-
OBSERVER: "Isabella Ducrot’s Practice Remains Rooted in the Quiet Power of Materials"
Elisa Carollo, 7 July 2025 -
CULTURED MAG: "For Amy Sillman, Making an Abstract Painting Is Like Finding Parking in New York: Endless, Improvised, and Torturous"
Mara Veitch, 23 June 2025 -
Frieze: "Alexandra Metcalf’s Sinister Vignettes"
Ivana Cholakova, 23 June 2025 -
Artsy: "At 94, Isabella Ducrot Is Gaining Overdue Recognition for Her Tender Paintings"
Maxwell Rabb, 20 June 2025 -
Artnet: "For Rising Artist Alexandra Metcalf, There’s Beauty in the Breakdown"
Katie White, 12 June 2025 -
British Vogue: "This Summer’s Must-See Contemporary Art Exhibitions In London, And Beyond" (Alexandra Metcalf)
Mahoro Seward, 10 June 2025 -
contemporary art society: "Alexandra Metcalf’s ‘Gaaaaaaasp’: a surreal journey through feminine spaces and eras"
Ellen Mara De Wachter, 30 May 2025 -
Vogue Polska: "Vogue Polska” x BMW Art Academy: Contemporary artists are inspired by folklore" (Mikołaj Sobczak)
Marta Czyz, 28 May 2025 -
Time Out: "Alexandra Metcalf at The Perimeter"
Sofia Hallström, 27 May 2025 -
The Public's Radio: "Loyalists, Patriots and a colossal plaid whale in Newport" (Sean Landers)
James Baumgartner, 22 May 2025 -
Monopol: "Monica Bonvicini in Berlin: Kunst für die Vorkriegszeit"
Oliver Koerner von Gustorf, 7 May 2025 -
Kunstkritikk: "Darker than Darkness: Robert Longo’s charcoal drawings are utterly absorbing – right up until they become shallow."
Nanna Friis, 6 May 2025 -
Artforum: "Jack O’Brien at Capitain Petzel"
Dominic Eichler, 1 May 2025 -
Berliner Zeitung: "Diese 8 Ausstellungen sollte man beim Gallery Weekend Berlin nicht verpassen!" (Monica Bonvicini)
Ingeborg Ruthe, Timo Feldhaus, 30 April 2025 -
Frieze: "The Best Shows to See in Berlin Right Now" (Monica Bonvicini)
Emily May, 29 April 2025 -
Monopol: "Spaziergänge zum Gallery Weekend. Wohin in Mitte?" (Monica Bonvicini)
Oliver Koerner von Gustorf, 26 April 2025 -
CULTURE.PL: "‘Familiar Strangers’: A Powerful Exhibition about Eastern Europe at Bozar, Brussels"
Aleksander Kmak, 16 April 2025 -
Tagesspiegel: "Keine Angst vor Dekorativem: Die Blumenbilder von Isabella Ducrot"
Dorothea Zwirner, 4 April 2025 -
Flash Art: "Amy Sillman “Oh, Clock!” Ludwig Forum / Aachen"
Ramona Heinlein, 1 April 2025 -
Texte zur Kunst: "SEND IN THE CLOWNS Sasha Rossman on Amy Sillman at the Kunstmuseum Bern"
Sasha Rossman, 28 March 2025 -
Weltkunst: "Ist das Leben nicht schön?" (Isabella Ducrot)
Annabelle Hirsch, 28 March 2025 -
Deutschlandfunk: "Amy Sillman. Oh, Clock! – Erste Einzelausstellung der New Yorker Künstlerin"
Georg Imdahl, 25 March 2025 -
The Brooklyn Rail: "Amy Sillman: Oh, Clock!"
Astrid Dick de Mareschal, 19 March 2025 -
The Red Bulletin: "Stefanie Heinze"
Anne Waak, 10 March 2025 -
BOMB: "Robert Longo by Michelle Grabner"
Michelle Grabner, 12 February 2025 -
ArtReview: "Isabella Ducrot and the Textile Renaissance"
Ana Vukadin, 3 February 2025 -
Artnet: "At 94, Artist Isabella Ducrot Is a Rising Star"
Jo Lawson-Tancred, 29 January 2025 -
Curator Guide: "Amy Sillman, Oh, Clock!"
