-
Monopol: "Rundgang zum Gallery Weekend Berlin Wohin in Mitte?" (Xie Nanxing)
Boris Pofalla, Monopol, 24 April 2024 -
Artsy: "8 MUST-SEE SHOWS AT BERLIN GALLERY WEEKEND 2024" (Xie Nanxing)
Nadia Egan, Artsy, 24 April 2024 -
The New York Times: "At the Venice Biennale, the German Pavilion Undergoes a Transformation"
A.J. Goldmann, 18 April 2024 -
Süddeutsche Zeitung: "Wir Heimatlosen"
Jörg Häntzschel, 17 April 2024 -
Tagesspiegel: "Ein Raumschiff landet in Venedig"
Nicola Kuhn, 17 April 2024 -
ARTnews: "A Creepy, Entrancing German Pavilion Is This Venice Biennale’s Big Hit"
Alex Greenberger, 17 April 2024 -
THE ART NEWSPAPER: "Venice Biennale 2024: the must-see pavilions in the Giardini"
Lee Cheshire, José da Silva, Gareth Harris, Kabir Jhala, Julia Michalska and Alexander Morrison, 16 April 2024 -
Monopol: "Das Raumschiff ist gelandet"
Daniel Völzke, 16 April 2024 -
Der Spiegel: "Apocalypse Wow"
Frank Hornig, 16 April 2024 -
Die Zeit: "Yael Bartana: Raumschiffkapitänin"
Tobias Timm, 12 April 2024 -
Hyde Park Herald: Archival remains and ‘rudderless curiosity’ with Christopher Williams at Neubauer
Joshua Wagner, 8 April 2024 -
Der Bund: "Sarah Morris friert den Rausch der Grossstadt ein"
Martin Burkhalter, 28 March 2024 -
Das Wetter: "Aus der Betonnische"
Fid. Fischer, 28 March 2024 -
Spike: "There Is Something Odd…” at Christine König Galerie"
Ramona Heinlein, 26 March 2024 -
Welt: "Mehr Schwerkraft für die Kunst"
Swantje Karich, 8 March 2024 -
PRESTIGE: "Fragmented Narratives: Artist Sarah Morris Tackles Hong Kong With Her Latest Film, ETC"
Madelaine Clark, 5 March 2024 -
Whitewall: "Andrea Bowers and Ruinart Debut Conversations with Nature for Frieze LA"
Erica Silverman, 27 February 2024 -
Wallpaper: 'Andrea Bowers’ sculptural chandelier for Ruinart reflects a shared commitment to environmental conservation'
Hannah Silver, 22 February 2024 -
Hyperallergic: "Maria Lassnig’s Triumphant 'Little Films' "
Ela Bittencourt, 20 February 2024 -
Artnet: "A Biopic of Painter Maria Lassnig Will Have Its World Premiere at the Berlinale"
Kate Brown, 9 February 2024 -
Berlin Art Link: "Challenging Bodily Norms in ‘Non-Specific Objects’"
Nadia Egan, 9 February 2024 -
Frankfurter Allgemeine Zeitung: "Sehnsuchtsvoll nach Südosten geschaut"
Nicole Scheyerer, 31 January 2024 -
Frankfurter Rundschau: "Maria Lassnig n der Neuen Nationalgalerie Berlin – Ihre bösen Bilder"
Ingeborg Ruthe, 30 January 2024 -
Monopol: "Dior und die Künstlerinnen Mehr als nur Couture-Kulisse" (Isabella Ducrot)
Leonie Wessel, 29 January 2024 -
Artnet: "See the 93-Year-Old Textile Artist Isabella Ducrot’s Monumental Scenography for Dior Couture"
Lee Carter, 23 January 2024 -
WELT: "Alle schauen jetzt auf Deutschland" (Yael Bartana)
Marcus Woeller, 23 January 2024 -
Tagesspiegel: "Coup für deutschen Pavillon in Venedig: Yael Bartana und Ersan Mondtag sollen die Biennale rocken"
