Isabella Ducrot
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Biography
Born 1931 in Naples, Italy
Lives and works in Rome, Italy
Isabella Ducrot is known for her devoted use of woven cloth as the founding material of her paintings. Only beginning her artistic career later in life, the Italian artist has assembled a sublime collection of antique textiles through her extensive travels through Asia, originating primarily from Turkey, India, China, Tibet and Afghanistan.
Ducrot’s first source of inspiration comes from the so-called weft of these fabrics. By bringing them to light and stretching them ever-so lightly, whether linen, silk, wool or other, the weft becomes visible, revealing the original architecture of the material, composed of crossing threads and voids. Ducrot has specifically made the checkered cloth her signature material, believing strongly in its expressive force, seeing it as an independent formal element and end unto itself. The extreme nudity of the checkered pattern offers the artist endless possibilities for artistic intervention.
In 2026, the Madre Museum in Naples will present a retrospective of Isabella Ducrot, curated by Adam Weinberg. In 2024 Ducrot had a comprehensive solo show at the Consortium Museum in Dijon. She also created a monumental scenography for Dior’s spring 2024 haute couture show. Ducrot’s large-scale installation Omaggio a Mishima (Homage to Mishima) was part of Art Basel’s Unlimited sector in 2022.
Her recent solo exhibitions include MAXXI a Taormina; San Giuseppe alle Scalze a Pontecorvo, Napoli; Spazio Parlato, Palermo and Museo Archeologico Nazionale di Napoli. In 2014, Ducrot held a significant exhibition at the Galleria Nazionale d’Arte Moderna e Contemporanea in Rome. Additionally, she participated in the Venice Biennale in 1993 and 2011.
Her work is held in the permanent collection of the Galleria Nazionale d’Arte Moderna e Contemporanea, Rome; Astrup Fearnley Collection, Oslo; EMMA – Espoo Museum of Modern Art; Galleria Nazionale d’Arte Moderna e Contemporanea, Rome; Le Consortium, Dijon; MAMCO, Geneva; MAXXI – Museo nazionale delle arti del XXI secolo, Rome, among others.
Ducrot is also the author of numerous publications including Women’s Life (2021); La stoffa a quadri (also translated and published in English as The Checkered Cloth) (2019); Suonno. Il sonno e il sogno nella canzone napoletana (2012); Fallaste Corazón (2012); Pensiero religioso ed elettricità (2011); La Matassa Primordale (2008); and Bianca di Pelle (1995). Her work is held in the permanent collection of EMMA – Espoo Museum of Modern Art; Galleria Nazionale d’Arte Moderna e Contemporanea, Rome; Le Consortium, Dijon; MAMCO, Geneva; MAXXI - Museo nazionale delle arti del XXI secolo, Rome, among others.
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Isabella Ducrot
Pots 2025-1, 2025Pigments and collage on paper
Paper dimensions:
120 x 180 cm / 47.2 x 70.9 inches
Framed dimensions:
137.5 x 196.3 cm / 54.1 x 77.3 inches -
Happiness for me is being seated around a table with one friend, with more friends, with family... cups of tea, teapots, pots. I love Japan for its cult of pots.
– Isabella Ducrot
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In the series 'La bella terra', rivers, sky, stars, moon and trees are used again and again in order to compose many laudative songs for the earth's fundamental virtues and the urge to protect them.
– Isabella Ducrot
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News
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Works
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Exhibitions
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External ExhibitionsPressPublications
Touring a 16th-Century Italian Palace: Isabella Ducrot's Private Art Collection | The World of Interiors
Isabella Ducrot's Studio | Frieze Masters 2024
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