Sascha Behrendt, 25 January 2025 -
Gallerytalk.net: "Der Geschmack des Silberlöffels – Jack O’Brien bei Capitain Petzel"
Lara Brörken, 24 January 2025 -
Pasadena weekly: "Aid is Coming: Grief and Hope campaign will help artists impacted by wildfires" (Andrea Bowers)
Ed Condran, 16 January 2025 -
Spike: "Amy Sillman at Kunstmuseum Bern"
Beniamino Foschini, 15 January 2025 -
Frieze: "Celebrating 100 Years of Joan Mitchell" (Amy Sillman)
Andrew Durbin, Amy Sillman, Emily LaBarge and Lucy Ives, 8 January 2025 -
Whitewall: "Leyla Yenirce: Anthropology of Responsibility"
Heike Dempster, 24 December 2024 -
Artsy: "The Most Influential Artists of 2024" (Isabella Ducrot)
Artsy Editorial, 19 December 2024 -
radio3: "Platz für Kunst – Thomas Eggerer: Galeria"
Sofie Czilwik, 12 December 2024 -
Neue Zürcher Zeitung: "In Robert Longos Kunst ist alles gross und bedrohlich. Der amerikanische Künstler weiss um die Destruktivität der Menschen – und will diese sehen"
Sabine B. Vogel, 11 December 2024 -
Frieze: "Must-See: Thomas Eggerer’s Exercise in Stillness"
Oliver Osborne, 4 December 2024 -
Artforum: "THE ARTISTS’ ARTISTS" (Leyla Yenirce)
Jes Fan, Ryan Gander, Petrit Halilaj, Joan Jonas, Mataaho Collective, Archie Moore, Jordan Nassar, Adam Pendleton, Asad Raza, Marianna Simnett, Rose B. Simpson, Cameron Spratley, Carmen Winant, Leyla Yenirce, Yuan Goang-Ming, 1 December 2024 -
Artforum: "Barbara Bloom Zweigstelle Capitain VI – Palazzo Degas"
Cornelia Lauf, 1 December 2024 -
Electra Magazine: "Isabella Ducrot: Textile Characters"
Leander Gussmann, 1 December 2024 -
Monopol: "Monopol Top 100. Das sind die wichtigsten Persönlichkeiten der Kunstwelt" (Yael Bartana)
28 November 2024 -
Art Frame: "Prima del linguaggio, al centro di tutto. Viaggio nella poetica di Stefanie Heinze"
Francesco Liggieri, 15 November 2024 -
Monopol: "Was mit und nach der Sprache kommt" (Stefanie Heinze)
7 November 2024 -
Monopol: "Leni Riefenstahl und die Kunst – Wir knicken immer noch vor ihr ein" (Yael Bartana)
Jens Hinrichsen, 4 November 2024 -
i-D: "Jack O’Brien’s Big Reward"
Evan Moffitt, 30 October 2024 -
Monopol: "Neuer Kunstverein 47m in Leipzig 'Wir wollen Positionen zeigen, die Reibung erzeugen' " (Yael Bartana)
Sarah Alberti, 24 October 2024 -
Interview Magazine: "Is Being an Artist a Kink?: Jack O’Brien, in Conversation With Tarek Lakhrissi"
Tarek Lakhrissi, 18 October 2024 -
THE FACE: "The radical (and very chic) artists to see at Art Basel Paris" (Jack O’Brien)
Joe Bobowicz, 18 October 2024 -
émergent magazine: "Art Basel Paris, 2024 émergent selects" (Jack O’Brien)
émergent staff, 18 October 2024 -
émergent magazine: "Jack O’Brien at Camden Art Centre"
17 October 2024 -
ocula: "Six Standout Works by Women at Art Basel Paris 2024" (Andrea Bowers)
Simon Fisher, Eva Fuchs, and Rory Mitchell, 16 October 2024 -
artline: "Yael Bartana, Two Minutes to Midnight: Versuchsanordung für eine andere Politik"
Roberta De Righi, 11 October 2024 -
Frieze: "Jack O’Brien’s Charged Objects"
Jack O'Brien and Edward Gillman, 25 September 2024 -
émergent magazine: "Interview with Jack O’Brien"
Brooke Wilson -
Flash Art: "Jack O’Brien – Glory Whole"
Caroline Elbaor, 6 September 2024 -
Berlin Art Link: "Monica Bonvicini"
Annalisa Giacinti, 23 August 2024 -
The Washington Post: "Summer: Abstraction as Apprehension" (Amy Sillman)
9 August 2024 -
Kunstforum International: "Yael Bartana. Utopia Now!"
Michael Stoeber, 1 August 2024 -
Kunstforum International: "Das Potenzial des Textilen in Skulptur und Architektur" (Yael Bartana)
Uta M. Reindl, 1 August 2024 -
The New Yorker: "An Artist Flowering in Her Nineties"
Rebecca Mead, 22 July 2024 -
ArtReview: "Yael Bartana: Overcoming the Future"
Nathaniel Budzinski, 10 July 2024 -
Flash Art: “Alexandra Metcalf: 1st Edition”
Caroline Elbaor, 5 July 2024 -
The Art Newspaper: "Art is on the curriculum at The Campus, a former school in upstate New York transformed by six galleries" (Andrea Bowers)
Benjamin Sutton, 3 July 2024 -
The Brooklyn Rail: "Malcolm Morley: Painting as Model"
Alfred Mac Adam, 2 July 2024 -
Artnet: "Wet Paint in the Wild: Artist Alexandra Metcalf Gallery-Hops Her Way Through London"
Alexandra Metcalf, 1 July 2024 -
émergent magazine: "Interview with Alexandra Metcalf"
Robert Frost, 1 July 2024 -