Nicola Kuhn, 19 January 2024 -
FAZ: "Stahl und Glas in Manhattan" (Sarah Morris)
Georg Imdahl, 9 January 2024 -
Libération: "Rétro 2023 : écologie, politisation, peinture animalière..., le monde de l’art sort du cadre" (Sean Landers)
Claire Moulène, Clémentine Mercier and Judicaël Lavrador, 18 December 2023 -
Berliner Zeitung: "Maria Lassnigs „Knödel, Farbhaufen“ und ein mehr als nur moralisches Angebot"
15 December 2023 -
Frieze: "Leyla Yenirce’s Frenetic Paintings of Female Fighters"
GUILHERME VILHENA MARTINS, 13 December 2023 -
Artnet: "Stefanie Heinze Paints Richly Ambiguous Worlds. Collectors Are Obsessed"
Taylor Dafoe, 11 December 2023 -
Spike: "(Get) READY/ UNREADY (WithMe)"
Matilda Lin Berke, 1 December 2023 -
Libération: "Sean Landers, tartan roi de la jungle"
Clémentine Mercier, 7 November 2023 -
Art in America: "In Berlin, Autumn’s Art Shows Usher in an Anxious Changing of the Seasons" (Ragen Moss)
Martin Herbert, 31 October 2023 -
Two Coats of Paint: "Charline von Heyl’s audacious eclecticism"
Barbara A. MacAdam, 24 October 2023 -
Frieze: "Five Writers Celebrate the Work of Sarah Lucas"
Hettie Judah, Daisy Lafarge, Princess Julia, Rye Dag Holmboe and Jack O’Brien, 20 October 2023 -
Artsy: "The 10 Best Booths at Paris+ par Art Basel 2023"
Arun Kakar, 19 October 2023 -
Artsy: "Jack O’Brien wins the 2023 Camden Art Centre Emerging Artist Prize at Frieze"
Maxwell Rabb, 11 October 2023 -
The Brooklyn Rail: "Charline von Heyl"
Ekin Erkan, 3 October 2023 -
Conceptual Fine Arts: "Alexandra Metcalf and the totalities of current life"
Piero Bisello22 September 2023 -
Spike: "Terrible Stories, Beautifully Written" (Andrea Bowers, Mary Weatherford)
10 August 2023 -
ArtReview: The Bittersweet Taste of the LA Art Scene
Claudia Ross1 August 2023 -
Artline: "Monika Sosnowska, Models Aus den Ruinen Warschaus"
19 July 2023 -
Artforum: "Exposé*es" (Zoe Leonard)
23 June 2023 -
Artforum: "Isabella Ducrot"
23 June 2023 -
Zeit: "Der Wunsch nach Frieden, Kunstschau in Altdöbern" (Andrea Bowers)
13 June 2023 -
Vernissage TV: "Monika Sosnowska / Zentrum Paul Klee"
Heinrich Schmidt, Vernissage Tv, 4 June 2023 -
Monopol: "Das Streben nach Authentizität gehört der Vergangenheit an" (Pieter Schoolwerth)
Claire Koron Elat, 26 May 2023 -
Monopol: "Malcolm mittendrin"
Sebastian Frenzel, 4 May 2023 -
The Brooklyn Rail: "Alexandra Metcalf, Vol.18"
Barry Schwabsky1 May 2023 -
Monopol: "12 Highlights zum Gallery Weekend, die Sie nicht verpassen sollten"
Elke Buhr, Sebastian Frenzel, Jens Hinrichsen und Saskia Trebing, 28 April 2023 -
Wallpaper Magazine: Monica Bonvicini ‘I do You’ review: bondage, mirrors and feminist takes on masculine architecture
Emily McDermott, 25 April 2023 -
Spike: "5 SHOWS ON OUR RADAR Gallery Weekend Berlin 2023"
24 April 2023 -
Monopol: "Watchlist" (Leyla Yenirce)
