-
Electra Magazine: "Isabella Ducrot: Textlike Characters"
Leander Gussmann -
Monopol: "Monopol Top 100. Das sind die wichtigsten Persönlichkeiten der Kunstwelt" (Yael Bartana)
28 November 2024 -
Art Frame: "Prima del linguaggio, al centro di tutto. Viaggio nella poetica di Stefanie Heinze"
Francesco Liggieri, 15 November 2024 -
Monopol: "Was mit und nach der Sprache kommt" (Stefanie Heinze)
7 November 2024 -
Monopol: "Leni Riefenstahl und die Kunst Wir knicken immer noch vor ihr ein" (Yael Bartana)
Jens Hinrichsen, 4 November 2024 -
Monopol: "Neuer Kunstverein 47m in Leipzig 'Wir wollen Positionen zeigen, die Reibung erzeugen' " (Yael Bartana)
Sarah Alberti, 24 October 2024 -
Interview Magazine: "Is Being an Artist a Kink?: Jack O’Brien, in Conversation With Tarek Lakhrissi"
Tarek Lakhrissi, 18 October 2024 -
THE FACE: "The radical (and very chic) artists to see at Art Basel Paris" (Jack O’Brien)
Joe Bobowicz, 18 October 2024 -
émergent magazine: "Art Basel Paris, 2024 émergent selects" (Jack O’Brien)
émergent staff, 18 October 2024 -
émergent magazine: "Jack O’Brien at Camden Art Centre"
17 October 2024 -
artdaily: " Capitain Petzel now representing Jack O’Brien"
16 October 2024 -
ocula: "Six Standout Works by Women at Art Basel Paris 2024" (Andrea Bowers)
Simon Fisher, Eva Fuchs, and Rory Mitchell, 16 October 2024 -
artline: "Yael Bartana, Two Minutes to Midnight: Versuchsanordung für eine andere Politik"
Roberta De Righi, 11 October 2024 -
GalleriesNow: "Mikołaj Sobczak: Le Boudoir de L‘Amour"
2 October 2024 -
Art Magazine: "Süchtig nach Kobaltblau" (Amy Sillman)
Claudia Bodin, 1 October 2024 -
Frieze: "Jack O’Brien’s Charged Objects"
Jack O'Brien and Edward Gillman, 25 September 2024 -
émergent magazine: "Interview with Jack O’Brien"
Brooke Wilson -
Camera Austria: "Archiv Peter Piller: Transferfenster. Das Schalke Museum im Kunstmuseum Gelsenkirchen"
Jens Bülskämper, 22 September 2024 -
émergent magazine: "Interview with Alexandra Metcalf"
Robert Frost -
Flash Art: "Jack O’Brien – Glory Whole"
Caroline Elbaor, 6 September 2024 -
Berlin Art Link: "Monica Bonvicini"
Annalisa Giacinti, 23 August 2024 -
Kunstforum International: "Yael Bartana. Utopia Now!"
Michael Stoeber, 1 August 2024 -
Kunstforum International: "Das Potenzial des Textilen in Skulptur und Architektur" (Yael Bartana)
Uta M. Reindl, 1 August 2024 -
The New Yorker: "An Artist Flowering in Her Nineties" (Isabella Ducrot)
Rebecca Mead, 22 July 2024 -
ArtReview: "Yael Bartana: Overcoming the Future"
Nathaniel Budzinski, 10 July 2024 -
Flash Art: “Alexandra Metcalf: 1st Edition”
Caroline Elbaor, 5 July 2024 -
The Art Newspaper: "Art is on the curriculum at The Campus, a former school in upstate New York transformed by six galleries" (Andrea Bowers)
Benjamin Sutton, 3 July 2024 -
THE BROOKLYN RAIL: "Malcolm Morley: Painting as Model"
Alfred Mac Adam, 2 July 2024 -
Artnet: "Wet Paint in the Wild: Artist Alexandra Metcalf Gallery-Hops Her Way Through London"
Alexandra Metcalf, 1 July 2024 -
Glean Magazine: "Mikołaj Sobczak"
1 July 2024 -
artmagazine: "Sweet Sixteen: (Un)happy birthday"
Raimar Stange, 25 June 2024 -
Artforum: "Christopher Williams at Neubauer Collegium for Culture and Society, Chicago"
Michelle Grabner, 20 June 2024 -
PLASTER: "Spiralling with Alexandra Metcalf"
Izzy Bilkus, 19 June 2024 -
Tagesspiegel: "Interview mit der Künstlerin Yael Bartana"
Nicola Kuhn, 18 June 2024 -
Süddeutsche Zeitung: "Bergbau im Reliquienschrein" (Peter Piller)
Max Florian Kühlem, 12 June 2024 -
TAGESSPIEGEL: "Eine Arche Noah für Venedig: Große Kunst aus Glas bei der 60. Biennale" (Monica Bonvicini)
Rüdiger Schaper, 9 June 2024 -
Spike Art Magazine: "Yael Bartana: “The Idea of Utopia in the Wrong Hands Can Be Very Dangerous”
Hanno Hauenstein, 9 June 2024 -
Gallery Weekend Berlin: "Gallery Portrait: Capitain Petzel"
6 June 2024 -
AnOther Magazine: This Haunting New Exhibition Explores Girlhood and Hysteria
Olivia Allen, 5 June 2024 -
PAPER Magazine: "Stefanie Heinze Interviews Stefanie Heinze (Again)"
Justin Moran, 5 June 2024 -
Texte zur Kunst: "KONZERNE UND SPINNWEBEN" (Sarah Morris)
1 June 2024 -
taz: "Ein bisschen Trost gibt’s doch" (Yael Bartana)
27 May 2024 -
aartnet: "Artist-Activist Andrea Bowers on Her Unlikely New Collaborator"
Eileen Kinsella, 3 May 2024 -
Berliner Zeitung: Diese Ausstellungen sollte man beim 20. Gallery Weekend Berlin nicht verpassen! (Xie Nanxing)
26 April 2024 -
ArtReview: "Delinquent Bodies, Non-Specific Objects"
Jasmine Reimer, 26 April 2024 -
Forbes: "Venice Art Biennale 2024: 8 Must-See Pavilions"
Nel-Olivia Waga, 25 April 2024 -
