Selected Press

Art-in: "'No Body Get a Head, 1991–2020' von Pieter Schoolwerth"
April 15, 2021
Hannoversche Allgemeine: "Pieter Schoolwerth: Reine Kopfsache"
Michael Stoeber, April 10, 2021
Tagesspiegel: "Band zu Maria Lassnig: Selbstporträt als niesende Freiheitsstatue"
Esther Buss, March 29, 2021
Texte zur Kunst: "MAKING ART IN THE PANDEMIC BY AMY SILLMAN"
March 24, 2021
The Moscow Times: "Monika Sosnowska Shares 'Exercises in Construction, Bending'"
March 3, 2021
Kunstforum International: "Geheime Agenten – Die Überwacher überwachen"
Sabine Maria Schmidt, March 1, 2021
Kunstforum International: "Robert Longo"
Heinz-Norbert Jocks, March 1, 2021
Frieze: "Amy Sillman"
Tausif Noor, Frieze, February 24, 2021
Hyperallergic: "The Commanding, Flamboyant Joyce Pensato"
Gregory Volk, February 13, 2021
Pioneer Projects: "The Object Talk: Seth Price"
Emmanuel Olunkwa, February 12, 2021
4Columns: "Joyce Pensato, The peculiar pop power of the late artist’s work."
Johanna Fateman, February 5, 2021
Kunstforum International: "KARLA BLACK"
Larissa Kikol, January 5, 2021
Calvert Journal: "Urbanites and existential angst: the not quite figurative world of painter Sanya Kantarovsky"
Paula Erizanu, December 22, 2020
Frieze: "Barbara Bloom"
Evan Moffitt, Frieze, December 12, 2020
Frieze: "Pieter Schoolwerth. Petzel Gallery, New York, USA"
David Geers, frieze, December 12, 2020
Financial Times: "Artist Robert Longo: ‘Taking down statues was one of America’s greatest moments’"
Jonathan Griffin, December 5, 2020
Texte Zur Kunst: "The Circularity of History. Ross Bleckner at Capitain Petzel, Berlin."
Daniel Sturgis, TEXTE ZUR KUNST, December 2, 2020
Spike: "Young, Adult", Review of Seth Price's book 'Dedicated to Life'.
Steve Zultanski, December 1, 2020
Arte: "Allein im Museum: Maria Lassnig - Woman Power"
November 4, 2020
Frog: "Sean Landers: Interview"
Éric Troncy, November 1, 2020
Paper Magazine: "Stefanie Heinze Interview About "Frail Juice" at Petzel"
Justin Moran, October 23, 2020
The Guardian: "From Warhol to Steve McQueen: a history of video art in 30 works"
Barbara London, Skye Sherwin, Oliver Basciano, October 17, 2020
The New York Times: "A Gallery Resurgence in Chelsea"
Roberta Smith, October 8, 2020
Elephant: "Ross Bleckner Captures the Raw Vulnerability of Human Life in Paint"
Emily Steer, October 5, 2020
Frieze: "Pieter Schoolwerth’s Sims 4 Paintings Burst Our Filter Bubbles"
David Geers, October 2, 2020
Collection Issue: "Charline von Heyl"
Joanna L. Cresswell, September 28, 2020
Frieze: "Barbara Bloom"
Chloe Stead, September 24, 2020
Elephant: "Pieter Schoolwerth Reveals Violent Cracks in the Digital Self"
Emily Steer, September 21, 2020
The New York Times: "In Berlin, the Art World Spreads Out to Stay Safe"
Scott Reyburn, September 15, 2020
Reflektor Magazine: "Ross Bleckner"
Frederic Tuten, September 13, 2020
WELT am Sonntag: "Ross Bleckner bei Capitain Petzel"
Gesine Borcherdt, September 13, 2020
Bordercrossings: "Amy Sillman, The Painter's Language and the Language of Painting"
Robert Enright, September 1, 2020
Juxtapoz: "Shifted Sims: A Conversation With Pieter Schoolwerth"
August 25, 2020
Architectural Digest: "Isabella Ducrot, Gewebe aus Geschichte"
Oliver Körner von Gustorf, May 1, 2020
Sleek: "Introducing the Berlin artist transforming symbolic objects into dark social critique"
Kathryn O'Regan, April 26, 2020
Artnews: "Taxi TV Turns Strange, Thanks to a Surprise New Video by Artist Christopher Williams"
Alex Greenberger, February 28, 2020
Süddeutsche Zeitung: "Konzeptkünstler Christopher Williams in Berlin: Mit aufgeschnittener Kamera"
Kito Nedo, February 19, 2020
Carousel in The Art Newspaper: "Yael Bartana: Frankfurt to recall the Kindertransport that saved thousands of children f
Catherine Hickley, February 14, 2020