Ferial Nadja Karrasch, 22 April 2023 -
Frieze: "Peter Piller Returns to Nature"
Ben Livne Weitzman, 3 April 2023 -
The Brooklyn Rail: "Matt Mullican with Dan Cameron"
Dan Cameron, 1 April 2023 -
ARTFORUM: "Matt Mullican's adventures in Slumberland"
Laura Hoffmann, 29 March 2023 -
Frieze: ''Isabella Ducrot's Practice Is Free From Rules''
Ana Vukadin, 24 March 2023 -
Monopol: "Freies Spiel der Beziehungen. Peter Piller in der Kunsthalle Düsseldorf"
Silke Hohmann, 22 March 2023 -
ArtReview: ''Sanya Kantarovsky Deconstructs Our Everyday Obsessions''
Cassie Packard, 8 March 2023 -
Mousse Magazine: "Monica Bonvicini “I do You” at Neue Nationalgalerie, Berlin"
Ana Teixeira Pinto, 7 March 2023 -
Faz: "KUNSTMESSE ARCO MADRID: Im Meer der Möglichkeiten"
NICOLE SCHEYERER, 25 February 2023 -
elemmental: Arco Madrid 2023: más de doscientas galerías
DANIELLE CRUZ, 24 February 2023 -
The Art Newspaper: "A brush with... Amy Sillman" (Podcast)
Ben Luke, 22 February 2023 -
Tagesspiegel: "Gut ist nicht schlecht genug. Zwei Ausstellungen feiern das Werk von Martin Kippenberger"
Jens Müller, 18 February 2023 -
Frankfurter Rundschau: "Martin Kippenberger zum 70. Geburtstag: Das Stillose war sein Stil"
Ingeborg Ruthe, 2 February 2023 -
Artforum: "CITY LIMITS: Thomas Eggerer on Edward Hopper"
Thomas Eggerer, 1 February 2023 -
Missy Magazine: "Polycule der Kunst" (Leyla Yenirce)
Ferial Nadja Karrasch, 1 January 2023 -
ARTFORUM: "Predicaments" (Sanya Kantarovsky)
Barry Schwabsky, 1 January 2023 -
Texte Zur Kunst: "Mnemosyne in Neon" (Austin Martin White)
Julia Modes, 30 December 2022 -
KUNSTFORUM: "Stefanie Heinze: Dimensions of the Fool"
Jens Asthoff, 16 December 2022 -
Artline: "Mikołaj Sobczak: Leibeigene. History in Drag"
Jens Bülskämper, 15 December 2022 -
Monopol: "Zur Malerei von Stefanie Heinze. Die Dimensionen des Narren"
Oliver Koerner von Gustorf, 15 December 2022 -
FRIEZE: "Matt Mullican’s Cosmology of the Self"
Mitch Speed, 14 December 2022 -
artmagazine: "Matt Mullican - Mapping the world. 50 years of work: Die Welt ist nicht genug"
Werner Remm, 7 December 2022 -
Artforum: "Austin Martin White"
Martin Herbert, 1 December 2022 -
Artnet: "Monica Bonvicini’s Feminist House of Mirrors Upends the Masculine Architecture of Berlin’s Neue Nationalgalerie"
Kate Brown, 24 November 2022 -
Frieze: "Mikołaj Sobczak Upends History Painting"
Krzysztof Kościuczuk, 18 November 2022 -
ArtReview: "The Return of Rococo in Contemporary Culture" (Karla Black)
Danielle Thom, 8 November 2022 -
taz: "Mutige Frauen" (Leyla Yenirce)
Alexander Diehl, 23 October 2022 -
Flash Art: "Austin Martin White 'Last Dance' Capitain Petzel / Berlin"
Philipp Hindahl, 20 October 2022 -
Tagesspiegel: "Spät entdeckt: Maria Lassnigs Kunst"
Christiane Meixner, 18 October 2022 -
Libération: "Zoe Leonard: 'La photo peut-elle défaire des systèmes qu’elle a bâtis ?'"