Monopol: "Rundgang zum Gallery Weekend Berlin Wohin in Mitte?" (Xie Nanxing)
Boris Pofalla, Monopol, 24 April 2024 -
Artsy: "8 MUST-SEE SHOWS AT BERLIN GALLERY WEEKEND 2024" (Xie Nanxing)
Nadia Egan, Artsy, 24 April 2024 -
The New York Times: "At the Venice Biennale, the German Pavilion Undergoes a Transformation"
A.J. Goldmann, 18 April 2024 -
Süddeutsche Zeitung: "Wir Heimatlosen"
Jörg Häntzschel, 17 April 2024 -
Tagesspiegel: "Ein Raumschiff landet in Venedig"
Nicola Kuhn, 17 April 2024 -
ARTnews: "A Creepy, Entrancing German Pavilion Is This Venice Biennale’s Big Hit"
Alex Greenberger, 17 April 2024 -
THE ART NEWSPAPER: "Venice Biennale 2024: the must-see pavilions in the Giardini"
Lee Cheshire, José da Silva, Gareth Harris, Kabir Jhala, Julia Michalska and Alexander Morrison, 16 April 2024 -
Monopol: "Das Raumschiff ist gelandet"
Daniel Völzke, 16 April 2024 -
Der Spiegel: "Apocalypse Wow"
Frank Hornig, 16 April 2024 -
Die Zeit: "Yael Bartana: Raumschiffkapitänin"
Tobias Timm, 12 April 2024 -
Hyde Park Herald: Archival remains and ‘rudderless curiosity’ with Christopher Williams at Neubauer
Joshua Wagner, 8 April 2024 -
Der Bund: "Sarah Morris friert den Rausch der Grossstadt ein"
Martin Burkhalter, 28 March 2024 -
Das Wetter: "Aus der Betonnische"
Fid. Fischer, 28 March 2024 -
Spike Art Magazine: "There Is Something Odd…” at Christine König Galerie"
Ramona Heinlein, 26 March 2024 -
Welt: "Mehr Schwerkraft für die Kunst"
Swantje Karich, 8 March 2024 -
PRESTIGE: "Fragmented Narratives: Artist Sarah Morris Tackles Hong Kong With Her Latest Film, ETC"
Madelaine Clark, 5 March 2024 -
Whitewall: "Andrea Bowers and Ruinart Debut Conversations with Nature for Frieze LA"
Erica Silverman, 27 February 2024 -
Wallpaper: 'Andrea Bowers’ sculptural chandelier for Ruinart reflects a shared commitment to environmental conservation'
Hannah Silver, 22 February 2024 -
Hyperallergic: "Maria Lassnig’s Triumphant 'Little Films' "
Ela Bittencourt, 20 February 2024 -
artnet: "A Biopic of Painter Maria Lassnig Will Have Its World Premiere at the Berlinale"
Kate Brown, 9 February 2024 -
Berlin Art Link: "Challenging Bodily Norms in ‘Non-Specific Objects’"
Nadia Egan, 9 February 2024 -
Frankfurter Allgemeine Zeitung: "Sehnsuchtsvoll nach Südosten geschaut"
Nicole Scheyerer, 31 January 2024 -
Frankfurter Rundschau: "Maria Lassnig n der Neuen Nationalgalerie Berlin – Ihre bösen Bilder"
Ingeborg Ruthe, 30 January 2024 -
Monopol: "Dior und die Künstlerinnen Mehr als nur Couture-Kulisse" (Isabella Ducrot)
Leonie Wessel, 29 January 2024 -
Artnet: "See the 93-Year-Old Textile Artist Isabella Ducrot’s Monumental Scenography for Dior Couture"
Lee Carter, 23 January 2024 -
WELT: "Alle schauen jetzt auf Deutschland" (Yael Bartana)
Marcus Woeller, 23 January 2024 -
Tagesspiegel: "Coup für deutschen Pavillon in Venedig: Yael Bartana und Ersan Mondtag sollen die Biennale rocken"
Nicola Kuhn, 19 January 2024 -
FAZ: "Stahl und Glas in Manhattan" (Sarah Morris)
Georg Imdahl, 9 January 2024 -
Libération: "Rétro 2023 : écologie, politisation, peinture animalière..., le monde de l’art sort du cadre" (Sean Landers)
Claire Moulène, Clémentine Mercier and Judicaël Lavrador, 18 December 2023 -
Berliner Zeitung: "Maria Lassnigs „Knödel, Farbhaufen“ und ein mehr als nur moralisches Angebot"
15 December 2023 -
Frieze: "Leyla Yenirce’s Frenetic Paintings of Female Fighters"
GUILHERME VILHENA MARTINS , 13 December 2023 -
Artnet: "Stefanie Heinze Paints Richly Ambiguous Worlds. Collectors Are Obsessed"
Taylor Dafoe, 11 December 2023 -
Spike Art Magazine: "(Get) READY/ UNREADY (WithMe)"
Matilda Lin Berke, 1 December 2023 -
Libération: "Sean Landers, tartan roi de la jungle"
Clémentine Mercier, 7 November 2023 -
Blue Chip: "Familiar Dysphoria" (Austin Martin White)
4 November 2023 -
Art in America: "In Berlin, Autumn’s Art Shows Usher in an Anxious Changing of the Seasons" (Ragen Moss)
Martin Herbert, 31 October 2023 -
Two Coats of Paint: "Charline von Heyl’s audacious eclecticism"
Barbara A. MacAdam, 24 October 2023 -
Connaissance des arts: "Exposition à Paris : les animaux surréalistes de Sean Landers"
Guy Boyer, 24 October 2023 -
Frieze: "Five Writers Celebrate the Work of Sarah Lucas"
Hettie Judah, Daisy Lafarge, Princess Julia, Rye Dag Holmboe and Jack O’Brien, 20 October 2023 -
Artsy: "The 10 Best Booths at Paris+ par Art Basel 2023"
Arun Kakar, 19 October 2023 -
Artsy: "Jack O’Brien wins the 2023 Camden Art Centre Emerging Artist Prize at Frieze"
Maxwell Rabb, 11 October 2023 -
The Brooklyn Rail: "Charline von Heyl"
Ekin Erkan, 3 October 2023 -
Conceptual Fine Arts: "Alexandra Metcalf and the totalities of current life"