$Christopher Williams: Femme, monument, 1970. Kunstgießerei Bonvinici, Verona. Bronze, 250 x 100 x 50 cm, Museum Frieder Burda, Baden-Baden. Bronze with black patina, signed and numbered with engraving \'Miro EA 2\' June 9th, 2010, 2010 Gelatin Silver Print, 60.3 x 50.5 cm paper, 23.7 x 19.9 inches paper, 96.5 x 85.1 cm framed, 38 x 33.5 inches framed, Edition 2/10.$
Deutschlandfunk Kultur: "Christopher Williams im C/O Berlin: Vom Playboy zu Brecht"
Gerd Brendel, December 6, 2019
Artforum: "Christopher Williams at C/O Berlin"
Andrew Witt, December 1, 2019
Art: "Kontakt mit dem Bild"
Kito Nedo, December 1, 2019
BLAU: "Stefanie Heinze"
Oliver Körner von Gustorf, October 19, 2019
Welt: "Yael Bartana: Abrüstung mit magischem Realismus"
Emeli Glaser, October 19, 2019
Spike: "Yael Bartana 'The Graveyard'"
Chloe Stead, October 1, 2019
Texte zur Kunst: "FAIL BETTER: Colin Lang on Stefanie Heinze at Capitain Petzel, Berlin"
Colin Lang, June 1, 2019
Vogue: "The Darkly Comic Art of Sanya Kantarovsky"
Dodie Kazanjian, May 15, 2019
Artforum: "Hannah Stamler on Yael Bartana"
Hannah Stamler, January 1, 2019
Schirn Mag: "Ausgewählte Highlights der Berlin Art Week: Robert Longo"
Elisabeth Pallentin, September 28, 2018
Artnet News: "Motivated by ‘Rage and Hopelessness,’ Robert Longo Takes Aim at American Gun Violence in an Epic Work for
Tim Schneider, June 11, 2018
The New York Times: "Yael Bartana: Imagining a World Ruled by Women"
A.J. Goldmann, May 24, 2018
Interview Magazine: "Virtual reality and hypnosis are Matt Mullican’s choice art tools"
Cedar Pasori, April 12, 2018
Berliner Morgenpost: "Yael Bartana: Wenn Frauen die Macht haben"
Volker Blech, April 11, 2018
My Art Guides: "“The Feeling of Things”: an Interview with Matt Mullican"
Lara Morrell, April 11, 2018
Apollo Magazine: "Matt Mullican: The Feeling of Things"
April 6, 2018
Monopol: "'Ich spüre die Dringlichkeit einer nicht von Männern dominierten Welt': Yael Bartana an der Volksbühne Berl
Anna-Lena Werner, April 4, 2018
Artnews: "Stefanie Heinze"
Alina Cohen, March 1, 2018
Spiegelberger Stiftung: "Ateliergespräch - Robert Longo"
Rene S. Spiegelberger, February 15, 2018
Deutsche Welle: "Yael Bartana: Neuer Videoloop für Homosexuellen-Denkmal in Berlin"
January 12, 2018
Artforum: "Matt Mullican: The feeling of things"
Conny Butler, January 1, 2018
Artnet News: "Robert Longo on Editing Eisenstein, Learning From Putin’s Russia, and Why ‘Making Art Is a Political Gestu
Terence Trouillot, September 22, 2017
Studio International: "Robert Longo: ‘I’m making artworks out of dust’"
September 22, 2017
Time Out: "Review: Pieter Schoolwerth, 'Model as Painting'"
Howard Halle, June 13, 2017
Frieze: "Pieter Schoolwerth, Capitain Petzel, Berlin"
John Quin, March 1, 2017
Artforum: "1000 WORDS: PIETER SCHOOLWERTH"
Molly Warnock, January 1, 2017
Garage Magazine: "Kate Fowle meets Robert Longo"
Kate Fowle, September 1, 2016
Vice: "Stefanie Heinze: Hallucinatory Paintings Depict the Bodily Impossible"
Kevin Holmes, April 4, 2016
356 Mission: "Pieter Schoolwerth interviewed about 'Your Vacuum Sucks'"
Ethan Swan, June 1, 2015
Art in America: "Pieter Schoolwerth"
P.C. Smith, May 28, 2015
Kaleidoscope: "Superimages"
Ross Simonini, January 1, 2015
Art: "Robert Longo: Die Wahrheit ist Schwarz-Weiß"
Claudia Bodin, August 1, 2014
Tagesspiegel: "Maria Lassnig, Grande Dame der bildenden Kunst"
Nicola Kuhn, May 8, 2014
Hayperallergic: "After the Fall of Troy: The Paintings of Pieter Schoolwerth"
December 12, 2012
BOMB: "New Bodies: Pieter Schoolwerth"
Andrew Capetta, May 28, 2012
The New York Times: "PIETER SCHOOLWERTH: ‘Portraits of Paintings"
Roberta Smith, December 16, 2010
Border Crossings Magazine: "Working Towards Affection: An Interview with Robert Longo"
Meeka Walsh, Robert Enright, September 1, 2010
Purple Magazine: "Robert Longo"
Jeff Rian, June 1, 2010
Artforum: "What is that person thinking?: An Interview with Matt Mullican"
Tim Griffin, April 1, 2009