Clémentine Mercier, 13 October 2022 -
The New York Times Style Magazine: "Zoe Leonard Goes With the Flow"
Rose Courteau, 11 October 2022 -
The New York Times: "Art We Saw This Fall" (Thomas Eggerer)
The New York Times's critics, 5 October 2022 -
PARNASS: "Monika Sosnowska"
Edith Schlocker, 29 September 2022 -
032c: "SMASHED COLLARBONES: Berlin Art Week 2022" (Austin Martin White)
Claire Koron Elat, 27 September 2022 -
Welt am Sonntag: "Das Beste ihrer Art: Austin Martin White Bei Capitain Petzel"
17 September 2022 -
Art in America: "One Work: Andrea Bowers's 'Letter to an Army of Three'"
Jackson Davidow , 25 August 2022 -
Texte zur Kunst: "There is Light Somewhere" (Sanya Kantarovsky)
Louisa Elderton, 12 August 2022 -
Art Plugged: "Maria Lassnig: The Biography"
11 August 2022 -
ARTNews: "Artist Barbara Bloom and Writer Ben Lerner Invent a New Kind of Book"
Shanti Escalante-De Mattei, 28 July 2022 -
Berlin Art Link: "‘the state I am in’ at Capitain Petzel"
Natalie Russett, 20 July 2022 -
XIBT: "Pieter Schoolwerth in Conversation with Editor in Chief Alice Zucca"
Alice Zucca, 18 July 2022 -
Der Standard: "Maria Lassnig in Innsbruck: Ein Kopf als Käse, Würfel und Zyklopenauge"
Ivona Jelcic, 8 July 2022 -
Los Angeles Times: "Andrea Bowers' activist art has long been a conduit for hope — and still is today"
Catherine Womack, 8 July 2022 -
The New York Times: "Should I Go to Art School?" (Robert Longo)
Noor Brara, 6 July 2022 -
Los Angeles Times: "At the Hammer Museum, Andrea Bowers’ art becomes an act of nonviolent civil disobedience"
Christopher Knight, 6 July 2022 -
Tiroler Tageszeitung: "Die Hand als Waffe zur Selbsterspürung: Maria Lassnig im Ferdinandeum"
Edith Schlocker, 24 June 2022 -
Artnet: "5 Can’t-Miss Works by Leading Contemporary Artists Heading to Poly Auction’s 10th Anniversary Sales This July" (Xie Nanxing)
22 June 2022 -
Artforum: "Critic's Picks: Xie Nanxing" (English translation)
Chen Li, 20 June 2022 -
Los Angeles Times: "As the Schindler House turns 100, a new exhibition reexamines its complex legacy" (Stephen Prina)
Carolina A. Miranda, 15 June 2022 -
Los Angeles Times: "‘The time is now’" (Andrea Bowers)
Deborah Vankin, 3 June 2022 -
Art Forum: "JEFFREY KASTNER ON PIETER SCHOOLWERTH"
1 June 2022 -
Berliner Zeitung: "Critics Picks: Das sind unsere Highlights zum Berliner Gallery Weekend ‘22"
30 April 2022 -
Monopol: "Unsere Highlights zum Gallery-Weekend"
29 April 2022 -
Frieze: "Zoe Leonard's Conceptual Landscapes"
Jessica Lynne, 28 April 2022 -
Interview Magazine: "Meet Eight Artists Reshaping the 59th Venice Biennale" (Charline von Heyl)
Christopher Bollen, 21 April 2022 -
Art Agenda: "Zoe Leonard’s 'A View from the Levee'"
15 April 2022 -
Art Agenda: "Andrea Bowers’s “Can the world mend in this body?”"
Brian Karl, 8 April 2022 -
Monopol: "Zoe Leonard fotografiert den Río Bravo. Eine Grenze, zwei Perspektiven"
Brigitte Werneburg, 8 April 2022 -
TAZ: "Mit politischer Aufgabe betraut" (Zoe Leonard)
5 April 2022 -
Cultured: "Take a road trip with Lucy Bull for 'Crash with Alexandra Metcalf' "
Lucy Bull24 February 2022 -
Artnet: " ‘There’s a Lot of Ingenuity in These Little Forms’: Artist Sarah Morris on Why She Started Painting Spiderwebs During Lockdown"
Katie White, 7 January 2022 -
Frieze: "Thomas Eggerer’s Paintings of Desire within Protest"
18 November 2021 -
Frieze: "Painters On the Books Every Artist Must Read" (Xie Nanxing)