Piero Bisello22 September 2023 -
Spike: "Terrible Stories, Beautifully Written" (Andrea Bowers, Mary Weatherford)
10 August 2023 -
ArtReview: The Bittersweet Taste of the LA Art Scene
Claudia Ross1 August 2023 -
BORDERCROSSINGS: "Sean Landers"
Benjamin Klein, 1 August 2023 -
Artline: "Monika Sosnowska, Models Aus den Ruinen Warschaus"
19 July 2023 -
Ideat: "Gratwanderungen" (Sarah Morris)
Annabelle Hirsch, 1 July 2023 -
Artforum: "Exposé*es" (Zoe Leonard)
23 June 2023 -
Artforum: "Isabella Ducrot"
23 June 2023 -
Zeit: "Der Wunsch nach Frieden, Kunstschau in Altdöbern" (Andrea Bowers)
dpa, 13 June 2023 -
Vernissage TV: "Monika Sosnowska / Zentrum Paul Klee"
Heinrich Schmidt, Vernissage Tv, 4 June 2023 -
MONOPOL: "Das Streben nach Authentizität gehört der Vergangenheit an" (Pieter Schoolwerth)
Claire Koron Elat, 26 May 2023 -
Monopol: "Malcolm mittendrin"
Sebastian Frenzel, 4 May 2023 -
The Brooklyn Rail: "Alexandra Metcalf, Vol.18"
Barry Schwabsky1 May 2023 -
Monopol: "12 Highlights zum Gallery Weekend, die Sie nicht verpassen sollten"
Elke Buhr, Sebastian Frenzel, Jens Hinrichsen und Saskia Trebing, 28 April 2023 -
Monica Bonvicini ‘I do You’ review: bondage, mirrors and feminist takes on masculine architecture
Emily McDermott, Wallpaper Magazine25 April 2023 -
Spike: "5 SHOWS ON OUR RADAR Gallery Weekend Berlin 2023"
24 April 2023 -
Monopol: "Watchlist" (Leyla Yenirce)
Ferial Nadja Karrasch, 22 April 2023 -
Frieze: "Peter Piller Returns to Nature"
Ben Livne Weitzman, 3 April 2023 -
Brooklyn Rail: "Matt Mullican with Dan Cameron"
Dan Cameron, 1 April 2023 -
ARTFORUM: "Matt Mullican's adventures in Slumberland"
Laura Hoffmann, 29 March 2023 -
Frieze: ''Isabella Ducrot's Practice Is Free From Rules''
Ana Vukadin, 24 March 2023 -
MONOPOL: "Freies Spiel der Beziehungen. Peter Piller in der Kunsthalle Düsseldorf"
Silke Hohmann, 22 March 2023 -
ODDA Magazine
Monica Bonvicini in conversation with Richard Pallardy20 March 2023 -
ArtReview: ''Sanya Kantarovsky Deconstructs Our Everyday Obsessions''
Cassie Packard, 8 March 2023 -
Monica Bonvicini “I do You” at Neue Nationalgalerie, Berlin
Ana Teixeira Pinto, MOUSSE, 7 March 2023 -
Faz: "KUNSTMESSE ARCO MADRID: Im Meer der Möglichkeiten"
NICOLE SCHEYERER, 25 February 2023 -
elemmental: Arco Madrid 2023: más de doscientas galerías
DANIELLE CRUZ, 24 February 2023 -
The Art Newspaper: "A brush with... Amy Sillman" (Podcast)
Ben Luke, 22 February 2023 -
Tagesspiegel: "Gut ist nicht schlecht genug. Zwei Ausstellungen feiern das Werk von Martin Kippenberger"
Jens Müller, 18 February 2023 -
Frankfurter Rundschau: "Martin Kippenberger zum 70. Geburtstag: Das Stillose war sein Stil"
Ingeborg Ruthe, 2 February 2023 -
Artforum: "CITY LIMITS: Thomas Eggerer on Edward Hopper"
Thomas Eggerer, 1 February 2023 -
Missy Magazine: "Polycule der Kunst" (Leyla Yenirce)
Ferial Nadja Karrasch, 1 January 2023 -
ARTFORUM: "Predicaments" (Sanya Kantarovsky)
Barry Schwabsky, 1 January 2023 -
CULTURED MAG: "STEFANIE HEINZE IS REORDERING REALITY"
Chiara Di Leone , 31 December 2022 -
Texte Zur Kunst: "Mnemosyne in Neon" (Austin Martin White)
Julia Modes, 30 December 2022 -
KUNSTFORUM: "Stefanie Heinze: Dimensions of the Fool"
Jens Asthoff, 16 December 2022 -
Mikołaj Sobczak: Leibeigene. History in Drag
Jens Bülskämper, Artline15 December 2022 -
MONOPOL: "Zur Malerei von Stefanie Heinze. Die Dimensionen des Narren"
Oliver Koerner von Gustorf, 15 December 2022 -
FRIEZE: "Matt Mullican’s Cosmology of the Self"
Mitch Speed, 14 December 2022 -
artmagazine: "Matt Mullican - Mapping the world. 50 years of work: Die Welt ist nicht genug"
Werner Remm, 7 December 2022 -
TEXTE ZUR KUNST: "STORM WATCH: Thomas Eggerer über Winslow Homer im Metropolitan Museum of Art, New York"
Thomas Eggerer, 1 December 2022 -
Artforum: "Austin Martin White"
Martin Herbert, 1 December 2022 -
Monica Bonvicini’s Feminist House of Mirrors Upends the Masculine Architecture of Berlin’s Neue Nationalgalerie
Kate Brown, Artnet News24 November 2022 -
Mikołaj Sobczak Upends History Painting
Krzysztof Kościuczuk, Frieze18 November 2022 -
Numéro: "Apocalyptic Romance" (Pieter Schoolwerth)
Adam Lehrer, 9 November 2022 -
ArtReview: "The Return of Rococo in Contemporary Culture" (Karla Black)
Danielle Thom, 8 November 2022 -
taz: "Mutige Frauen" (Leyla Yenirce)
Alexander Diehl, 23 October 2022 -
Flash Art: "Austin Martin White 'Last Dance' Capitain Petzel / Berlin"
Philipp Hindahl, 20 October 2022 -
Tagesspiegel: "Spät entdeckt: Maria Lassnigs Kunst"
Christiane Meixner, 18 October 2022 -
Libération: "Zoe Leonard: 'La photo peut-elle défaire des systèmes qu’elle a bâtis ?'"