Selected Press

Art-in: "'No Body Get a Head, 1991–2020' von Pieter Schoolwerth"

Hannoversche Allgemeine: "Pieter Schoolwerth: Reine Kopfsache"

Tagesspiegel: "Band zu Maria Lassnig: Selbstporträt als niesende Freiheitsstatue"

Texte zur Kunst: "MAKING ART IN THE PANDEMIC BY AMY SILLMAN"

The Moscow Times: "Monika Sosnowska Shares 'Exercises in Construction, Bending'"

Kunstforum International: "Geheime Agenten – Die Überwacher überwachen"

Kunstforum International: "Robert Longo"

Frieze: "Amy Sillman"

Hyperallergic: "The Commanding, Flamboyant Joyce Pensato"

Pioneer Projects: "The Object Talk: Seth Price"

4Columns: "Joyce Pensato, The peculiar pop power of the late artist’s work."

Kunstforum International: "KARLA BLACK"

Calvert Journal: "Urbanites and existential angst: the not quite figurative world of painter Sanya Kantarovsky"

Frieze: "Barbara Bloom"

Frieze: "Pieter Schoolwerth. Petzel Gallery, New York, USA"

Financial Times: "Artist Robert Longo: ‘Taking down statues was one of America’s greatest moments’"

Texte Zur Kunst: "The Circularity of History. Ross Bleckner at Capitain Petzel, Berlin."

Spike: "Young, Adult", Review of Seth Price's book 'Dedicated to Life'.

Arte: "Allein im Museum: Maria Lassnig - Woman Power"

Frog: "Sean Landers: Interview"

Paper Magazine: "Stefanie Heinze Interview About "Frail Juice" at Petzel"

The Guardian: "From Warhol to Steve McQueen: a history of video art in 30 works"

The New York Times: "A Gallery Resurgence in Chelsea"

Elephant: "Ross Bleckner Captures the Raw Vulnerability of Human Life in Paint"

Frieze: "Pieter Schoolwerth’s Sims 4 Paintings Burst Our Filter Bubbles"

Collection Issue: "Charline von Heyl"

Frieze: "Barbara Bloom"

Elephant: "Pieter Schoolwerth Reveals Violent Cracks in the Digital Self"

