "Unbekannten Formen auf der Spur" (Amy Sillman)
Brigitte Werneburg, November 20, 2021 -
LA Times: "Review: Ex-President Trump claims to be a witch hunt target. These feminist artists beg to differ" (Bartana)
Christopher Knight, November 10, 2021 -
Musée Vanguard of Photography Culture: "Exhibition Review: Robert Longo"
Saige Buffington, November 4, 2021 -
Frieze: "Laura Owens on What We Get Wrong about Van Gogh"
BY AMY SHERLOCK AND LAURA OWENS IN INTERVIEWS, October 27, 2021 -
Spike Art Magazine: "The Downward Spiral: Zombie Figuration and the Death Ritual" (PIETER SCHOOLWERTH)
Dean Kissick, October 14, 2021 -
Artforum: "More Real than Real" (ROBERT LONGO)
Tim Griffin, October 6, 2021 -
Spike Art Magazine: "Faithful Narratives" (YAEL BARTANA)
Eva Scharrer, October 4, 2021 -
Domestic Rituals: An Interview with Monica Bonvicini
Lucia Longhi, Berlin Art LinkOctober 1, 2021 -
Kölner Stadt-Anzeiger: "Er schläft, sie löst sich langsam auf" (Maria Lassnig)
Michael Kohler, October 1, 2021 -
Émergent Magazine: "In the Studio with Robert Longo"
James Ambrose, September 29, 2021 -
The Paris Review: "The Chorus" (BARBARA BLOOM & Ben Lerner)
September 27, 2021 -
Collection Issue: "Stefanie Heinze"
Donna Salek, September 24, 2021 -
Frieze: "Painters On the Books Every Artist Must Read" (TOBIAS PILS)
BY LATIFA ECHAKHCH, MICHAEL KREBBER, XIE NANXING, TOBIAS PILS AND SHAHZIA SIKANDER , September 22, 2021 -
Spike Art Magazine: "GALLERY WEEKEND BERLIN 2021" (TOBIAS PILS - JOE BRADLEY)
September 21, 2021 -
De zeen: "Laura Owens covers Vincent Van Gogh exhibition in colourful handmade painted wallpaper"
September 12, 2021 -
Artnews: "Robert Longo Discusses ‘Moral Imperative’ That Drives His Latest Work"
September 2, 2021 -
Stern: "Mahnmal erinnert an Kindertransporte in der NS-Zeit" (YAEL BARTANA)
September 2, 2021 -
Frankfurt Live: "Denkmal The Orphan Carousel" (YAEL BARTANA)
August 31, 2021 -
Frankfurt Live: "Kinderemigration aus Frankfurt" (YAEL BARTANA)
August 26, 2021 -
Frankfurter Allgemeine: "Die Macht des Wildbachs" (YAEL BARTANA)
August 11, 2021 -
Frieze: "Wade Guyton Mixes the Incidental with the Arbitrary"
JAN TUMLIR, August 10, 2021 -
NPR: "Look Closely: These Black-And-White Images Are Not What They Seem" ROBERT LONGO
August 9, 2021 -
Nytimes: "Five Things We Recommend This Week" (YAEL BARTANA)
August 5, 2021 -
Artnet: "Editors’ Picks: 8 Events for Your Art Calendar This Week" (Robert Longo)
August 3, 2021 -
Kunstforum: "Yael Bartana, Redemption Now"
Claudia Wahjudi, August 3, 2021 -
Spike: "The Displacement Effect" at Capitain Petzel, Berlin
Eliza Levinson, August 3, 2021 -
Zacheta: Demining fear. Mikołaj Sobczak in conversation with Aleksander Kmak
August 1, 2021 -
New Yorker: "Robert Longo's Cinematic Works"
July 30, 2021 -
Süddeutsche Zeitung: "Peter Piller: Im Bremer Museum Weserburg trifft Marlboro-Mann auf Einfamilienhaus"
Till Briegleb, July 29, 2021 -
Frieze: "Top 5 Shows to See in the UK and Ireland this August"
