Monica Bonvicini
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Since the mid-1990s Monica Bonvicini has been exploring political, social, and institutional situations and their impact on society, as well as on the conditions of artistic production. Her work is direct, merciless, political, and not without a dry sense of humor. In the process, she focuses on the relationship between architecture, gender roles, control mechanisms, and devices of power.
– Axel Köhne, Curator, Belvedere 21
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Works
Monica Bonvicini
Hot, Chill & Feisty Brazilian Green, 2025Single casted, cold worked glass and textile60 x 14 x 20.5 cm
23.6 x 5.5 x 8.1 inchesB-MBONVICINI-.25-0016Further images
The title refers to the album 'Hot, Cool & Vicious' (1986) by the band Salt-N-Pepa, which featured their most famous song, 'Push It'. 'Hot, Chill & Feisty', with its bold...The title refers to the album "Hot, Cool & Vicious" (1986) by the band Salt-N-Pepa, which featured their most famous song, "Push It".
'Hot, Chill & Feisty', with its bold color pairing, suggests a play of contrast – not only visually but conceptually.
There’s something incredibly intimate about the 'Hot, Chill & Feisty' series, but also something light, Nouvelle Vague-like, the flavor of Godard films from the 1960s or Catherine Deneuve in Jacques Demy’s “The Umbrellas of Cherbourg.” – Oliver Koerner von Gustorf
Bonvicini has recently held major solo exhibitions at institutions, such as Neue Nationalgalerie, Berlin; Kunst Museum Winterthur and Kunsthaus Graz.ExhibitionsExternal ExhibitionsPressPublicationsVideoAnd Rose – Monica Bonvicini's solo show at San Carlo Cremona
BiographyBorn 1965 in Venice, Italy
Lives and works in Berlin, Germany
Monica Bonvicini’s powerful and incisive practice challenges conventions of architecture, power, gender and authority, combining conceptual rigor with a striking visual and material language.
Her work is currently included in group exhibitions at MoMA PS1, New York; Große Kunstschau, Worpswede; and Hamburger Bahnhof, Berlin. She has held major solo exhibitions at institutions including Pinacoteca Agnelli, Lingotto, Turin; Neue Nationalgalerie, Berlin; Kunst Museum Winterthur; Kunsthaus Graz; Kunsthalle Bielefeld; Belvedere 21, Vienna; Baltic Centre for Contemporary Art, Gateshead; Deichtorhallen, Hamburg; among others.
Bonvicini’s practice is represented in the permanent collections, including those of The Museum of Modern Art, New York; Centre Pompidou, Paris; Museum Kunstpalast, Düsseldorf; Walker Art Center, Minneapolis; Istanbul Museum of Modern Art; Museo d’Arte Moderna di Bologna; MAXXI, Rome; Castello di Rivoli, Turin; Jumex Museum, Mexico City; Migros Museum für Gegenwartskunst, Zurich; Museion, Bolzano; Neue Galerie, Graz; Neue Nationalgalerie, Berlin; Hamburger Bahnhof, Berlin; Sammlung Hoffmann, Berlin; Museum Abteiberg, Mönchengladbach; Lenbachhaus, Munich; and Kunst Museum Winterthur.
Over the course of her career, Bonvicini has received numerous prestigious awards: the Oskar Kokoschka Prize in 2020; the Roland Prize for Art in Bremen in 2013; the Nationalgalerie Prize for Young Art in Berlin in 2005; and the Golden Lion at the Venice Biennale in 1999.
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