Clémentine Mercier, 13 October 2022 -
The New York Times Style Magazine: "Zoe Leonard Goes With the Flow"
Rose Courteau, 11 October 2022 -
The New York Times: "Art We Saw This Fall" (Thomas Eggerer)
The New York Times's critics, 5 October 2022 -
PARNASS: "Monika Sosnowska"
Edith Schlocker, 29 September 2022 -
032c: "SMASHED COLLARBONES: Berlin Art Week 2022" (Austin Martin White)
Claire Koron Elat, 27 September 2022 -
Welt am Sonntag: "Das Beste ihrer Art: Austin Martin White Bei Capitain Petzel"
17 September 2022 -
Art in America: "One Work: Andrea Bowers's 'Letter to an Army of Three'"
Jackson Davidow , 25 August 2022 -
Texte zur Kunst: "There is Light Somewhere" (Sanya Kantarovsky)
Louisa Elderton, 12 August 2022 -
Art Plugged: "Maria Lassnig: The Biography"
11 August 2022 -
ARTNews: "Artist Barbara Bloom and Writer Ben Lerner Invent a New Kind of Book"
Shanti Escalante-De Mattei, 28 July 2022 -
Berlin Art Link: "‘the state I am in’ at Capitain Petzel"
Natalie Russett, 20 July 2022 -
XIBT: "Pieter Schoolwerth in Conversation with Editor in Chief Alice Zucca"
Alice Zucca, 18 July 2022 -
Der Standard: "Maria Lassnig in Innsbruck: Ein Kopf als Käse, Würfel und Zyklopenauge"
Ivona Jelcic, 8 July 2022 -
Los Angeles Times: "Andrea Bowers' activist art has long been a conduit for hope — and still is today"
Catherine Womack, 8 July 2022 -
The New York Times: "Should I Go to Art School?" (Robert Longo)
Noor Brara, 6 July 2022 -
Los Angeles Times: "At the Hammer Museum, Andrea Bowers’ art becomes an act of nonviolent civil disobedience"
Christopher Knight, 6 July 2022 -
Tiroler Tageszeitung: "Die Hand als Waffe zur Selbsterspürung: Maria Lassnig im Ferdinandeum"
Edith Schlocker, 24 June 2022 -
Artnet: "5 Can’t-Miss Works by Leading Contemporary Artists Heading to Poly Auction’s 10th Anniversary Sales This July" (Xie Nanxing)
22 June 2022 -
Artforum: "Critic's Picks: Xie Nanxing" (English translation)
Chen Li, 20 June 2022 -
Los Angeles Times: "As the Schindler House turns 100, a new exhibition reexamines its complex legacy" (Stephen Prina)
Carolina A. Miranda, 15 June 2022 -
Los Angeles Times: "‘The time is now’" (Andrea Bowers)
Deborah Vankin, 3 June 2022 -
Art Forum: "JEFFREY KASTNER ON PIETER SCHOOLWERTH"
1 June 2022 -
Spike Magazine: "The Third Bank of the River. Zoe Leonard: 'A View from the Levee'"
Kristian Vistrup Madsen, 1 June 2022 -
Plus Magazine: "Stefanie"
Christopher Chow, 1 June 2022 -
Monopol: "Alte Meister von Neuen geliebt: Sanya Kantarovsky"
Sanya Kantarovsky, 1 June 2022 -
Berliner Zeitung: "Critics Picks: Das sind unsere Highlights zum Berliner Gallery Weekend ‘22"
30 April 2022 -
Monopol: "Unsere Highlights zum Gallery-Weekend"
29 April 2022 -
Frieze: "Zoe Leonard's Conceptual Landscapes"
Jessica Lynne, 28 April 2022 -
Interview Magazine: "Meet Eight Artists Reshaping the 59th Venice Biennale" (Charline von Heyl)
Christopher Bollen, 21 April 2022 -
Art Agenda: "Zoe Leonard’s 'A View from the Levee'"
15 April 2022 -
Art Agenda: "Andrea Bowers’s “Can the world mend in this body?”"
Brian Karl, 8 April 2022 -
Monopol: "Zoe Leonard fotografiert den Río Bravo. Eine Grenze, zwei Perspektiven"
Brigitte Werneburg, 8 April 2022 -
TAZ: "Mit politischer Aufgabe betraut" (Zoe Leonard)
5 April 2022 -
Artforum: "Critic's Picks: Zoe Leonard"
4 April 2022 -
Kunstforum International: "Maria Lassnig. Wach bleiben"
Annelie Pohlen, 1 April 2022 -
Art Magazine: "Zoe Leonard - A View from the Levee: Die Grenze der Repräsentation"
28 March 2022 -
LA Weekly: "A Haunting Film at UC Irvine is Not for the Faint of Heart" (Yael Bartana)
Liz Goldner, 25 March 2022 -
FAZ: "Keine Sandkunst mehr" (Maria Lassnig)
4 March 2022 -
Cultured: "Take a road trip with Lucy Bull for 'Crash with Alexandra Metcalf' "
Lucy Bull24 February 2022 -
New City Art: "Engines of Change. Andrea Bowers Highlights Activists Making History"
Kerry Cardoza, 7 January 2022 -
Artnet: " ‘There’s a Lot of Ingenuity in These Little Forms’: Artist Sarah Morris on Why She Started Painting Spiderwebs During Lockdown"
Katie White, 7 January 2022 -
The New York Times: "Andrea Bowers: Her Activism Animates Her Art"
Siddhartha Mitter, 30 December 2021 -
Frieze: "Charline von Heyl's Alchemical Images"
Camilla McHugh, 8 December 2021 -
Artforum: "Passages Unstraight Lines Louise Fishman (1939–2021)"
Amy Sillman, 8 December 2021 -
The New York Times: "A Monument to the Lives of Black Women and Girls" (ANDREA BOWERS)
Gina Cherelus, 7 December 2021 -
Monopol: "Hinschauen auf eigene Gefahr" (AMY SILLMAN)
Jens Hinrichsen, 6 December 2021 -
Art Magazine: "Possehl-Preis für Internationale Kunst 2022 geht an Matt Mullican"
29 November 2021 -
Monopol: "Auszeichnung aus Lübeck: Matt Mullican bekommt Possehl-Preis für Internationale Kunst 2022"
29 November 2021 -
Welt am Sonntag: "Wie Amy Sillman die Malerei emanzipiert hat"
Gesine Borcherdt, 28 November 2021 -
Taz: "Unbekannten Formen auf der Spur" (Amy Sillman)
Brigitte Werneburg, 20 November 2021 -
Frieze: "Thomas Eggerer’s Paintings of Desire within Protest"
18 November 2021 -
LA Times: "Review: Ex-President Trump claims to be a witch hunt target. These feminist artists beg to differ" (Bartana)