The New York Times: "In Berlin, the Art World Spreads Out to Stay Safe"

Reflektor Magazine: "Ross Bleckner"

WELT am Sonntag: "Ross Bleckner bei Capitain Petzel"

Bordercrossings: "Amy Sillman, The Painter's Language and the Language of Painting"

Juxtapoz: "Shifted Sims: A Conversation With Pieter Schoolwerth"

Architectural Digest: "Isabella Ducrot, Gewebe aus Geschichte"

Sleek: "Introducing the Berlin artist transforming symbolic objects into dark social critique"

Artnews: "Taxi TV Turns Strange, Thanks to a Surprise New Video by Artist Christopher Williams"

Süddeutsche Zeitung: "Konzeptkünstler Christopher Williams in Berlin: Mit aufgeschnittener Kamera"

Carousel in The Art Newspaper: "Yael Bartana: Frankfurt to recall the Kindertransport that saved thousands of children f

Deutschlandfunk Kultur: "Christopher Williams im C/O Berlin: Vom Playboy zu Brecht"

Artforum: "Christopher Williams at C/O Berlin"

Art: "Kontakt mit dem Bild"

BLAU: "Stefanie Heinze"

Welt: "Yael Bartana: Abrüstung mit magischem Realismus"

Spike: "Yael Bartana 'The Graveyard'"

Texte zur Kunst: "FAIL BETTER: Colin Lang on Stefanie Heinze at Capitain Petzel, Berlin"

Vogue: "The Darkly Comic Art of Sanya Kantarovsky"

Artforum: "Hannah Stamler on Yael Bartana"

Schirn Mag: "Ausgewählte Highlights der Berlin Art Week: Robert Longo"

Artnet News: "Motivated by ‘Rage and Hopelessness,’ Robert Longo Takes Aim at American Gun Violence in an Epic Work for

The New York Times: "Yael Bartana: Imagining a World Ruled by Women"

Interview Magazine: "Virtual reality and hypnosis are Matt Mullican’s choice art tools"

Berliner Morgenpost: "Yael Bartana: Wenn Frauen die Macht haben"

My Art Guides: "“The Feeling of Things”: an Interview with Matt Mullican"

Apollo Magazine: "Matt Mullican: The Feeling of Things"

Monopol: "'Ich spüre die Dringlichkeit einer nicht von Männern dominierten Welt': Yael Bartana an der Volksbühne Berl

Artnews: "Stefanie Heinze"

Spiegelberger Stiftung: "Ateliergespräch - Robert Longo"

Deutsche Welle: "Yael Bartana: Neuer Videoloop für Homosexuellen-Denkmal in Berlin"

Artforum: "Matt Mullican: The feeling of things"

Artnet News: "Robert Longo on Editing Eisenstein, Learning From Putin’s Russia, and Why ‘Making Art Is a Political Gestu

Studio International: "Robert Longo: ‘I’m making artworks out of dust’"

Time Out: "Review: Pieter Schoolwerth, 'Model as Painting'"

Frieze: "Pieter Schoolwerth, Capitain Petzel, Berlin"

Artforum: "1000 WORDS: PIETER SCHOOLWERTH"

Garage Magazine: "Kate Fowle meets Robert Longo"

Vice: "Stefanie Heinze: Hallucinatory Paintings Depict the Bodily Impossible"

356 Mission: "Pieter Schoolwerth interviewed about 'Your Vacuum Sucks'"

Art in America: "Pieter Schoolwerth"

Kaleidoscope: "Superimages"

Art: "Robert Longo: Die Wahrheit ist Schwarz-Weiß"

Tagesspiegel: "Maria Lassnig, Grande Dame der bildenden Kunst"

Hayperallergic: "After the Fall of Troy: The Paintings of Pieter Schoolwerth"

BOMB: "New Bodies: Pieter Schoolwerth"

The New York Times: "PIETER SCHOOLWERTH: ‘Portraits of Paintings"

Border Crossings Magazine: "Working Towards Affection: An Interview with Robert Longo"

Purple Magazine: "Robert Longo"

Artforum: "What is that person thinking?: An Interview with Matt Mullican"