July 28, 2021 -
Haaretz: "Yael Bartana: Israeli Artist Who Filmed IDF Soldiers Occupying Berlin Can't Imagine Living in Israel"
Shany Littman, July 27, 2021 -
Tagesspiegel: "Luftig Bedruckt: The Displacement Effect"
Jens Müller, July 24, 2021 -
Financial Times: "Karla Black. Fresh space for fruitful creativity"
Gareth Harris, July 21, 2021 -
Frieze: "Yael Bartana on the Politics of Collective Redemption"
Boaz Levin, July 21, 2021 -
The Arts Desk: "Karla Black, Fruitmarket, Edinburgh review - airy free-for-all"
Mark Sheerin, July 16, 2021 -
The Scotsman: "Edinburgh's Fruitmarket returns with Karla Black's wonderfully mysterious art"
Laura Waddell, July 14, 2021 -
Art Fix Daily: "Wade Guyton: Nevada Museum of Art Presents Exhibition of Andrea Zittel and High Desert Test Sites"
July 14, 2021 -
Scottish Construction Now: "Karla Black: Revitalised Fruitmarket opens following £4.3m Reiach and Hall-designed revamp"
July 7, 2021 -
Wallpaper: "Karla Black’s material ambush at revamped Fruitmarket Gallery"
Harriet Lloyd-Smith, July 7, 2021 -
The Art Newspaper: "Edinburgh's Fruitmarket gallery reopens with new double-height performance space"
Tim Cornwell, July 6, 2021 -
The Edinburgh Reporter: "Karla Black: The Fruitmarket opens on Wednesday"
Phyllis Stephen, July 5, 2021 -
taz: "Galerie Capitain Petzel in Berlin: Holzspargel auf grauem Rauchtisch"
Oliver Koerner von Gustorf, July 4, 2021 -
The Art Newspaper: "Laura Owens: South of France art venues create Covid-united network—and welcome LUMA Arles into the
Alison Cole, July 2, 2021 -
Süddeutsche Zeitung: "Yael Bartana. Und erlöse uns von der Geschichte"
Sonja Zekri, July 1, 2021 -
Artforum: "Yael Bartana on messianic myth, redemption, and the “Jewish question”"
Daniel Horn, June 30, 2021 -
Gallerytalk.net: "Die Sehnsucht nach Erlösung. Yael Bartana im Jüdischen Museum Berlin"
Alexandra Karg, June 23, 2021 -
Hannoversche Allgemeine: "Pieter Schoolwerth: Gut aufgehängt? Gut abgehangen?
Michael Stoeber, June 23, 2021 -
Art Magazine: "Maria Lassnig: Bleistift und Pinsel sind Urzustandswerkzeuge: Keine Gefangene des Stils"
Andrea Schurian, June 22, 2021 -
NDR: "Kunstverein Hannover zeigt Werke von Pieter Schoolwerth"
June 22, 2021 -
Weltkunst: "Amtsalon: Freispruch für die Kunst"
Christiane Meixner, June 17, 2021 -
The Brooklyn Rail: "Barbara Bloom with Tom McGlynn"
Tom Glynn, June 14, 2021 -
Hyperallergic: "Sanya Kantarovsky’s Truth-Bearing Fantasy"
Mengyun Han, June 12, 2021 -
The Edinburgh Reporter: "Karla Black: A fresh new Fruitmarket is ready to open its doors in July"
Phyllis Stephen, June 10, 2021 -
Jüdische Allgemeine: "Yael Bartana: Die Erlöserin spricht Hebräisch"
Johannes Becke, June 10, 2021 -
Deutsche Welle: "Jüdisches Museum: Die Suche nach Erlösung"
Torsten Landsberg, June 8, 2021 -
rbb Info Radio: "Yael Bartana: "Redemption Now" im Jüdischen Museum"
Silke Hennig, June 5, 2021 -
Monopol: "Yael Bartana: Wohin am Wochenende?"
