Monica Bonvicini
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Since the mid-1990s Monica Bonvicini has been exploring political, social, and institutional situations and their impact on society, as well as on the conditions of artistic production. Her work is direct, merciless, political, and not without a dry sense of humor. In the process, she focuses on the relationship between architecture, gender roles, control mechanisms, and devices of power.
– Axel Köhne, Curator, Belvedere 21
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News
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WorksOpen a larger version of the following image in a popup:
'Dix and the Present', Deichtorhallen Hamburg 2023-2024, photo: Henning Rogge
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Ph: Jens Ziehe
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'Dix and the Present', Deichtorhallen Hamburg 2023-2024, photo: Henning Rogge
Monica Bonvicini
Love Never Win, 2022Red neon tubes and electric cables121 x 67 x 4 cm
47.6 x 26.4 x 1.6 inchesB-MBONVICINI-.23-0036Further images
Exhibitions
Dix und die Gegenwart, Deichtorhallen, Hamburg, Germany, 29.09.23 - 25.02.24
I Don’t Like You Very Much, Kunsthaus Graz, Austria, 23.04 - 28.08.22
Literature
Monica Bonvicini, As Walls Keep Shifting, Walther König, Germany, July 2023, p. 299 (ill.)
ExhibitionsExternal ExhibitionsPressPublicationsVideoAnd Rose – Monica Bonvicini's solo show at San Carlo Cremona
BiographyBorn 1965 in Venice, Italy
Lives and works in Berlin, Germany
Monica Bonvicini’s powerful and incisive practice challenges conventions of architecture, power, gender, and authority, combining conceptual rigor with a striking visual and material language.
Her work is currently included in group exhibitions at MoMA PS1, New York; Große Kunstschau, Worpswede; and Hamburger Bahnhof, Berlin. She has held major solo exhibitions at institutions including Pinacoteca Agnelli, Lingotto, Turin; Neue Nationalgalerie, Berlin; Kunst Museum Winterthur; Kunsthaus Graz; Kunsthalle Bielefeld; Belvedere 21, Vienna; Baltic Centre for Contemporary Art, Gateshead; and Deichtorhallen, Hamburg; among others.
Bonvicini’s practice is represented in the permanent collections, including those of The Museum of Modern Art, New York; Centre Pompidou, Paris; Museum Kunstpalast, Düsseldorf; Walker Art Center, Minneapolis; Istanbul Museum of Modern Art; Museo d’Arte Moderna di Bologna; MAXXI, Rome; Castello di Rivoli, Turin; Jumex Museum, Mexico City; Migros Museum für Gegenwartskunst, Zurich; Museion, Bolzano; Neue Galerie, Graz; Neue Nationalgalerie, Berlin; Hamburger Bahnhof, Berlin; Sammlung Hoffmann, Berlin; Museum Abteiberg, Mönchengladbach; Lenbachhaus, Munich; and Kunst Museum Winterthur.
Over the course of her career, Bonvicini has received numerous prestigious awards: the Oskar Kokoschka Prize in 2020; the Roland Prize for Art in Bremen in 2013; the Nationalgalerie Prize for Young Art in Berlin in 2005; and the Golden Lion at the Venice Biennale in 1999.
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