Zoe Leonard
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Biography
Born 1961 in Liberty, New York
Lives and works in New York City and Marfa, Texas
Across sculpture, photography and installation, Zoe Leonard examines the conditions of image making while exploring themes such as gender and sexuality, migration, displacement, and the urban landscape. Leonard self-reflexively considers the role which the medium plays in the construction of society and history, encouraging the viewer to re-consider the act of looking and observation.
Her work is currently on view in the group show Remember Me at the Bourse de Commerce – Pinault Collection, Paris (until 18 January 2027) and at the 2026 Venice Biennale (Central Pavilion / Arsenale, until 22 November).
She has exhibited widely in the US and internationally since the early 1990s. Leonard’s participation in Documenta IX (1992) brought her work to international attention. She has been the subject of solo exhibitions at Chinati Foundation, Marfa (2024); Museum of Contemporary Art Australia, Sydney (2023); Musée d‘Art Moderne de Paris (2022); Mudam Luxembourg (2022); Museum of Contemporary Art, Los Angeles (2018), Whitney Museum of American Art, New York (2018), The Museum of Modern Art, New York (2015); and Fotomuseum Winterthur, Switzerland (2007–08), among other institutions. Leonard was a finalist for the Deutsche Börse Photography Prize 2010 and was awarded The Whitney Museum Bucksbaum Prize in 2014. In 2020, she was named a Guggenheim Fellow. The artist taught in the MFA program at Bard College, NY, where she served as Co-Chair of Photography from 2011-2015.
Leonard’s works are held in many public institutions, including the Centre Pompidou, Paris; Museum Moderner Kunst Stiftung Ludwig, Vienna; Museo Nacional Centro de Arte Reina Sofía, Madrid; Pinakothek der Moderne, Munich; Pinault Collection, Venice; The Museum of Modern Art, New York; San Francisco Museum of Modern Art; Staatsgalerie Stuttgart; Museum of Contemporary Art, Los Angeles; Tate Modern, London; Whitney Museum of American Art, New York; and Moderna Museet, Stockholm.
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News
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WorksOpen a larger version of the following image in a popup:
Installation view, Zoe Leonard, A View from the Levee, Capitain Petzel, 2022
Zoe Leonard
By the side of the road, Peñitas, 2020/2022Gelatin silver printSigned, dated and titled versoPaper dimensions:
67 x 95.2 cm / 26.4 x 37.5 inches
Framed dimensions:
75 x 103 cm / 29.5 x 40.6 inchesEdition of 3B-ZLEONARD-.22-0005Zoe Leonard’s 'Al río / To the River' is a large-scale photographic work begun in 2016, which takes the Rio Grande, as it is named in the United States, or...Zoe Leonard’s "Al río / To the River" is a large-scale photographic work begun in 2016, which takes the Rio Grande, as it is named in the United States, or Río Bravo, as it is named in Mexico, as its subject. Leonard photographed along the 2,000 km where the river is used to demarcate the boundary between the United Mexican States and the United States of America. "Al río / To the River" has been presented in solo exhibitions at MUDAM, Luxembourg and Museé d'Art Moderne de Paris in 2022.
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"Al río / To the River" de Zoe Leonard es una obra fotográfica a gran escala iniciada en 2016, que toma como tema el Río Grande, como se llama en Estados Unidos, o Río Bravo, como se denomina en México. Leonard fotografió a lo largo de los 2.000 km en los que el río sirve para delimitar la frontera entre los Estados Unidos Mexicanos y los Estados Unidos de América. "Al río / To the River" se ha presentado en exposiciones individuales en el MUDAM de Luxemburgo y en el Museé d'Art Moderne de París en 2022.Literature
Zoe Leonard. Al río / To the River, exhibition catalogue Mudam Luxembourg and Musée d’Art Moderne de Paris, Hatje Cantz, Berlin, 2022, p. 213.ExhibitionsExternal ExhibitionsPressPublicationsRequest more information