artmagazine: "Sweet Sixteen: (Un)happy birthday"
Raimar Stange, 25 June 2024 -
Artforum: "Christopher Williams at Neubauer Collegium for Culture and Society, Chicago"
Michelle Grabner, 20 June 2024 -
PLASTER: "Spiralling with Alexandra Metcalf"
Izzy Bilkus, 19 June 2024 -
Tagesspiegel: "Interview mit der Künstlerin Yael Bartana"
Nicola Kuhn, 18 June 2024 -
Süddeutsche Zeitung: "Bergbau im Reliquienschrein" (Peter Piller)
Max Florian Kühlem, 12 June 2024 -
TAGESSPIEGEL: "Eine Arche Noah für Venedig: Große Kunst aus Glas bei der 60. Biennale" (Monica Bonvicini)
Rüdiger Schaper, 9 June 2024 -
Spike: "Yael Bartana: “The Idea of Utopia in the Wrong Hands Can Be Very Dangerous”
Hanno Hauenstein, 9 June 2024 -
Gallery Weekend Berlin: "Gallery Portrait: Capitain Petzel"
6 June 2024 -
AnOther Magazine: "This Haunting New Exhibition Explores Girlhood and Hysteria" (Alexandra Metcalf)
Olivia Allen, 5 June 2024 -
PAPER Magazine: "Stefanie Heinze Interviews Stefanie Heinze (Again)"
Justin Moran, 5 June 2024 -
taz: "Ein bisschen Trost gibt’s doch" (Yael Bartana)
27 May 2024 -
Artnet: "Artist-Activist Andrea Bowers on Her Unlikely New Collaborator"
Eileen Kinsella, 3 May 2024 -
Berliner Zeitung: Diese Ausstellungen sollte man beim 20. Gallery Weekend Berlin nicht verpassen! (Xie Nanxing)
26 April 2024 -
ArtReview: "Delinquent Bodies, Non-Specific Objects"
Jasmine Reimer, 26 April 2024 -
Forbes: "Venice Art Biennale 2024: 8 Must-See Pavilions"
Nel-Olivia Waga, 25 April 2024 -
Monopol: "Rundgang zum Gallery Weekend Berlin Wohin in Mitte?" (Xie Nanxing)
Boris Pofalla, Monopol, 24 April 2024 -
Artsy: "8 MUST-SEE SHOWS AT BERLIN GALLERY WEEKEND 2024" (Xie Nanxing)
Nadia Egan, Artsy, 24 April 2024 -
The New York Times: "At the Venice Biennale, the German Pavilion Undergoes a Transformation"
A.J. Goldmann, 18 April 2024 -
Süddeutsche Zeitung: "Wir Heimatlosen"
Jörg Häntzschel, 17 April 2024 -
Tagesspiegel: "Ein Raumschiff landet in Venedig"
Nicola Kuhn, 17 April 2024 -
ARTnews: "A Creepy, Entrancing German Pavilion Is This Venice Biennale’s Big Hit"
Alex Greenberger, 17 April 2024 -
THE ART NEWSPAPER: "Venice Biennale 2024: the must-see pavilions in the Giardini"
Lee Cheshire, José da Silva, Gareth Harris, Kabir Jhala, Julia Michalska and Alexander Morrison, 16 April 2024 -
Monopol: "Das Raumschiff ist gelandet"
Daniel Völzke, 16 April 2024 -
Der Spiegel: "Apocalypse Wow"
Frank Hornig, 16 April 2024 -
Die Zeit: "Yael Bartana: Raumschiffkapitänin"
Tobias Timm, 12 April 2024 -
Hyde Park Herald: Archival remains and ‘rudderless curiosity’ with Christopher Williams at Neubauer
Joshua Wagner, 8 April 2024 -
Der Bund: "Sarah Morris friert den Rausch der Grossstadt ein"
Martin Burkhalter, 28 March 2024 -
Das Wetter: "Aus der Betonnische"
Fid. Fischer, 28 March 2024 -
Spike: "There Is Something Odd…” at Christine König Galerie"
Ramona Heinlein, 26 March 2024 -
Welt: "Mehr Schwerkraft für die Kunst"
Swantje Karich, 8 March 2024 -
PRESTIGE: "Fragmented Narratives: Artist Sarah Morris Tackles Hong Kong With Her Latest Film, ETC"
Madelaine Clark, 5 March 2024 -
Whitewall: "Andrea Bowers and Ruinart Debut Conversations with Nature for Frieze LA"
Erica Silverman, 27 February 2024 -
Wallpaper: 'Andrea Bowers’ sculptural chandelier for Ruinart reflects a shared commitment to environmental conservation'
Hannah Silver, 22 February 2024 -
Hyperallergic: "Maria Lassnig’s Triumphant 'Little Films' "
Ela Bittencourt, 20 February 2024 -
Artnet: "A Biopic of Painter Maria Lassnig Will Have Its World Premiere at the Berlinale"
Kate Brown, 9 February 2024 -
Berlin Art Link: "Challenging Bodily Norms in ‘Non-Specific Objects’"
Nadia Egan, 9 February 2024 -
Frankfurter Allgemeine Zeitung: "Sehnsuchtsvoll nach Südosten geschaut"
Nicole Scheyerer, 31 January 2024 -
Frankfurter Rundschau: "Maria Lassnig n der Neuen Nationalgalerie Berlin – Ihre bösen Bilder"
Ingeborg Ruthe, 30 January 2024 -
Monopol: "Dior und die Künstlerinnen Mehr als nur Couture-Kulisse" (Isabella Ducrot)
Leonie Wessel, 29 January 2024 -
Artnet: "See the 93-Year-Old Textile Artist Isabella Ducrot’s Monumental Scenography for Dior Couture"
Lee Carter, 23 January 2024 -
WELT: "Alle schauen jetzt auf Deutschland" (Yael Bartana)
Marcus Woeller, 23 January 2024 -
