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Hannoversche Allgemeine: "Pieter Schoolwerth: Reine Kopfsache"
Michael Stoeber, April 10, 2021 -
Tagesspiegel: "Band zu Maria Lassnig: Selbstporträt als niesende Freiheitsstatue"
Esther Buss, March 29, 2021 -
Texte zur Kunst: "MAKING ART IN THE PANDEMIC BY AMY SILLMAN"
March 24, 2021 -
Interview Magazine: "Rachel Kushner and Laura Owens on the Power of Reinvention Through Writing"
Laura Owens, March 9, 2021 -
The Moscow Times: "Monika Sosnowska Shares 'Exercises in Construction, Bending'"
March 3, 2021 -
Kunstforum International: "Geheime Agenten – Die Überwacher überwachen"
Sabine Maria Schmidt, March 1, 2021 -
Kunstforum International: "Robert Longo"
Heinz-Norbert Jocks, March 1, 2021 -
Frieze: "Amy Sillman"
Tausif Noor, Frieze, February 24, 2021 -
Hyperallergic: "The Commanding, Flamboyant Joyce Pensato"
Gregory Volk, February 13, 2021 -
Pioneer Projects: "The Object Talk: Seth Price"
Emmanuel Olunkwa, February 12, 2021 -
New City Art: "Curiously Confounding: A Review of Charline von Heyl at Corbett vs. Dempsey"
Alan Pocaro, February 10, 2021 -
4Columns: "Joyce Pensato, The peculiar pop power of the late artist’s work."
Johanna Fateman, February 5, 2021 -
The Brooklyn Rail: "Artist's Choice: Amy Sillman—The Shape of Shape"
Cynthia Cruz, February 1, 2021 -
Kunstforum International: "KARLA BLACK"
Larissa Kikol, January 5, 2021 -
Calvert Journal: "Urbanites and existential angst: the not quite figurative world of painter Sanya Kantarovsky"
Paula Erizanu, December 22, 2020 -
Frieze: "Barbara Bloom"
Evan Moffitt, Frieze, December 12, 2020 -
Frieze: "Pieter Schoolwerth. Petzel Gallery, New York, USA"
David Geers, frieze, December 12, 2020 -
Financial Times: "Artist Robert Longo: ‘Taking down statues was one of America’s greatest moments’"
Jonathan Griffin, December 5, 2020 -
Texte Zur Kunst: "The Circularity of History. Ross Bleckner at Capitain Petzel, Berlin."
Daniel Sturgis, December 2, 2020 -
The Brooklyn Rail: "Charline von Heyl"
December 1, 2020 -
Spike: "Young, Adult", Review of Seth Price's book 'Dedicated to Life'.
Steve Zultanski, December 1, 2020 -
ArtReview: "Ross Bleckner. Quid Pro Quo"
Martin Herbert, November 11, 2020 -
Arte: "Allein im Museum: Maria Lassnig - Woman Power"
November 4, 2020 -
Frog: "Sean Landers: Interview"
Éric Troncy, November 1, 2020 -
Paper Magazine: "Stefanie Heinze Interview About "Frail Juice" at Petzel"
Justin Moran, October 23, 2020 -
Hyperallergic: "The Visceral Intimacy of Amy Sillman’s Drawings"
Ksenia M. Soboleva, October 22, 2020 -
Artforum: "Amy Sillman discusses “The Shape of Shape” at MoMA"
Zack Hatfield, October 21, 2020 -
The Guardian: "From Warhol to Steve McQueen: a history of video art in 30 works"
Barbara London, Skye Sherwin, Oliver Basciano, October 17, 2020 -
The New York Times: "Amy Sillman’s Breakthrough Moment Is Here"
Jason Farago, October 8, 2020 -
The New York Times: "A Gallery Resurgence in Chelsea"
Roberta Smith, October 8, 2020 -
Elephant: "Ross Bleckner Captures the Raw Vulnerability of Human Life in Paint"
Emily Steer, October 5, 2020 -
Frieze: "Pieter Schoolwerth’s Sims 4 Paintings Burst Our Filter Bubbles"
David Geers, October 2, 2020 -
Collection Issue: "Charline von Heyl"
Joanna L. Cresswell, September 28, 2020 -
Frieze: "Barbara Bloom"
Chloe Stead, September 24, 2020 -
Elephant: "Pieter Schoolwerth Reveals Violent Cracks in the Digital Self"
Emily Steer, September 21, 2020 -
The New York Times: "In Berlin, the Art World Spreads Out to Stay Safe"
Scott Reyburn, September 15, 2020 -
Reflektor Magazine: "Ross Bleckner"
Frederic Tuten, September 13, 2020 -
WELT am Sonntag: "Ross Bleckner bei Capitain Petzel"
Gesine Borcherdt, September 13, 2020 -
Bordercrossings: "Amy Sillman, The Painter's Language and the Language of Painting"
Robert Enright, September 1, 2020 -
Juxtapoz: "Shifted Sims: A Conversation With Pieter Schoolwerth"
August 25, 2020 -
The Brooklyn Rail: "Matt Mullican: Universal Perspective"