Christopher Knight, 10 November 2021 -
Frieze: "Painters On the Books Every Artist Must Read" (Xie Nanxing)
3 November 2021 -
Frieze: "Laura Owens on What We Get Wrong about Van Gogh"
AMY SHERLOCK AND LAURA OWENS, 27 October 2021 -
Spike Art Magazine: "The Downward Spiral: Zombie Figuration and the Death Ritual" (Stefanie Heinze) (Peter Schoolwerth)
Dean Kissick, 14 October 2021 -
Artforum: "More Real than Real" (ROBERT LONGO)
Tim Griffin, 6 October 2021 -
Spike Art Magazine: "Faithful Narratives" (YAEL BARTANA)
Eva Scharrer, 4 October 2021 -
Domestic Rituals: An Interview with Monica Bonvicini
Lucia Longhi, Berlin Art Link1 October 2021 -
Kölner Stadt-Anzeiger: "Er schläft, sie löst sich langsam auf" (Maria Lassnig)
Michael Kohler, 1 October 2021 -
The Paris Review: "The Chorus" (BARBARA BLOOM & Ben Lerner)
27 September 2021 -
Collection Issue: "Stefanie Heinze"
Donna Salek, 24 September 2021 -
Frieze: "Jack O’Brien Cruises for Ghosts"
Sam Moore, 23 September 2021 -
Frieze: "Painters On the Books Every Artist Must Read" (TOBIAS PILS)
BY LATIFA ECHAKHCH, MICHAEL KREBBER, XIE NANXING, TOBIAS PILS AND SHAHZIA SIKANDER , 22 September 2021 -
Spike Art Magazine: "GALLERY WEEKEND BERLIN 2021" (TOBIAS PILS - JOE BRADLEY)
21 September 2021 -
De zeen: "Laura Owens covers Vincent Van Gogh exhibition in colourful handmade painted wallpaper"
12 September 2021 -
Artnews: "Robert Longo Discusses ‘Moral Imperative’ That Drives His Latest Work"
2 September 2021 -
Stern: "Mahnmal erinnert an Kindertransporte in der NS-Zeit" (YAEL BARTANA)
2 September 2021 -
Frankfurt Live: "Denkmal The Orphan Carousel" (YAEL BARTANA)
31 August 2021 -
Frankfurt Live: "Kinderemigration aus Frankfurt" (YAEL BARTANA)
26 August 2021 -
Frankfurter Allgemeine: "Die Macht des Wildbachs" (YAEL BARTANA)
11 August 2021 -
Nytimes: "Five Things We Recommend This Week" (YAEL BARTANA)
5 August 2021 -
Kunstforum: "Yael Bartana, Redemption Now"
Claudia Wahjudi, 3 August 2021 -
Spike: "The Displacement Effect" at Capitain Petzel, Berlin
Eliza Levinson, 3 August 2021 -
Zacheta: Demining fear. Mikołaj Sobczak in conversation with Aleksander Kmak
1 August 2021 -
New Yorker: "Robert Longo's Cinematic Works"
30 July 2021 -
Süddeutsche Zeitung: "Peter Piller: Im Bremer Museum Weserburg trifft Marlboro-Mann auf Einfamilienhaus"
Till Briegleb, 29 July 2021 -
Frieze: "Top 5 Shows to See in the UK and Ireland this August"
28 July 2021 -
Haaretz: "Yael Bartana: Israeli Artist Who Filmed IDF Soldiers Occupying Berlin Can't Imagine Living in Israel"
Shany Littman, 27 July 2021 -
Tagesspiegel: "Luftig Bedruckt: The Displacement Effect"
Jens Müller, 24 July 2021 -
Financial Times: "Karla Black. Fresh space for fruitful creativity"
Gareth Harris, 21 July 2021 -
Frieze: "Yael Bartana on the Politics of Collective Redemption"
Boaz Levin, 21 July 2021 -
The Arts Desk: "Karla Black, Fruitmarket, Edinburgh review - airy free-for-all"
Mark Sheerin, 16 July 2021 -
The Scotsman: "Edinburgh's Fruitmarket returns with Karla Black's wonderfully mysterious art"
Laura Waddell, 14 July 2021 -
Scottish Construction Now: "Karla Black: Revitalised Fruitmarket opens following £4.3m Reiach and Hall-designed revamp"
7 July 2021 -
Wallpaper: "Karla Black’s material ambush at revamped Fruitmarket Gallery"
Harriet Lloyd-Smith, 7 July 2021 -
The Art Newspaper: "Edinburgh's Fruitmarket gallery reopens with new double-height performance space"
Tim Cornwell, 6 July 2021 -
The Edinburgh Reporter: "Karla Black: The Fruitmarket opens on Wednesday"
Phyllis Stephen, 5 July 2021 -
taz: "Galerie Capitain Petzel in Berlin: Holzspargel auf grauem Rauchtisch"
Oliver Koerner von Gustorf, 4 July 2021 -
The Art Newspaper: "Laura Owens: South of France art venues create Covid-united network—and welcome LUMA Arles into the
Alison Cole, 2 July 2021 -
Süddeutsche Zeitung: "Yael Bartana. Und erlöse uns von der Geschichte"
Sonja Zekri, 1 July 2021 -
Artforum: "Yael Bartana on messianic myth, redemption, and the “Jewish question”"
Daniel Horn, 30 June 2021 -
Gallerytalk.net: "Die Sehnsucht nach Erlösung. Yael Bartana im Jüdischen Museum Berlin"
Alexandra Karg, 23 June 2021 -
Hannoversche Allgemeine: "Pieter Schoolwerth: Gut aufgehängt? Gut abgehangen?
Michael Stoeber, 23 June 2021 -
Art Magazine: "Maria Lassnig: Bleistift und Pinsel sind Urzustandswerkzeuge: Keine Gefangene des Stils"
Andrea Schurian, 22 June 2021 -
NDR: "Kunstverein Hannover zeigt Werke von Pieter Schoolwerth"
22 June 2021 -
Weltkunst: "Amtsalon: Freispruch für die Kunst"
Christiane Meixner, 17 June 2021 -
The Brooklyn Rail: "Barbara Bloom with Tom McGlynn"
Tom Glynn, 14 June 2021 -
Hyperallergic: "Sanya Kantarovsky’s Truth-Bearing Fantasy"
Mengyun Han, 12 June 2021 -
The Edinburgh Reporter: "Karla Black: A fresh new Fruitmarket is ready to open its doors in July"
Phyllis Stephen, 10 June 2021 -
Jüdische Allgemeine: "Yael Bartana: Die Erlöserin spricht Hebräisch"
Johannes Becke, 10 June 2021 -
Deutsche Welle: "Jüdisches Museum: Die Suche nach Erlösung"
Torsten Landsberg, 8 June 2021 -
rbb Info Radio: "Yael Bartana: "Redemption Now" im Jüdischen Museum"
Silke Hennig, 5 June 2021 -
Monopol: "Yael Bartana: Wohin am Wochenende?"