Tagesspiegel: "Coup für deutschen Pavillon in Venedig: Yael Bartana und Ersan Mondtag sollen die Biennale rocken"
Nicola Kuhn, 19 January 2024 -
FAZ: "Stahl und Glas in Manhattan" (Sarah Morris)
Georg Imdahl, 9 January 2024 -
Libération: "Rétro 2023 : écologie, politisation, peinture animalière..., le monde de l’art sort du cadre" (Sean Landers)
Claire Moulène, Clémentine Mercier and Judicaël Lavrador, 18 December 2023 -
Berliner Zeitung: "Maria Lassnigs „Knödel, Farbhaufen“ und ein mehr als nur moralisches Angebot"
15 December 2023 -
Frieze: "Leyla Yenirce’s Frenetic Paintings of Female Fighters"
GUILHERME VILHENA MARTINS, 13 December 2023 -
Artnet: "Stefanie Heinze Paints Richly Ambiguous Worlds. Collectors Are Obsessed"
Taylor Dafoe, 11 December 2023 -
Spike: "(Get) READY/ UNREADY (WithMe)"
Matilda Lin Berke, 1 December 2023 -
Libération: "Sean Landers, tartan roi de la jungle"
Clémentine Mercier, 7 November 2023 -
Art in America: "In Berlin, Autumn’s Art Shows Usher in an Anxious Changing of the Seasons" (Ragen Moss)
Martin Herbert, 31 October 2023 -
Two Coats of Paint: "Charline von Heyl’s audacious eclecticism"
Barbara A. MacAdam, 24 October 2023 -
Frieze: "Five Writers Celebrate the Work of Sarah Lucas"
Hettie Judah, Daisy Lafarge, Princess Julia, Rye Dag Holmboe and Jack O’Brien, 20 October 2023 -
Artsy: "The 10 Best Booths at Paris+ par Art Basel 2023"
Arun Kakar, 19 October 2023 -
Artsy: "Jack O’Brien wins the 2023 Camden Art Centre Emerging Artist Prize at Frieze"
Maxwell Rabb, 11 October 2023 -
The Brooklyn Rail: "Charline von Heyl"
Ekin Erkan, 3 October 2023 -
Conceptual Fine Arts: "Alexandra Metcalf and the totalities of current life"
Piero Bisello22 September 2023 -
Spike: "Terrible Stories, Beautifully Written" (Andrea Bowers, Mary Weatherford)
10 August 2023 -
ArtReview: The Bittersweet Taste of the LA Art Scene
Claudia Ross1 August 2023 -
Artline: "Monika Sosnowska, Models Aus den Ruinen Warschaus"
19 July 2023 -
Artforum: "Exposé*es" (Zoe Leonard)
23 June 2023 -
Artforum: "Isabella Ducrot"
23 June 2023 -
Zeit: "Der Wunsch nach Frieden, Kunstschau in Altdöbern" (Andrea Bowers)
13 June 2023 -
Vernissage TV: "Monika Sosnowska / Zentrum Paul Klee"
Heinrich Schmidt, Vernissage Tv, 4 June 2023 -
Monopol: "Das Streben nach Authentizität gehört der Vergangenheit an" (Pieter Schoolwerth)
Claire Koron Elat, 26 May 2023 -
Monopol: "Malcolm mittendrin"
Sebastian Frenzel, 4 May 2023 -
The Brooklyn Rail: "Alexandra Metcalf, Vol.18"
Barry Schwabsky1 May 2023 -
Monopol: "12 Highlights zum Gallery Weekend, die Sie nicht verpassen sollten"
Elke Buhr, Sebastian Frenzel, Jens Hinrichsen und Saskia Trebing, 28 April 2023 -
Wallpaper Magazine: Monica Bonvicini ‘I do You’ review: bondage, mirrors and feminist takes on masculine architecture
Emily McDermott, 25 April 2023 -
Spike: "5 SHOWS ON OUR RADAR Gallery Weekend Berlin 2023"
24 April 2023 -
Monopol: "Watchlist" (Leyla Yenirce)
Ferial Nadja Karrasch, 22 April 2023 -
Frieze: "Peter Piller Returns to Nature"
Ben Livne Weitzman, 3 April 2023 -
The Brooklyn Rail: "Matt Mullican with Dan Cameron"
Dan Cameron, 1 April 2023 -
ARTFORUM: "Matt Mullican's adventures in Slumberland"
Laura Hoffmann, 29 March 2023 -
Frieze: ''Isabella Ducrot's Practice Is Free From Rules''
Ana Vukadin, 24 March 2023 -
Monopol: "Freies Spiel der Beziehungen. Peter Piller in der Kunsthalle Düsseldorf"
Silke Hohmann, 22 March 2023 -
ArtReview: ''Sanya Kantarovsky Deconstructs Our Everyday Obsessions''
Cassie Packard, 8 March 2023 -
Mousse Magazine: "Monica Bonvicini “I do You” at Neue Nationalgalerie, Berlin"
Ana Teixeira Pinto, 7 March 2023 -
Faz: "KUNSTMESSE ARCO MADRID: Im Meer der Möglichkeiten"
NICOLE SCHEYERER, 25 February 2023 -
elemmental: Arco Madrid 2023: más de doscientas galerías
DANIELLE CRUZ, 24 February 2023 -
The Art Newspaper: "A brush with... Amy Sillman" (Podcast)
Ben Luke, 22 February 2023 -
Tagesspiegel: "Gut ist nicht schlecht genug. Zwei Ausstellungen feiern das Werk von Martin Kippenberger"
Jens Müller, 18 February 2023 -
Frankfurter Rundschau: "Martin Kippenberger zum 70. Geburtstag: Das Stillose war sein Stil"
Ingeborg Ruthe, 2 February 2023 -
Artforum: "CITY LIMITS: Thomas Eggerer on Edward Hopper"
Thomas Eggerer, 1 February 2023 -
Missy Magazine: "Polycule der Kunst" (Leyla Yenirce)