3 November 2021 -
Frieze: "Laura Owens on What We Get Wrong about Van Gogh"
AMY SHERLOCK AND LAURA OWENS, 27 October 2021 -
Spike: "The Downward Spiral: Zombie Figuration and the Death Ritual" (Stefanie Heinze, Peter Schoolwerth)
Dean Kissick, 14 October 2021 -
Berlin Art Link: "Domestic Rituals: An Interview with Monica Bonvicini"
Lucia Longhi, 1 October 2021 -
Frieze: "Jack O’Brien Cruises for Ghosts"
Sam Moore, 23 September 2021 -
Frieze: "Painters On the Books Every Artist Must Read" (TOBIAS PILS)
LATIFA ECHAKHCH, MICHAEL KREBBER, XIE NANXING, TOBIAS PILS AND SHAHZIA SIKANDER , 22 September 2021 -
De zeen: "Laura Owens covers Vincent Van Gogh exhibition in colourful handmade painted wallpaper"
12 September 2021 -
Nytimes: "Five Things We Recommend This Week" (YAEL BARTANA)
5 August 2021 -
Artnet: "Editors’ Picks: 8 Events for Your Art Calendar This Week" (Robert Longo)
3 August 2021 -
Kunstforum: "Yael Bartana, Redemption Now"
Claudia Wahjudi, 3 August 2021 -
Zacheta: "Demining fear. Mikołaj Sobczak in conversation with Aleksander Kmak"
Mikołaj Sobczak, Aleksander Kmak, 1 August 2021 -
Frieze: "Top 5 Shows to See in the UK and Ireland this August"
28 July 2021 -
Frieze: "Yael Bartana on the Politics of Collective Redemption"
Boaz Levin, 21 July 2021 -
The Arts Desk: "Karla Black, Fruitmarket, Edinburgh review - airy free-for-all"
Mark Sheerin, 16 July 2021 -
The Scotsman: "Edinburgh's Fruitmarket returns with Karla Black's wonderfully mysterious art"
Laura Waddell, 14 July 2021 -
The Art Newspaper: "Edinburgh's Fruitmarket gallery reopens with new double-height performance space"
Tim Cornwell, 6 July 2021 -
Gallerytalk.net: "Die Sehnsucht nach Erlösung. Yael Bartana im Jüdischen Museum Berlin"
Alexandra Karg, 23 June 2021 -
The Brooklyn Rail: "Barbara Bloom with Tom McGlynn"
Tom Glynn, 14 June 2021 -
Hyperallergic: "Sanya Kantarovsky’s Truth-Bearing Fantasy"
Mengyun Han, 12 June 2021 -
Hyperallergic: "Laura Owens Teams Up with Cleveland Teens for a Playful Show on Time Travel"
Andrea Gyorody, 21 May 2021 -
Monopol: "Portrait. Yael Bartana: Erlöse uns!"
Elke Buhr, 1 May 2021 -
Tagesspiegel: "Band zu Maria Lassnig: Selbstporträt als niesende Freiheitsstatue"
Esther Buss, 29 March 2021 -
Monopol Magazin: "Monica Bonvicini in Bielefeld, Ein subtiler Tritt unter die Gürtellinie"
Jens Bülskämper, 13 March 2021 -
Interview Magazine: "Rachel Kushner and Laura Owens on the Power of Reinvention Through Writing"
Laura Owens, 9 March 2021 -
The Moscow Times: "Monika Sosnowska Shares 'Exercises in Construction, Bending'"
3 March 2021 -
New City Art: "Curiously Confounding: A Review of Charline von Heyl at Corbett vs. Dempsey"
Alan Pocaro, 10 February 2021 -
The Brooklyn Rail: "Artist's Choice: Amy Sillman—The Shape of Shape"
Cynthia Cruz, 1 February 2021 -
Art Asia Pacific: "Evidence of Painting: Interview with Xie Nanxing"
Lauren Long, 8 January 2021 -
Heichi Magazine: "Reappearances of Dada: On Xie Nanxing’s “A Roll of the Dice”
Clement Huang, 10 December 2020 -
Arte: "Allein im Museum: Maria Lassnig - Woman Power"
4 November 2020 -
Arts Magazine: "Pieter Schoolwerth Review"
27 October 2020 -
Hyperallergic: "The Visceral Intimacy of Amy Sillman’s Drawings"
Ksenia M. Soboleva, 22 October 2020 -
The Guardian: "From Warhol to Steve McQueen: a history of video art in 30 works"
Barbara London, Skye Sherwin, Oliver Basciano, 17 October 2020 -