June 4, 2021 -
Deutschlandfunk Kultur: "Yael Bartana im Jüdischen Museum Berlin: Die Ästhetik der Propaganda"
Simone Reber, June 4, 2021 -
Tagesspiegel: "Yael Bartana: Zur Eröffnung kommt der Messias"
Nicola Kuhn, June 4, 2021 -
Berliner Zeitung: "Erlösung durch Kunst: Yael Bartanas „Malka Germania“ im Jüdischen Museum Berlin"
Itamar Gov, Hanno Hauenstein, June 3, 2021 -
Jüdische Allgemeine: "Yael Bartana: »Malka Germania« als Messiasgestalt"
June 2, 2021 -
Kunstforum International: "Pieter Schoolwerth"
Michael Stoeber, June 1, 2021 -
Berlin.de: "Befreiung Berlins durch Israel: Kunst im Jüdischen Museum"
June 1, 2021 -
Monopol: "Yael Bartana: Mit dem Strom"
Monopol, June 1, 2021 -
Kunstforum International: "Yael Bartana im Jüdischen Museum Berlin"
Kunstforum, May 28, 2021 -
Kulturnews: "Yael Bartana. Redemption Now"
Janka Burtzlaff, May 21, 2021 -
Hyperallergic: "Laura Owens Teams Up with Cleveland Teens for a Playful Show on Time Travel"
Andrea Gyorody, May 21, 2021 -
Frieze: "Laura Owens Paints What She Wants and Takes Pleasure in Doing It"
Grant Klarich Johnson, May 18, 2021 -
Frieze: "Laura Owens Paints What She Wants and Takes Pleasure in Doing It"
Grant Klarich Johnson, May 18, 2021 -
Wall Street International "Stefanie Heinze. Stories of the imaginary"
May 13, 2021 -
Badische Tageszeitung: "Yael Bartana: Suche nach dem neuen Kunstansatz"
Christiane Lenhardt, May 11, 2021 -
Migazin: "Yael Bartana: Das leere Museum schmerzt mich sehr"
Markus Geiler, May 11, 2021 -
Artnet: "Tobias Pils: Editors’ Picks. 11 Events for Your Calendar This Week"
Sarah Cascone, May 3, 2021 -
Missy Magazine: "Yael Bartana: Ich, auf einem Esel"
Ina Holev, May 1, 2021 -
Border Crossings: "Belle Lettrists: Nicola Tyson, Maria Lassnig, Amy Sillman"
Meeka Walsh, May 1, 2021 -
Berliner Zeitung: "Shootingstar ist der Negativtest: Matt Mullican"
Ingeborg Ruthe, May 1, 2021 -
Monopol: "Portrait. Yael Bartana: Erlöse uns!"
Elke Buhr, May 1, 2021 -
Monopol: "12 Ausstellungen, die Sie beim Gallery Weekend sehen sollten: Matt Mullican"
monopol, April 30, 2021 -
MoMA Magazine: "Seth Price: What NFTs Mean for Contemporary Art"
Michelle Kuo, April 29, 2021 -
NDR: "Kunstverein: Künstler führen online durch Schoolwerth-Ausstellung"
Agnes Bührig, April 20, 2021 -
Art-in: "'No Body Get a Head, 1991–2020' von Pieter Schoolwerth"
April 15, 2021 -
Hannoversche Allgemeine: "Pieter Schoolwerth: Reine Kopfsache"
Michael Stoeber, April 10, 2021 -
Tagesspiegel: "Band zu Maria Lassnig: Selbstporträt als niesende Freiheitsstatue"
Esther Buss, March 29, 2021 -
Texte zur Kunst: "MAKING ART IN THE PANDEMIC BY AMY SILLMAN"
March 24, 2021 -
Monica Bonvicini in Bielefeld, Ein subtiler Tritt unter die Gürtellinie
Jens Bülskämper, Monopol MagazinMarch 13, 2021 -
Observer: Kathia St. Hilaire and Austin Martin White Flourish at Derek Eller Gallery
Teresa Xie , March 11, 2021 -
Interview Magazine: "Rachel Kushner and Laura Owens on the Power of Reinvention Through Writing"
Laura Owens, March 9, 2021 -
The Moscow Times: "Monika Sosnowska Shares 'Exercises in Construction, Bending'"
March 3, 2021 -
Kunstforum International: "Geheime Agenten – Die Überwacher überwachen"
Sabine Maria Schmidt, March 1, 2021 -
Kunstforum International: "Robert Longo"
Heinz-Norbert Jocks, March 1, 2021 -
Frieze: "Amy Sillman"
Tausif Noor, Frieze, February 24, 2021 -
Hyperallergic: "The Commanding, Flamboyant Joyce Pensato"
Gregory Volk, February 13, 2021 -
Pioneer Projects: "The Object Talk: Seth Price"
Emmanuel Olunkwa, February 12, 2021 -
New City Art: "Curiously Confounding: A Review of Charline von Heyl at Corbett vs. Dempsey"
Alan Pocaro, February 10, 2021 -
4Columns: "Joyce Pensato, The peculiar pop power of the late artist’s work."