4 June 2021 -
Deutschlandfunk Kultur: "Yael Bartana im Jüdischen Museum Berlin: Die Ästhetik der Propaganda"
Simone Reber, 4 June 2021 -
Tagesspiegel: "Yael Bartana: Zur Eröffnung kommt der Messias"
Nicola Kuhn, 4 June 2021 -
Berliner Zeitung: "Erlösung durch Kunst: Yael Bartanas „Malka Germania“ im Jüdischen Museum Berlin"
Itamar Gov, Hanno Hauenstein, 3 June 2021 -
Jüdische Allgemeine: "Yael Bartana: »Malka Germania« als Messiasgestalt"
2 June 2021 -
Kunstforum International: "Pieter Schoolwerth"
Michael Stoeber, 1 June 2021 -
Berlin.de: "Befreiung Berlins durch Israel: Kunst im Jüdischen Museum"
1 June 2021 -
Monopol: "Yael Bartana: Mit dem Strom"
Monopol, 1 June 2021 -
Kunstforum International: "Yael Bartana im Jüdischen Museum Berlin"
Kunstforum, 28 May 2021 -
Kulturnews: "Yael Bartana. Redemption Now"
Janka Burtzlaff, 21 May 2021 -
Hyperallergic: "Laura Owens Teams Up with Cleveland Teens for a Playful Show on Time Travel"
Andrea Gyorody, 21 May 2021 -
Frieze: "Laura Owens Paints What She Wants and Takes Pleasure in Doing It"
Grant Klarich Johnson, 18 May 2021 -
Wall Street International "Stefanie Heinze. Stories of the imaginary"
13 May 2021 -
Badische Tageszeitung: "Yael Bartana: Suche nach dem neuen Kunstansatz"
Christiane Lenhardt, 11 May 2021 -
Migazin: "Yael Bartana: Das leere Museum schmerzt mich sehr"
Markus Geiler, 11 May 2021 -
Artnet: "Tobias Pils: Editors’ Picks. 11 Events for Your Calendar This Week"
Sarah Cascone, 3 May 2021 -
Missy Magazine: "Yael Bartana: Ich, auf einem Esel"
Ina Holev, 1 May 2021 -
Border Crossings: "Belle Lettrists: Nicola Tyson, Maria Lassnig, Amy Sillman"
Meeka Walsh, 1 May 2021 -
Berliner Zeitung: "Shootingstar ist der Negativtest: Matt Mullican"
Ingeborg Ruthe, 1 May 2021 -
Monopol: "Portrait. Yael Bartana: Erlöse uns!"
Elke Buhr, 1 May 2021 -
Monopol: "12 Ausstellungen, die Sie beim Gallery Weekend sehen sollten: Matt Mullican"
monopol, 30 April 2021 -
NDR: "Kunstverein: Künstler führen online durch Schoolwerth-Ausstellung"
Agnes Bührig, 20 April 2021 -
Art-in: "'No Body Get a Head, 1991–2020' von Pieter Schoolwerth"
15 April 2021 -
Hannoversche Allgemeine: "Pieter Schoolwerth: Reine Kopfsache"
Michael Stoeber, 10 April 2021 -
Tagesspiegel: "Band zu Maria Lassnig: Selbstporträt als niesende Freiheitsstatue"
Esther Buss, 29 March 2021 -
Texte zur Kunst: "MAKING ART IN THE PANDEMIC BY AMY SILLMAN"
24 March 2021 -
Monica Bonvicini in Bielefeld, Ein subtiler Tritt unter die Gürtellinie
Jens Bülskämper, Monopol Magazin13 March 2021 -
Observer: Kathia St. Hilaire and Austin Martin White Flourish at Derek Eller Gallery
Teresa Xie , 11 March 2021 -
Interview Magazine: "Rachel Kushner and Laura Owens on the Power of Reinvention Through Writing"
Laura Owens, 9 March 2021 -
The Moscow Times: "Monika Sosnowska Shares 'Exercises in Construction, Bending'"
3 March 2021 -
Kunstforum International: "Geheime Agenten – Die Überwacher überwachen"
Sabine Maria Schmidt, 1 March 2021 -
Kunstforum International: "Robert Longo"
Heinz-Norbert Jocks, 1 March 2021 -
Frieze: "Amy Sillman"
Tausif Noor, 24 February 2021 -
Hyperallergic: "The Commanding, Flamboyant Joyce Pensato"
Gregory Volk, 13 February 2021 -
New City Art: "Curiously Confounding: A Review of Charline von Heyl at Corbett vs. Dempsey"
Alan Pocaro, 10 February 2021 -
4Columns: "Joyce Pensato, The peculiar pop power of the late artist’s work."
Johanna Fateman, 5 February 2021 -
The Brooklyn Rail: "Artist's Choice: Amy Sillman—The Shape of Shape"
Cynthia Cruz, 1 February 2021 -
Art Asia Pacific: "Evidence of Painting: Interview with Xie Nanxing"
Lauren Long, 8 January 2021 -
Kunstforum International: "KARLA BLACK"
Larissa Kikol, 5 January 2021 -
Calvert Journal: "Urbanites and existential angst: the not quite figurative world of painter Sanya Kantarovsky"
Paula Erizanu, 22 December 2020 -
Frieze: "Barbara Bloom"
Evan Moffitt, Frieze, 12 December 2020 -
Frieze: "Pieter Schoolwerth. Petzel Gallery, New York, USA"
David Geers, frieze, 12 December 2020 -
Heichi Magazine: "Reappearances of Dada: On Xie Nanxing’s “A Roll of the Dice”
Clement Huang, 10 December 2020 -
Financial Times: "Artist Robert Longo: ‘Taking down statues was one of America’s greatest moments’"
Jonathan Griffin, 5 December 2020 -
Texte Zur Kunst: "The Circularity of History. Ross Bleckner at Capitain Petzel, Berlin."