The New York Times: "Amy Sillman’s Breakthrough Moment Is Here"
Jason Farago, 8 October 2020 -
The New York Times: "A Gallery Resurgence in Chelsea"
Roberta Smith, 8 October 2020 -
Elephant: "Ross Bleckner Captures the Raw Vulnerability of Human Life in Paint"
Emily Steer, 5 October 2020 -
The New York Times: "In Berlin, the Art World Spreads Out to Stay Safe"
Scott Reyburn, 15 September 2020 -
Elephant: "Sarah Morris Evokes the Perils and Perks of a Globalised World"
Emily Steer, 6 July 2020 -
The Brooklyn Rail: "Matt Mullican: Universal Perspective"
William Whitney, 6 May 2020 -
Kunstforum: "Andrea Bowers: grief and hope"
Renate Puvogel, 1 March 2020 -
Artnews: "Andrea Bowers Portrays the Future of Activism"
David Everitt Howe, 1 March 2020 -
Mousse Magazine: "Tobias Pils “Adam & Eve“ at Eva Presenhuber, Maag Areal, Zurich"
1 March 2020 -
Artnews: "Taxi TV Turns Strange, Thanks to a Surprise New Video by Artist Christopher Williams"
Alex Greenberger, 28 February 2020 -
The Art Newspaper: "Carousel in Frankfurt to recall the Kindertransport that saved thousands of children from the Nazis" (Yael Bartana)
Catherine Hickley, 14 February 2020 -
Deutschlandfunk Kultur: "Christopher Williams im C/O Berlin: Vom Playboy zu Brecht"
Gerd Brendel, 6 December 2019 -
Artforum: "Xie Nanxing: Thomas Dane Gallery"
Fiona He, 16 October 2019 -
Forbes: "The Feminist Artist Who Created The Selfie Nearly 100 Years Ago"
Grace Banks, 5 July 2019 -
Apollo Magazine: "Selfie stick – the many faces of Maria Lassnig"
Gabrielle Schwarz, 5 July 2019 -
Texte zur Kunst: "FAIL BETTER: Colin Lang on Stefanie Heinze at Capitain Petzel, Berlin"
Colin Lang, 1 June 2019 -
Vogue: "The Darkly Comic Art of Sanya Kantarovsky"
Dodie Kazanjian, 15 May 2019 -
Sleek: "Introducing the Berlin artist transforming symbolic objects into dark social critique" (Stefanie Heinze)
26 April 2019 -
CULTURED MAG: "Charline von Heyl’s Paintings Treat Structure like a Game"
Gaby Collins-Fernandez, 9 April 2019 -
The National News: "An entirely different view of Abu Dhabi: Sarah Morris's film is the first commissioned work for the Guggenheim's permanent collection"
Nick Leech, 20 November 2018 -
Schirn Mag: "Ausgewählte Highlights der Berlin Art Week: Robert Longo"
Elisabeth Pallentin, 28 September 2018 -
Die Zeit: "Charline von Heyl: Die Frau als Denkmaschine"
Lisa Zeitz, 8 July 2018 -
Artnet News: "Motivated by ‘Rage and Hopelessness,’ Robert Longo Takes Aim at American Gun Violence in an Epic Work for
Tim Schneider, 11 June 2018 -
Interview Magazine: "Virtual reality and hypnosis are Matt Mullican’s choice art tools"
Cedar Pasori, 12 April 2018 -
My Art Guides: "“The Feeling of Things”: an Interview with Matt Mullican"
Lara Morrell, 11 April 2018 -
Apollo Magazine: "Matt Mullican: The Feeling of Things"
6 April 2018 -
Monopol: "'Ich spüre die Dringlichkeit einer nicht von Männern dominierten Welt': Yael Bartana an der Volksbühne Berl
Anna-Lena Werner, 4 April 2018 -
China.org.cn: "Artist's exhibition offers new take on Western masterpieces" (Xie Nanxing)
20 March 2018 -
Texte zur Kunst: "ROSE-COLORED GLASSES NICOLÁS GUAGNINI ON STEPHEN PRINA AT CAPITAIN PETZEL, BERLIN"
14 March 2018 -
Art in America: "Stefanie Heinze"
Alina Cohen, 1 March 2018 -
Garage: "A Former Slacker Artist Gets Real"
Paul Laster, 26 February 2018 -
Interview Magazine: "The playfully troubled art of Amy Sillman"
Matt Mullan, 25 January 2018 -