Ferial Nadja Karrasch, 1 January 2023 -
ARTFORUM: "Predicaments" (Sanya Kantarovsky)
Barry Schwabsky, 1 January 2023 -
Texte Zur Kunst: "Mnemosyne in Neon" (Austin Martin White)
Julia Modes, 30 December 2022 -
KUNSTFORUM: "Stefanie Heinze: Dimensions of the Fool"
Jens Asthoff, 16 December 2022 -
Artline: "Mikołaj Sobczak: Leibeigene. History in Drag"
Jens Bülskämper, 15 December 2022 -
Monopol: "Zur Malerei von Stefanie Heinze. Die Dimensionen des Narren"
Oliver Koerner von Gustorf, 15 December 2022 -
FRIEZE: "Matt Mullican’s Cosmology of the Self"
Mitch Speed, 14 December 2022 -
artmagazine: "Matt Mullican - Mapping the world. 50 years of work: Die Welt ist nicht genug"
Werner Remm, 7 December 2022 -
Artforum: "Austin Martin White"
Martin Herbert, 1 December 2022 -
Artnet: "Monica Bonvicini’s Feminist House of Mirrors Upends the Masculine Architecture of Berlin’s Neue Nationalgalerie"
Kate Brown, 24 November 2022 -
Frieze: "Mikołaj Sobczak Upends History Painting"
Krzysztof Kościuczuk, 18 November 2022 -
ArtReview: "The Return of Rococo in Contemporary Culture" (Karla Black)
Danielle Thom, 8 November 2022 -
taz: "Mutige Frauen" (Leyla Yenirce)
Alexander Diehl, 23 October 2022 -
Flash Art: "Austin Martin White 'Last Dance' Capitain Petzel / Berlin"
Philipp Hindahl, 20 October 2022 -
Tagesspiegel: "Spät entdeckt: Maria Lassnigs Kunst"
Christiane Meixner, 18 October 2022 -
Libération: "Zoe Leonard: 'La photo peut-elle défaire des systèmes qu’elle a bâtis ?'"
Clémentine Mercier, 13 October 2022 -
The New York Times Style Magazine: "Zoe Leonard Goes With the Flow"
Rose Courteau, 11 October 2022 -
The New York Times: "Art We Saw This Fall" (Thomas Eggerer)
The New York Times's critics, 5 October 2022 -
PARNASS: "Monika Sosnowska"
Edith Schlocker, 29 September 2022 -
032c: "SMASHED COLLARBONES: Berlin Art Week 2022" (Austin Martin White)
Claire Koron Elat, 27 September 2022 -
Welt am Sonntag: "Das Beste ihrer Art: Austin Martin White Bei Capitain Petzel"
17 September 2022 -
Art in America: "One Work: Andrea Bowers's 'Letter to an Army of Three'"
Jackson Davidow , 25 August 2022 -
Texte zur Kunst: "There is Light Somewhere" (Sanya Kantarovsky)
Louisa Elderton, 12 August 2022 -
Art Plugged: "Maria Lassnig: The Biography"
11 August 2022 -
ARTNews: "Artist Barbara Bloom and Writer Ben Lerner Invent a New Kind of Book"
Shanti Escalante-De Mattei, 28 July 2022 -
Berlin Art Link: "‘the state I am in’ at Capitain Petzel"
Natalie Russett, 20 July 2022 -
XIBT: "Pieter Schoolwerth in Conversation with Editor in Chief Alice Zucca"
Alice Zucca, 18 July 2022 -
Der Standard: "Maria Lassnig in Innsbruck: Ein Kopf als Käse, Würfel und Zyklopenauge"
Ivona Jelcic, 8 July 2022 -
Los Angeles Times: "Andrea Bowers' activist art has long been a conduit for hope — and still is today"
Catherine Womack, 8 July 2022 -
The New York Times: "Should I Go to Art School?" (Robert Longo)
Noor Brara, 6 July 2022 -
Los Angeles Times: "At the Hammer Museum, Andrea Bowers’ art becomes an act of nonviolent civil disobedience"
Christopher Knight, 6 July 2022 -
Tiroler Tageszeitung: "Die Hand als Waffe zur Selbsterspürung: Maria Lassnig im Ferdinandeum"
Edith Schlocker, 24 June 2022 -
Artnet: "5 Can’t-Miss Works by Leading Contemporary Artists Heading to Poly Auction’s 10th Anniversary Sales This July" (Xie Nanxing)
22 June 2022 -
Artforum: "Critic's Picks: Xie Nanxing" (English translation)
Chen Li, 20 June 2022 -
Los Angeles Times: "As the Schindler House turns 100, a new exhibition reexamines its complex legacy" (Stephen Prina)
Carolina A. Miranda, 15 June 2022 -
Los Angeles Times: "‘The time is now’" (Andrea Bowers)
Deborah Vankin, 3 June 2022 -
Art Forum: "JEFFREY KASTNER ON PIETER SCHOOLWERTH"
1 June 2022 -
Berliner Zeitung: "Critics Picks: Das sind unsere Highlights zum Berliner Gallery Weekend ‘22"
30 April 2022 -
Monopol: "Unsere Highlights zum Gallery-Weekend"
29 April 2022 -
Frieze: "Zoe Leonard's Conceptual Landscapes"
Jessica Lynne, 28 April 2022 -
Interview Magazine: "Meet Eight Artists Reshaping the 59th Venice Biennale" (Charline von Heyl)
Christopher Bollen, 21 April 2022 -
Art Agenda: "Zoe Leonard’s 'A View from the Levee'"
15 April 2022 -
Art Agenda: "Andrea Bowers’s “Can the world mend in this body?”"