Daniel Sturgis, 2 December 2020 -
ArtReview: "Ross Bleckner. Quid Pro Quo"
Martin Herbert, 11 November 2020 -
Arte: "Allein im Museum: Maria Lassnig - Woman Power"
4 November 2020 -
Frog: "Sean Landers: Interview"
Éric Troncy, 1 November 2020 -
Arts Magazine: "Pieter Schoolwerth Review"
27 October 2020 -
Paper Magazine: "Stefanie Heinze Interview About "Frail Juice" at Petzel"
Justin Moran, 23 October 2020 -
Hyperallergic: "The Visceral Intimacy of Amy Sillman’s Drawings"
Ksenia M. Soboleva, 22 October 2020 -
Artforum: "Amy Sillman discusses “The Shape of Shape” at MoMA"
Zack Hatfield, 21 October 2020 -
The Guardian: "From Warhol to Steve McQueen: a history of video art in 30 works"
Barbara London, Skye Sherwin, Oliver Basciano, 17 October 2020 -
The New York Times: "Amy Sillman’s Breakthrough Moment Is Here"
Jason Farago, 8 October 2020 -
The New York Times: "A Gallery Resurgence in Chelsea"
Roberta Smith, 8 October 2020 -
Elephant: "Ross Bleckner Captures the Raw Vulnerability of Human Life in Paint"
Emily Steer, 5 October 2020 -
Frieze: "Pieter Schoolwerth’s Sims 4 Paintings Burst Our Filter Bubbles"
David Geers, 2 October 2020 -
Collection Issue: "Charline von Heyl"
Joanna L. Cresswell, 28 September 2020 -
Frieze: "Barbara Bloom"
Chloe Stead, 24 September 2020 -
Elephant: "Pieter Schoolwerth Reveals Violent Cracks in the Digital Self"
Emily Steer, 21 September 2020 -
The New York Times: "In Berlin, the Art World Spreads Out to Stay Safe"
Scott Reyburn, 15 September 2020 -
Reflektor Magazine: "Ross Bleckner"
Frederic Tuten, 13 September 2020 -
WELT am Sonntag: "Ross Bleckner bei Capitain Petzel"
Gesine Borcherdt, 13 September 2020 -
Bordercrossings: "Amy Sillman, The Painter's Language and the Language of Painting"
Robert Enright, 1 September 2020 -
Juxtapoz: "Shifted Sims: A Conversation With Pieter Schoolwerth"
25 August 2020 -
Elephant: "Sarah Morris Evokes the Perils and Perks of a Globalised World"
Emily Steer, 6 July 2020 -
The Brooklyn Rail: "Matt Mullican: Universal Perspective"
William Whitney, 6 May 2020 -
Architectural Digest: "Isabella Ducrot, Gewebe aus Geschichte"
Oliver Körner von Gustorf, 1 May 2020 -
WDR: "Wieder vom Wetter reden! Andrea Bowers in Mönchengladbach"
6 April 2020 -
Kunstforum: "Andrea Bowers: grief and hope"
Renate Puvogel, 1 March 2020 -
Artnews: "Andrea Bowers Portrays the Future of Activism"
David Everitt Howe, 1 March 2020 -
Mousse Magazine: "Tobias Pils “Adam & Eve“ at Eva Presenhuber, Maag Areal, Zurich"
1 March 2020 -
Artnews: "Taxi TV Turns Strange, Thanks to a Surprise New Video by Artist Christopher Williams"
Alex Greenberger, 28 February 2020 -
Süddeutsche Zeitung: "Konzeptkünstler Christopher Williams in Berlin: Mit aufgeschnittener Kamera"
Kito Nedo, 19 February 2020 -
Carousel in The Art Newspaper: "Yael Bartana: Frankfurt to recall the Kindertransport that saved thousands of children f
Catherine Hickley, 14 February 2020 -
Deutschlandfunk Kultur: "Christopher Williams im C/O Berlin: Vom Playboy zu Brecht"
Gerd Brendel, 6 December 2019 -
Artforum: "Christopher Williams at C/O Berlin"
Andrew Witt, 1 December 2019 -
Art: "Kontakt mit dem Bild"
Kito Nedo, 1 December 2019 -
BLAU: "Stefanie Heinze"
Oliver Körner von Gustorf, 19 October 2019 -
Welt: "Yael Bartana: Abrüstung mit magischem Realismus"
Emeli Glaser, 19 October 2019 -
Artforum: "Xie Nanxing: Thomas Dane Gallery"
Fiona He, 16 October 2019 -
Spike: "Yael Bartana 'The Graveyard'"
Chloe Stead, 1 October 2019 -
Forbes: "The Feminist Artist Who Created The Selfie Nearly 100 Years Ago"
Grace Banks, 5 July 2019 -
Apollo Magazine: "Selfie stick – the many faces of Maria Lassnig"
Gabrielle Schwarz, 5 July 2019 -
The Brooklyn Rail: "Sanya Kantarovsky with Jason Rosenfeld"
Jason Rosenfeld, 5 June 2019 -
Texte zur Kunst: "FAIL BETTER: Colin Lang on Stefanie Heinze at Capitain Petzel, Berlin"
Colin Lang, 1 June 2019 -
Vogue: "The Darkly Comic Art of Sanya Kantarovsky"
Dodie Kazanjian, 15 May 2019 -
Sleek: "Introducing the Berlin artist transforming symbolic objects into dark social critique" (Stefanie Heinze)
26 April 2019 -
CULTURED MAG: "Charline von Heyl’s Paintings Treat Structure like a Game"
Gaby Collins-Fernandez, 9 April 2019 -
Mousse Magazine: "As Is: Sean Landers Sean Landers interviewed by Chiara Moioli"
Chiara Moioli, 24 February 2019 -
Artforum: "Hannah Stamler on Yael Bartana"
Hannah Stamler, 1 January 2019 -
The National News: "An entirely different view of Abu Dhabi: Sarah Morris's film is the first commissioned work for the Guggenheim's permanent collection"
Nick Leech, 20 November 2018 -
Die Zeit: "Charline von Heyl: Die Frau als Denkmaschine"
Lisa Zeitz, 8 July 2018 -
The New York Times: "Tobias Pils: What to See in New York Art Galleries This Week"
Roberta Smith, 8 June 2018 -
The New York Times: "Yael Bartana: Imagining a World Ruled by Women"