Johanna Fateman, February 5, 2021 -
The Brooklyn Rail: "Artist's Choice: Amy Sillman—The Shape of Shape"
Cynthia Cruz, February 1, 2021 -
Kunstforum International: "KARLA BLACK"
Larissa Kikol, January 5, 2021 -
Calvert Journal: "Urbanites and existential angst: the not quite figurative world of painter Sanya Kantarovsky"
Paula Erizanu, December 22, 2020 -
Frieze: "Barbara Bloom"
Evan Moffitt, Frieze, December 12, 2020 -
Frieze: "Pieter Schoolwerth. Petzel Gallery, New York, USA"
David Geers, frieze, December 12, 2020 -
Financial Times: "Artist Robert Longo: ‘Taking down statues was one of America’s greatest moments’"
Jonathan Griffin, December 5, 2020 -
Texte Zur Kunst: "The Circularity of History. Ross Bleckner at Capitain Petzel, Berlin."
Daniel Sturgis, December 2, 2020 -
The Brooklyn Rail: "Charline von Heyl"
December 1, 2020 -
Spike: "Young, Adult", Review of Seth Price's book 'Dedicated to Life'.
Steve Zultanski, December 1, 2020 -
ArtReview: "Ross Bleckner. Quid Pro Quo"
Martin Herbert, November 11, 2020 -
Arte: "Allein im Museum: Maria Lassnig - Woman Power"
November 4, 2020 -
Frog: "Sean Landers: Interview"
Éric Troncy, November 1, 2020 -
Arts Magazine: "Pieter Schoolwerth Review"
October 27, 2020 -
Paper Magazine: "Stefanie Heinze Interview About "Frail Juice" at Petzel"
Justin Moran, October 23, 2020 -
Hyperallergic: "The Visceral Intimacy of Amy Sillman’s Drawings"
Ksenia M. Soboleva, October 22, 2020 -
Artforum: "Amy Sillman discusses “The Shape of Shape” at MoMA"
Zack Hatfield, October 21, 2020 -
The Guardian: "From Warhol to Steve McQueen: a history of video art in 30 works"
Barbara London, Skye Sherwin, Oliver Basciano, October 17, 2020 -
The New York Times: "Amy Sillman’s Breakthrough Moment Is Here"
Jason Farago, October 8, 2020 -
The New York Times: "A Gallery Resurgence in Chelsea"
Roberta Smith, October 8, 2020 -
Elephant: "Ross Bleckner Captures the Raw Vulnerability of Human Life in Paint"
Emily Steer, October 5, 2020 -
Frieze: "Pieter Schoolwerth’s Sims 4 Paintings Burst Our Filter Bubbles"
David Geers, October 2, 2020 -
Collection Issue: "Charline von Heyl"
Joanna L. Cresswell, September 28, 2020 -
Frieze: "Barbara Bloom"
Chloe Stead, September 24, 2020 -
Elephant: "Pieter Schoolwerth Reveals Violent Cracks in the Digital Self"
Emily Steer, September 21, 2020 -
The New York Times: "In Berlin, the Art World Spreads Out to Stay Safe"
Scott Reyburn, September 15, 2020 -
Reflektor Magazine: "Ross Bleckner"
Frederic Tuten, September 13, 2020 -
WELT am Sonntag: "Ross Bleckner bei Capitain Petzel"
Gesine Borcherdt, September 13, 2020 -
Bordercrossings: "Amy Sillman, The Painter's Language and the Language of Painting"