Brian Karl, 8 April 2022 -
Monopol: "Zoe Leonard fotografiert den Río Bravo. Eine Grenze, zwei Perspektiven"
Brigitte Werneburg, 8 April 2022 -
TAZ: "Mit politischer Aufgabe betraut" (Zoe Leonard)
5 April 2022 -
Cultured: "Take a road trip with Lucy Bull for 'Crash with Alexandra Metcalf' "
Lucy Bull24 February 2022 -
Artnet: " ‘There’s a Lot of Ingenuity in These Little Forms’: Artist Sarah Morris on Why She Started Painting Spiderwebs During Lockdown"
Katie White, 7 January 2022 -
Frieze: "Thomas Eggerer’s Paintings of Desire within Protest"
18 November 2021 -
Frieze: "Painters On the Books Every Artist Must Read" (Xie Nanxing)
3 November 2021 -
Frieze: "Laura Owens on What We Get Wrong about Van Gogh"
AMY SHERLOCK AND LAURA OWENS, 27 October 2021 -
Spike: "The Downward Spiral: Zombie Figuration and the Death Ritual" (Stefanie Heinze, Peter Schoolwerth)
Dean Kissick, 14 October 2021 -
Berlin Art Link: "Domestic Rituals: An Interview with Monica Bonvicini"
Lucia Longhi, 1 October 2021 -
Frieze: "Jack O’Brien Cruises for Ghosts"
Sam Moore, 23 September 2021 -
Frieze: "Painters On the Books Every Artist Must Read" (TOBIAS PILS)
LATIFA ECHAKHCH, MICHAEL KREBBER, XIE NANXING, TOBIAS PILS AND SHAHZIA SIKANDER , 22 September 2021 -
De zeen: "Laura Owens covers Vincent Van Gogh exhibition in colourful handmade painted wallpaper"
12 September 2021 -
Nytimes: "Five Things We Recommend This Week" (YAEL BARTANA)
5 August 2021 -
Artnet: "Editors’ Picks: 8 Events for Your Art Calendar This Week" (Robert Longo)
3 August 2021 -
Kunstforum: "Yael Bartana, Redemption Now"
Claudia Wahjudi, 3 August 2021 -
Zacheta: "Demining fear. Mikołaj Sobczak in conversation with Aleksander Kmak"
Mikołaj Sobczak, Aleksander Kmak, 1 August 2021 -
Frieze: "Top 5 Shows to See in the UK and Ireland this August"
28 July 2021 -
Frieze: "Yael Bartana on the Politics of Collective Redemption"
Boaz Levin, 21 July 2021 -
The Arts Desk: "Karla Black, Fruitmarket, Edinburgh review - airy free-for-all"
Mark Sheerin, 16 July 2021 -
The Scotsman: "Edinburgh's Fruitmarket returns with Karla Black's wonderfully mysterious art"
Laura Waddell, 14 July 2021 -
The Art Newspaper: "Edinburgh's Fruitmarket gallery reopens with new double-height performance space"
Tim Cornwell, 6 July 2021 -
Gallerytalk.net: "Die Sehnsucht nach Erlösung. Yael Bartana im Jüdischen Museum Berlin"
Alexandra Karg, 23 June 2021 -
The Brooklyn Rail: "Barbara Bloom with Tom McGlynn"
Tom Glynn, 14 June 2021 -
Hyperallergic: "Sanya Kantarovsky’s Truth-Bearing Fantasy"
Mengyun Han, 12 June 2021 -
Hyperallergic: "Laura Owens Teams Up with Cleveland Teens for a Playful Show on Time Travel"
Andrea Gyorody, 21 May 2021 -
Monopol: "Portrait. Yael Bartana: Erlöse uns!"