Deutsche Welle: "Yael Bartana: Neuer Videoloop für Homosexuellen-Denkmal in Berlin"
12 January 2018 -
Artforum: "Matt Mullican: The feeling of things"
Conny Butler, 1 January 2018 -
Artforum: "Thomas Eggerer"
Alex Kitnick, 1 November 2017 -
Artnet News: "Robert Longo on Editing Eisenstein, Learning From Putin’s Russia, and Why ‘Making Art Is a Political Gestu
Terence Trouillot, 22 September 2017 -
Studio International: "Robert Longo: ‘I’m making artworks out of dust’"
22 September 2017 -
Artforum: "Stephen Prina: Museo MADRE"
Paola Nicolin, 17 July 2017 -
Time Out: "Review: Pieter Schoolwerth, 'Model as Painting'"
Howard Halle, 13 June 2017 -
The Brooklyn Rail: "Tobias Pils"
Ilka Scobie, 1 June 2017 -
ArtReview: "Monica Bonvicini: her hand around the room"
Laura Smith, 15 March 2017 -
Artforum: "1000 WORDS: PIETER SCHOOLWERTH"
Molly Warnock, 1 January 2017 -
Flash Art: "Features: Monica Bonvicini"
Massimiliano Gioni, 20 December 2016 -
Yishu: Journal of Contemporary Chinese Art: "Spots, Dust, Renderings, Picabia, Case Notes, Flavour, Light, Sound, and More: Xie Nanxing’s Creations“
Carol Yinghua Lu, 4 July 2016 -
Artforum: "Tobias Pils"
Franz Thalmair, 1 July 2016 -
Studio International: "Stephen Prina: 'The exhibition was really about considering whether I could embark on an autobiographical profect that I would deem acceptable"
Allie Biswas, 17 May 2016 -
The Guardian: "Maria Lassnig: under the skin"
Kathryn Hughes, 14 May 2016 -
Artforum: "Booze Arts: Thomas Eggerer on Monika Baer"
Thomas Eggerer, 1 April 2016 -
Frieze: "Thomas Eggerer"
Scott Roben, 18 February 2016 -
artobserved: "Thomas Eggerer: Waterworld at Petzel"
Osman Can Yerebakan, 1 February 2016 -
Art News: "Thomas Eggerer"
Mark Prince, 2 October 2015 -
Artspace: "Sarah Morris on Uncovering Conspiracies in the Art-Luxury Industrial Complex"
Karen Rosenberg, 17 June 2015 -
Frieze: "Something from Nothing" (PETER PILLER)
Christy Lange, 14 November 2014 -
Tagesspiegel: "Maria Lassnig, Grande Dame der bildenden Kunst"
Nicola Kuhn, 8 May 2014 -
The New Yorker: "Her" (Maria Lassnig)
Andrea K. Scott, 2 March 2014 -
Artforum: "Time Zones: The recent work of Thomas Eggerer"
David Joselit, 1 January 2014 -
Bomb Magazine: "Amy Sillman by R. H. Quaytman"
R. H. Quaytman, 1 October 2013 -
Art in America: "Maria Lassnig’s Body Awareness"
Travis Jeppesen, 14 June 2013 -
ArtNews: "In the Studio: Stephen Prina"
Steel Stillman, 26 April 2013 -
Hayperallergic: "After the Fall of Troy: The Paintings of Pieter Schoolwerth"
12 December 2012 -
BOMB: "New Bodies: Pieter Schoolwerth"
Andrew Capetta, 28 May 2012 -
The New York Times: "PIETER SCHOOLWERTH: ‘Portraits of Paintings"
Roberta Smith, 16 December 2010 -
Border Crossings Magazine: "Working Towards Affection: An Interview with Robert Longo"
Meeka Walsh, Robert Enright, 1 September 2010 -
Artforum: "What is that person thinking?: An Interview with Matt Mullican"
Tim Griffin, 1 April 2009 -
Artforum: "Empty Nest. On SARAH MORRIS'S BEIJING"
Tom Vanderbilt, 1 December 2008
![Spice No.7, a painting shown at Xie Nanxing's ongoing exhibition in Beijing. [Photo provided to China Daily]](https://artlogic-res.cloudinary.com/w_2400,h_2400,c_limit,f_auto,fl_lossy,q_auto/ws-capitainpetzel2/usr/images/press/main_image/items/5e/5e48a14ff47b4d29990e5d83a760f9da/screenshot-2024-03-19-at-17.39.07.png)
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