Robert Enright, September 1, 2020 -
Juxtapoz: "Shifted Sims: A Conversation With Pieter Schoolwerth"
August 25, 2020 -
Elephant: "Sarah Morris Evokes the Perils and Perks of a Globalised World"
Emily Steer, July 6, 2020 -
The Brooklyn Rail: "Matt Mullican: Universal Perspective"
William Whitney, May 6, 2020 -
Architectural Digest: "Isabella Ducrot, Gewebe aus Geschichte"
Oliver Körner von Gustorf, May 1, 2020 -
Sleek: "Introducing the Berlin artist transforming symbolic objects into dark social critique"
Kathryn O'Regan, April 26, 2020 -
WDR: "Wieder vom Wetter reden! Andrea Bowers in Mönchengladbach"
April 6, 2020 -
Kunstforum: "Andrea Bowers: grief and hope"
Renate Puvogel, March 1, 2020 -
Artnews: "Andrea Bowers Portrays the Future of Activism"
David Everitt Howe, March 1, 2020 -
Mousse Magazine: "Tobias Pils “Adam & Eve“ at Eva Presenhuber, Maag Areal, Zurich"
March 1, 2020 -
Artnews: "Taxi TV Turns Strange, Thanks to a Surprise New Video by Artist Christopher Williams"
Alex Greenberger, February 28, 2020 -
Süddeutsche Zeitung: "Konzeptkünstler Christopher Williams in Berlin: Mit aufgeschnittener Kamera"
Kito Nedo, February 19, 2020 -
Carousel in The Art Newspaper: "Yael Bartana: Frankfurt to recall the Kindertransport that saved thousands of children f
Catherine Hickley, February 14, 2020 -
Deutschlandfunk Kultur: "Christopher Williams im C/O Berlin: Vom Playboy zu Brecht"
Gerd Brendel, December 6, 2019 -
Artforum: "Christopher Williams at C/O Berlin"
Andrew Witt, December 1, 2019 -
Art: "Kontakt mit dem Bild"
Kito Nedo, December 1, 2019 -
BLAU: "Stefanie Heinze"
Oliver Körner von Gustorf, October 19, 2019 -
Welt: "Yael Bartana: Abrüstung mit magischem Realismus"
Emeli Glaser, October 19, 2019 -
Spike: "Yael Bartana 'The Graveyard'"
Chloe Stead, October 1, 2019 -
Art Monthly: "Cracked Mirror: Walead Beshty interviewed by John Parton"
John Parton, July 1, 2019 -
WSI Mag: "Walead Beshty: Travelled, Shredded, Touched and Broken"
Gülnaz Can, June 29, 2019 -
The Brooklyn Rail: "Sanya Kantarovsky with Jason Rosenfeld"
Jason Rosenfeld, June 5, 2019 -
Texte zur Kunst: "FAIL BETTER: Colin Lang on Stefanie Heinze at Capitain Petzel, Berlin"
Colin Lang, June 1, 2019 -
Vogue: "The Darkly Comic Art of Sanya Kantarovsky"
Dodie Kazanjian, May 15, 2019 -
Mousse Magazine: "As Is: Sean Landers Sean Landers interviewed by Chiara Moioli"
Chiara Moioli, February 24, 2019 -
Artforum: "Hannah Stamler on Yael Bartana"
Hannah Stamler, January 1, 2019 -
Frieze: "Walead Beshty: Picture Industry. A Provisional History of the Technical Image"
Max Andrews, December 20, 2018 -
Schirn Mag: "Ausgewählte Highlights der Berlin Art Week: Robert Longo"
Elisabeth Pallentin, September 28, 2018