Elke Buhr, 1 May 2021 -
Tagesspiegel: "Band zu Maria Lassnig: Selbstporträt als niesende Freiheitsstatue"
Esther Buss, 29 March 2021 -
Monopol Magazin: "Monica Bonvicini in Bielefeld, Ein subtiler Tritt unter die Gürtellinie"
Jens Bülskämper, 13 March 2021 -
Interview Magazine: "Rachel Kushner and Laura Owens on the Power of Reinvention Through Writing"
Laura Owens, 9 March 2021 -
The Moscow Times: "Monika Sosnowska Shares 'Exercises in Construction, Bending'"
3 March 2021 -
New City Art: "Curiously Confounding: A Review of Charline von Heyl at Corbett vs. Dempsey"
Alan Pocaro, 10 February 2021 -
The Brooklyn Rail: "Artist's Choice: Amy Sillman—The Shape of Shape"
Cynthia Cruz, 1 February 2021 -
Art Asia Pacific: "Evidence of Painting: Interview with Xie Nanxing"
Lauren Long, 8 January 2021 -
Heichi Magazine: "Reappearances of Dada: On Xie Nanxing’s “A Roll of the Dice”
Clement Huang, 10 December 2020 -
Arte: "Allein im Museum: Maria Lassnig - Woman Power"
4 November 2020 -
Arts Magazine: "Pieter Schoolwerth Review"
27 October 2020 -
Hyperallergic: "The Visceral Intimacy of Amy Sillman’s Drawings"
Ksenia M. Soboleva, 22 October 2020 -
The Guardian: "From Warhol to Steve McQueen: a history of video art in 30 works"
Barbara London, Skye Sherwin, Oliver Basciano, 17 October 2020 -
The New York Times: "Amy Sillman’s Breakthrough Moment Is Here"
Jason Farago, 8 October 2020 -
The New York Times: "A Gallery Resurgence in Chelsea"
Roberta Smith, 8 October 2020 -
Elephant: "Ross Bleckner Captures the Raw Vulnerability of Human Life in Paint"
Emily Steer, 5 October 2020 -
The New York Times: "In Berlin, the Art World Spreads Out to Stay Safe"
Scott Reyburn, 15 September 2020 -
Elephant: "Sarah Morris Evokes the Perils and Perks of a Globalised World"
Emily Steer, 6 July 2020 -
The Brooklyn Rail: "Matt Mullican: Universal Perspective"
William Whitney, 6 May 2020 -
Kunstforum: "Andrea Bowers: grief and hope"
Renate Puvogel, 1 March 2020 -
Artnews: "Andrea Bowers Portrays the Future of Activism"
David Everitt Howe, 1 March 2020 -
Mousse Magazine: "Tobias Pils “Adam & Eve“ at Eva Presenhuber, Maag Areal, Zurich"
1 March 2020 -
Artnews: "Taxi TV Turns Strange, Thanks to a Surprise New Video by Artist Christopher Williams"
Alex Greenberger, 28 February 2020 -
The Art Newspaper: "Carousel in Frankfurt to recall the Kindertransport that saved thousands of children from the Nazis" (Yael Bartana)
Catherine Hickley, 14 February 2020 -
Deutschlandfunk Kultur: "Christopher Williams im C/O Berlin: Vom Playboy zu Brecht"
Gerd Brendel, 6 December 2019 -
Artforum: "Xie Nanxing: Thomas Dane Gallery"
Fiona He, 16 October 2019 -
Forbes: "The Feminist Artist Who Created The Selfie Nearly 100 Years Ago"
Grace Banks, 5 July 2019 -
Apollo Magazine: "Selfie stick – the many faces of Maria Lassnig"
Gabrielle Schwarz, 5 July 2019 -
Texte zur Kunst: "FAIL BETTER: Colin Lang on Stefanie Heinze at Capitain Petzel, Berlin"
Colin Lang, 1 June 2019 -
Vogue: "The Darkly Comic Art of Sanya Kantarovsky"
Dodie Kazanjian, 15 May 2019 -
Sleek: "Introducing the Berlin artist transforming symbolic objects into dark social critique" (Stefanie Heinze)
26 April 2019 -
CULTURED MAG: "Charline von Heyl’s Paintings Treat Structure like a Game"
Gaby Collins-Fernandez, 9 April 2019 -
The National News: "An entirely different view of Abu Dhabi: Sarah Morris's film is the first commissioned work for the Guggenheim's permanent collection"
Nick Leech, 20 November 2018 -
Schirn Mag: "Ausgewählte Highlights der Berlin Art Week: Robert Longo"
Elisabeth Pallentin, 28 September 2018 -
Die Zeit: "Charline von Heyl: Die Frau als Denkmaschine"
Lisa Zeitz, 8 July 2018 -
Artnet News: "Motivated by ‘Rage and Hopelessness,’ Robert Longo Takes Aim at American Gun Violence in an Epic Work for
Tim Schneider, 11 June 2018 -
Interview Magazine: "Virtual reality and hypnosis are Matt Mullican’s choice art tools"
Cedar Pasori, 12 April 2018 -
My Art Guides: "“The Feeling of Things”: an Interview with Matt Mullican"
Lara Morrell, 11 April 2018 -
