Isabella Ducrot
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        BiographyBorn 1931 in Naples, Italy Lives and works in Rome, Italy Isabella Ducrot is known for her devoted use of woven cloth as the founding material of her paintings. Only beginning her artistic career later in life, the Italian artist has assembled a sublime collection of antique textiles through her extensive travels through Asia, originating primarily from Turkey, India, China, Tibet and Afghanistan. Ducrot’s first source of inspiration comes from the so-called weft of these fabrics. By bringing them to light and stretching them ever-so lightly, whether linen, silk, wool or other, the weft becomes visible, revealing the original architecture of the material, composed of crossing threads and voids. Ducrot has specifically made the checkered cloth her signature material, believing strongly in its expressive force, seeing it as an independent formal element and end unto itself. The extreme nudity of the checkered pattern offers the artist endless possibilities for artistic intervention. In 2026, the Madre Museum in Naples will present a retrospective of Isabella Ducrot, curated by Adam Weinberg. In 2024 Ducrot had a comprehensive solo show at the Consortium Museum in Dijon. She also created a monumental scenography for Dior’s spring 2024 haute couture show. Ducrot’s large-scale installation Omaggio a Mishima (Homage to Mishima) was part of Art Basel’s Unlimited sector in 2022. Her recent solo exhibitions include MAXXI a Taormina; San Giuseppe alle Scalze a Pontecorvo, Napoli; Spazio Parlato, Palermo and Museo Archeologico Nazionale di Napoli. In 2014, Ducrot held a significant exhibition at the Galleria Nazionale d’Arte Moderna e Contemporanea in Rome. Additionally, she participated in the Venice Biennale in 1993 and 2011. Her work is held in the permanent collection of the Galleria Nazionale d’Arte Moderna e Contemporanea, Rome; Astrup Fearnley Collection, Oslo; EMMA – Espoo Museum of Modern Art; Galleria Nazionale d’Arte Moderna e Contemporanea, Rome; Le Consortium, Dijon; MAMCO, Geneva; MAXXI – Museo nazionale delle arti del XXI secolo, Rome, among others. Ducrot is also the author of numerous publications including Women’s Life (2021); La stoffa a quadri (also translated and published in English as The Checkered Cloth) (2019); Suonno. Il sonno e il sogno nella canzone napoletana (2012); Fallaste Corazón (2012); Pensiero religioso ed elettricità (2011); La Matassa Primordale (2008); and Bianca di Pelle (1995). Her work is held in the permanent collection of EMMA – Espoo Museum of Modern Art; Galleria Nazionale d’Arte Moderna e Contemporanea, Rome; Le Consortium, Dijon; MAMCO, Geneva; MAXXI - Museo nazionale delle arti del XXI secolo, Rome, among others. 
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              Isabella DucrotPots 2025-1, 2025Pigments and collage on paper
 Paper dimensions:
 120 x 180 cm / 47.2 x 70.9 inches
 Framed dimensions:
 137.5 x 196.3 cm / 54.1 x 77.3 inches
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            Happiness for me is being seated around a table with one friend, with more friends, with family... cups of tea, teapots, pots. I love Japan for its cult of pots. – Isabella Ducrot 
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            In the series 'La bella terra', rivers, sky, stars, moon and trees are used again and again in order to compose many laudative songs for the earth's fundamental virtues and the urge to protect them. – Isabella Ducrot 
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        News
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        WorksIsabella DucrotTendernesses III, 2024Pastel, pigments, pencil, silver and collage on paperSigned and dated recto166 x 98 cm
 65.4 x 38.6 inchesB-IDUCROT-.24-0018Isabella Ducrot’s Tendernesses series is a combination of traditional textile art, elements of modernist abstraction and contemporary themes of intimacy with their cultural continuity. Ducrot’s work not only celebrates the...Isabella Ducrot’s Tendernesses series is a combination of traditional textile art, elements of modernist abstraction and contemporary themes of intimacy with their cultural continuity. Ducrot’s work not only celebrates the materiality and aesthetic richness of fabrics, but also positions the artist within a contemporary context that highlights the re-evaluation of traditional methods of image making. This revival blurs the boundaries between fine art and craft, acknowledging the artistic value of techniques historically considered decorative or utilitarian. Ducrot’s work, with its emphasis on fabric, weaves into this narrative, celebrating the beauty and complexity of textile traditions.
 Engaging with themes of memory, time and cultural identity, the works carry the weight of their material histories, resonating with a sense of continuity and constant change. This synthesis creates a dialogue between the past and the present, reflecting the artist's tendency to draw from diverse cultural sources.
 While modernist tradition often sought to break with the past, Ducrot’s approach is more integrative. She does not reject traditional forms and techniques but rather recontextualizes them within a contemporary framework. Her works often reflect dialogues between the past and the present, combining historical references with modern sensibilities. Ducrot emphasizes the tactile and visual properties of her materials, inviting viewers to appreciate their texture, color, and composition in new ways.ExhibitionsSweet Sixteen, Capitain Petzel, Berlin, 2024ExhibitionsExternal ExhibitionsPressPublicationsTouring a 16th-Century Italian Palace: Isabella Ducrot's Private Art Collection | The World of InteriorsIsabella Ducrot's Studio | Frieze Masters 2024Request more information



 
                             
                             
                                         
                                    
                             
                                    
                             
                                    
                             
                                    
                             
                                    
                             
                                    
                             
                                    
                             
                                     
                                 
                                 
                                 
                                 
                                 
                                 
                                 
                                 
                                 
                                 
                                 
                                 
                                 
                                 
                                 
                                 
                             
                             
                             
                             
                             
                             
                             
                             
                             
                            