William Whitney, May 6, 2020 -
Architectural Digest: "Isabella Ducrot, Gewebe aus Geschichte"
Oliver Körner von Gustorf, May 1, 2020 -
Sleek: "Introducing the Berlin artist transforming symbolic objects into dark social critique"
Kathryn O'Regan, April 26, 2020 -
WDR: "Wieder vom Wetter reden! Andrea Bowers in Mönchengladbach"
April 6, 2020 -
Kunstforum: "Andrea Bowers: grief and hope"
Renate Puvogel, March 1, 2020 -
Artnews: "Andrea Bowers Portrays the Future of Activism"
David Everitt Howe, March 1, 2020 -
Mousse Magazine: "Tobias Pils “Adam & Eve“ at Eva Presenhuber, Maag Areal, Zurich"
March 1, 2020 -
Artnews: "Taxi TV Turns Strange, Thanks to a Surprise New Video by Artist Christopher Williams"
Alex Greenberger, February 28, 2020 -
Süddeutsche Zeitung: "Konzeptkünstler Christopher Williams in Berlin: Mit aufgeschnittener Kamera"
Kito Nedo, February 19, 2020 -
Carousel in The Art Newspaper: "Yael Bartana: Frankfurt to recall the Kindertransport that saved thousands of children f
Catherine Hickley, February 14, 2020 -
Deutschlandfunk Kultur: "Christopher Williams im C/O Berlin: Vom Playboy zu Brecht"
Gerd Brendel, December 6, 2019 -
Artforum: "Christopher Williams at C/O Berlin"
Andrew Witt, December 1, 2019 -
Art: "Kontakt mit dem Bild"
Kito Nedo, December 1, 2019 -
BLAU: "Stefanie Heinze"
Oliver Körner von Gustorf, October 19, 2019 -
Welt: "Yael Bartana: Abrüstung mit magischem Realismus"
Emeli Glaser, October 19, 2019 -
Spike: "Yael Bartana 'The Graveyard'"
Chloe Stead, October 1, 2019 -
Art Monthly: "Cracked Mirror: Walead Beshty interviewed by John Parton"
John Parton, July 1, 2019 -
WSI Mag: "Walead Beshty: Travelled, Shredded, Touched and Broken"
Gülnaz Can, June 29, 2019 -
Texte zur Kunst: "FAIL BETTER: Colin Lang on Stefanie Heinze at Capitain Petzel, Berlin"
Colin Lang, June 1, 2019 -
Vogue: "The Darkly Comic Art of Sanya Kantarovsky"
Dodie Kazanjian, May 15, 2019 -
Artforum: "Hannah Stamler on Yael Bartana"
Hannah Stamler, January 1, 2019 -
Frieze: "Walead Beshty: Picture Industry. A Provisional History of the Technical Image"
Max Andrews, December 20, 2018 -
Schirn Mag: "Ausgewählte Highlights der Berlin Art Week: Robert Longo"
Elisabeth Pallentin, September 28, 2018 -
Die Zeit: "Charline von Heyl: Die Frau als Denkmaschine"
Lisa Zeitz, July 8, 2018 -
Artnet News: "Motivated by ‘Rage and Hopelessness,’ Robert Longo Takes Aim at American Gun Violence in an Epic Work for
Tim Schneider, June 11, 2018 -
The New York Times: "Tobias Pils: What to See in New York Art Galleries This Week"
Roberta Smith, June 8, 2018 -
The New York Times: "Yael Bartana: Imagining a World Ruled by Women"
A.J. Goldmann, May 24, 2018 -
Interview Magazine: "Virtual reality and hypnosis are Matt Mullican’s choice art tools"
Cedar Pasori, April 12, 2018 -
Berliner Morgenpost: "Yael Bartana: Wenn Frauen die Macht haben"
Volker Blech, April 11, 2018 -
My Art Guides: "“The Feeling of Things”: an Interview with Matt Mullican"
Lara Morrell, April 11, 2018 -
Sleek: "Karla Black: Five Female Painters Breathing New Life into the Medium"
Kathryn O'Regan, April 8, 2018 -
Apollo Magazine: "Matt Mullican: The Feeling of Things"
April 6, 2018 -
Monopol: "'Ich spüre die Dringlichkeit einer nicht von Männern dominierten Welt': Yael Bartana an der Volksbühne Berl
Anna-Lena Werner, April 4, 2018 -
FAZ: "Karla Black: Land–Art unter Wasser"
Georg Imdahl, March 17, 2018 -
Artnews: "Stefanie Heinze"
Alina Cohen, March 1, 2018 -
ArtNews: "Artisanal Abstraction: The Elusive, Effusive Art of Amy Sillman"
Phyllis Tuchman, February 16, 2018 -
Spiegelberger Stiftung: "Ateliergespräch - Robert Longo"
Rene S. Spiegelberger, February 15, 2018 -
Interview Magazine: "The playfully troubled art of Amy Sillman"
Matt Mullan, January 25, 2018 -
Deutsche Welle: "Yael Bartana: Neuer Videoloop für Homosexuellen-Denkmal in Berlin"
January 12, 2018 -
Artforum: "Matt Mullican: The feeling of things"
Conny Butler, January 1, 2018
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