A.J. Goldmann, 24 May 2018 -
Interview Magazine: "Virtual reality and hypnosis are Matt Mullican’s choice art tools"
Cedar Pasori, 12 April 2018 -
Berliner Morgenpost: "Yael Bartana: Wenn Frauen die Macht haben"
Volker Blech, 11 April 2018 -
My Art Guides: "“The Feeling of Things”: an Interview with Matt Mullican"
Lara Morrell, 11 April 2018 -
Sleek: "Karla Black: Five Female Painters Breathing New Life into the Medium"
Kathryn O'Regan, 8 April 2018 -
Apollo Magazine: "Matt Mullican: The Feeling of Things"
6 April 2018 -
Monopol: "'Ich spüre die Dringlichkeit einer nicht von Männern dominierten Welt': Yael Bartana an der Volksbühne Berl
Anna-Lena Werner, 4 April 2018 -
China.org.cn: "Artist's exhibition offers new take on Western masterpieces" (Xie Nanxing)
20 March 2018 -
FAZ: "Karla Black: Land–Art unter Wasser"
Georg Imdahl, 17 March 2018 -
Texte zur Kunst: "ROSE-COLORED GLASSES NICOLÁS GUAGNINI ON STEPHEN PRINA AT CAPITAIN PETZEL, BERLIN"
14 March 2018 -
Art in America: "Stefanie Heinze"
Alina Cohen, 1 March 2018 -
Artnews: "Stefanie Heinze"
Alina Cohen, 1 March 2018 -
Garage: "A Former Slacker Artist Gets Real"
Paul Laster, 26 February 2018 -
ArtNews: "Artisanal Abstraction: The Elusive, Effusive Art of Amy Sillman"
Phyllis Tuchman, 16 February 2018 -
Interview Magazine: "The playfully troubled art of Amy Sillman"
Matt Mullan, 25 January 2018 -
Deutsche Welle: "Yael Bartana: Neuer Videoloop für Homosexuellen-Denkmal in Berlin"
12 January 2018 -
Artforum: "Matt Mullican: The feeling of things"
Conny Butler, 1 January 2018 -
TEXTE ZUR KUNST: "After Hours" (Thomas Eggerer)
Andrew Durbin, 8 December 2017 -
Artforum: "Thomas Eggerer"
Alex Kitnick, 1 November 2017 -
Artforum: "Stephen Prina: Museo MADRE"
Paola Nicolin, 17 July 2017 -
Time Out: "Review: Pieter Schoolwerth, 'Model as Painting'"
Howard Halle, 13 June 2017 -
The Brooklyn Rail: "Tobias Pils"
Ilka Scobie, 1 June 2017 -
Kunstforum International: "Peter Piller – Ich sehe was, was du schon gesehen hast"
Oliver Zybok, 1 May 2017 -
Monica Bonvicini: her hand around the room
Laura Smith, ArtReview15 March 2017 -
Frieze: "Pieter Schoolwerth, Capitain Petzel, Berlin"
John Quin, 1 March 2017 -
Artforum: "1000 WORDS: PIETER SCHOOLWERTH"
Molly Warnock, 1 January 2017 -
Features: Monica Bonvicini
Massimiliano Gioni, Flash Art20 December 2016 -
Art Forum: "Scrawl Space"
Dan Nadel, 1 October 2016 -
Artforum: "Jens Asthoff on Tobias Pils"
Jens Asthoff, 1 October 2016 -
Yishu: Journal of Contemporary Chinese Art: "Spots, Dust, Renderings, Picabia, Case Notes, Flavour, Light, Sound, and More: Xie Nanxing’s Creations“
Carol Yinghua Lu, 4 July 2016 -
Artforum: "Tobias Pils"
Franz Thalmair, 1 July 2016 -
Studio International: "Stephen Prina: 'The exhibition was really about considering whether I could embark on an autobiographical profect that I would deem acceptable"
Allie Biswas, 17 May 2016 -
The Guardian: "Maria Lassnig: under the skin"
Kathryn Hughes, 14 May 2016 -
Vice: "Stefanie Heinze: Hallucinatory Paintings Depict the Bodily Impossible"
Kevin Holmes, 4 April 2016 -
Artforum: "Booze Arts: Thomas Eggerer on Monika Baer"
Thomas Eggerer, 1 April 2016 -
Frieze: "Thomas Eggerer"
Scott Roben, 18 February 2016 -
artobserved: "Thomas Eggerer: Waterworld at Petzel"
Osman Can Yerebakan, 1 February 2016 -
Art News: "Thomas Eggerer"
Mark Prince, 2 October 2015 -
Artspace: "Sarah Morris on Uncovering Conspiracies in the Art-Luxury Industrial Complex"
Karen Rosenberg, 17 June 2015 -
356 Mission: "Pieter Schoolwerth interviewed about 'Your Vacuum Sucks'"
Ethan Swan, 1 June 2015 -
Art in America: "Pieter Schoolwerth"
P.C. Smith, 28 May 2015 -
Kaleidoscope: "Superimages"
Ross Simonini, 1 January 2015 -
Art in America: "Sean Landers"
19 November 2014 -
Frieze: "Something from Nothing" (PETER PILLER)
Christy Lange, 14 November 2014 -
Tagesspiegel: "Maria Lassnig, Grande Dame der bildenden Kunst"
Nicola Kuhn, 8 May 2014 -
The New Yorker: "Her"
Andrea K. Scott, 2 March 2014 -
Mousse: "A Fragile Artificiality" (Thomas Eggerer)
John Kelsey, 12 January 2014 -
Artforum: "Time Zones: The recent work of Thomas Eggerer"
David Joselit, 1 January 2014 -
Bomb Magazine: "Amy Sillman by R. H. Quaytman"
R. H. Quaytman, 1 October 2013 -
Art in America: "Maria Lassnig’s Body Awareness"
Travis Jeppesen, 14 June 2013 -
ArtNews: "In the Studio: Stephen Prina"
Steel Stillman, 26 April 2013 -
Hayperallergic: "After the Fall of Troy: The Paintings of Pieter Schoolwerth"
12 December 2012 -
BOMB: "New Bodies: Pieter Schoolwerth"
Andrew Capetta, 28 May 2012 -
The New York Times: "PIETER SCHOOLWERTH: ‘Portraits of Paintings"
Roberta Smith, 16 December 2010 -
Artforum: "What is that person thinking?: An Interview with Matt Mullican"
Tim Griffin, 1 April 2009 -
Artforum: "Empty Nest. On SARAH MORRIS'S BEIJING"
Tom Vanderbilt, 1 December 2008