Apollo Magazine: "Matt Mullican: The Feeling of Things"
6 April 2018 -
Monopol: "'Ich spüre die Dringlichkeit einer nicht von Männern dominierten Welt': Yael Bartana an der Volksbühne Berl
Anna-Lena Werner, 4 April 2018 -
China.org.cn: "Artist's exhibition offers new take on Western masterpieces" (Xie Nanxing)
20 March 2018 -
Texte zur Kunst: "ROSE-COLORED GLASSES NICOLÁS GUAGNINI ON STEPHEN PRINA AT CAPITAIN PETZEL, BERLIN"
14 March 2018 -
Art in America: "Stefanie Heinze"
Alina Cohen, 1 March 2018 -
Garage: "A Former Slacker Artist Gets Real"
Paul Laster, 26 February 2018 -
Interview Magazine: "The playfully troubled art of Amy Sillman"
Matt Mullan, 25 January 2018 -
Deutsche Welle: "Yael Bartana: Neuer Videoloop für Homosexuellen-Denkmal in Berlin"
12 January 2018 -
Artforum: "Matt Mullican: The feeling of things"
Conny Butler, 1 January 2018 -
Artforum: "Thomas Eggerer"
Alex Kitnick, 1 November 2017 -
Artnet News: "Robert Longo on Editing Eisenstein, Learning From Putin’s Russia, and Why ‘Making Art Is a Political Gestu
Terence Trouillot, 22 September 2017 -
Studio International: "Robert Longo: ‘I’m making artworks out of dust’"
22 September 2017 -
Artforum: "Stephen Prina: Museo MADRE"
Paola Nicolin, 17 July 2017 -
Time Out: "Review: Pieter Schoolwerth, 'Model as Painting'"
Howard Halle, 13 June 2017 -
The Brooklyn Rail: "Tobias Pils"
Ilka Scobie, 1 June 2017 -
ArtReview: "Monica Bonvicini: her hand around the room"
Laura Smith, 15 March 2017 -
Artforum: "1000 WORDS: PIETER SCHOOLWERTH"
Molly Warnock, 1 January 2017 -
Flash Art: "Features: Monica Bonvicini"
Massimiliano Gioni, 20 December 2016 -
Yishu: Journal of Contemporary Chinese Art: "Spots, Dust, Renderings, Picabia, Case Notes, Flavour, Light, Sound, and More: Xie Nanxing’s Creations“
Carol Yinghua Lu, 4 July 2016 -
Artforum: "Tobias Pils"
Franz Thalmair, 1 July 2016 -
Studio International: "Stephen Prina: 'The exhibition was really about considering whether I could embark on an autobiographical profect that I would deem acceptable"
Allie Biswas, 17 May 2016 -
The Guardian: "Maria Lassnig: under the skin"
Kathryn Hughes, 14 May 2016 -
Artforum: "Booze Arts: Thomas Eggerer on Monika Baer"
Thomas Eggerer, 1 April 2016 -
Frieze: "Thomas Eggerer"
Scott Roben, 18 February 2016 -
artobserved: "Thomas Eggerer: Waterworld at Petzel"
Osman Can Yerebakan, 1 February 2016 -
Art News: "Thomas Eggerer"
Mark Prince, 2 October 2015 -
Artspace: "Sarah Morris on Uncovering Conspiracies in the Art-Luxury Industrial Complex"
Karen Rosenberg, 17 June 2015 -
Frieze: "Something from Nothing" (PETER PILLER)
Christy Lange, 14 November 2014 -
Tagesspiegel: "Maria Lassnig, Grande Dame der bildenden Kunst"
Nicola Kuhn, 8 May 2014 -
The New Yorker: "Her" (Maria Lassnig)
Andrea K. Scott, 2 March 2014 -
Artforum: "Time Zones: The recent work of Thomas Eggerer"
David Joselit, 1 January 2014 -
Bomb Magazine: "Amy Sillman by R. H. Quaytman"
R. H. Quaytman, 1 October 2013 -
Art in America: "Maria Lassnig’s Body Awareness"
Travis Jeppesen, 14 June 2013 -
ArtNews: "In the Studio: Stephen Prina"
Steel Stillman, 26 April 2013 -
Hayperallergic: "After the Fall of Troy: The Paintings of Pieter Schoolwerth"
12 December 2012 -
BOMB: "New Bodies: Pieter Schoolwerth"
Andrew Capetta, 28 May 2012 -
The New York Times: "PIETER SCHOOLWERTH: ‘Portraits of Paintings"
Roberta Smith, 16 December 2010 -
Border Crossings Magazine: "Working Towards Affection: An Interview with Robert Longo"
Meeka Walsh, Robert Enright, 1 September 2010 -
Artforum: "What is that person thinking?: An Interview with Matt Mullican"
Tim Griffin, 1 April 2009 -
Artforum: "Empty Nest. On SARAH MORRIS'S BEIJING"
Tom Vanderbilt, 1 December 2008
![Spice No.7, a painting shown at Xie Nanxing's ongoing exhibition in Beijing. [Photo provided to China Daily]](https://artlogic-res.cloudinary.com/w_2400,h_2400,c_limit,f_auto,fl_lossy,q_auto/ws-capitainpetzel2/usr/images/press/main_image/items/5e/5e48a14ff47b4d29990e5d83a760f9da/screenshot-2024-03-19-at-17.39.07.png)
