Maria Lassnig
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Biography
Born 1919 in Carinthia, Austria
Died 2014 in Vienna, Austria
Maria Lassnig is internationally regarded as one of the leading painters of her generation. She coined and developed the notion of Körpergefühlsmalerei (body awareness painting), expressing the subjective sensation of the physical body through painting. A pioneer of female emancipation in a male-dominated art world, Lassnig was the first female professor of painting in the German-speaking world, at the University of Applied Arts, Vienna. She also co-founded the feminist avant-garde group Women/Artist/Filmmakers, Inc. in New York and represented Austria at the 39th Venice Biennale in 1980.
Her current and recent exhibitions include Kunsthaus Zürich, in a major presentation alongside Edvard Munch (until 21 February 2027); Luma Westbau, Zurich (until 20 December); Fondation Vincent van Gogh, Arles; Hamburger Kunsthalle; Halle für Kunst, Graz; Cankarjev dom, Ljubljana; UCCA, Beijing; Kunstmuseum Bonn; Albertina, Vienna; Lenbachhaus, Munich; Stedelijk Museum, Amsterdam; Kunstmuseum Basel; Tate Liverpool; MoMA PS1, New York; Museum Ludwig, Cologne; and Serpentine Gallery, London, among others.
Lassnig received numerous major accolades, including the Grand Austrian State Prize; the Roswitha Haftmann Prize, City of Zurich; the Rubens Prize of the City of Siegen; the Max Beckmann Prize, City of Frankfurt; and the Golden Lion for Lifetime Achievement at the 55th Venice Biennale.Her work is held in the most prominent collections, including The Museum of Modern Art, New York; Centre Pompidou, Paris; San Francisco Museum of Modern Art; Hammer Museum, Los Angeles; Stedelijk Museum, Amsterdam; and Museum Ludwig, Cologne.
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Each drawing is a would-be oil painting, for I never repeat any drawing as an oil painting, they are autonomous. My drawings have more freedom and more mobility in them than the oil paintings because I find a sheet of paper that has to rest on something hard easier to position, be it on my knees, on my belly in bed, on the table, on the floor, on the chair, and I myself can take up all sorts of positions in front of it, which cannot be done at all with a mounted canvas, or only with difficulty. The drawing is closest to the idea.
– Maria Lassnig
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Maria Lassnig is internationally regarded as one of the leading painters of the 20th century. She coined and developed the notion of ’Körpergefühlsmalerei‘ (body awareness painting) through her practice of visually expressing the subjective feeling of the physical body.
Scaffold of the Elites / The Elite Is Always in Danger stands out as one of her more abstract works, addressing themes of power and vulnerability. The artist brought a figure onto the canvas, simultaneously a torso and a gigantic mouth. The contours of the body evoke a mechanism that is under tension and could snap at any moment, depicting the represented elite ’in danger‘. -
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Works
Maria Lassnig
Kreaturen, 1994Oil on canvasSigned and dated130 x 200 cm
51.18 x 78.74 inchesB-MLASSNIG-.21-0002Further images
As Maria Lassnig wrote, 'one figure on a painting tells no story, two figures already tell a story and from 3 figures on a theatre play starts'. We have here...As Maria Lassnig wrote, "one figure on a painting tells no story, two figures already tell a story and from 3 figures on a theatre play starts". We have here 3 figures called “creatures” on a red background, red, the color of intense emotion for Lassnig. These creatures lie on their back in a very vulnerable position, representing 3 different body-feelings of Lassnig’s own body. A creature is a lifeform between human and animal, there is no head anymore, no feet, no hands, just the pure body- sensation of the inner self, what Lassnig called body-awareness.
"When in my painting, I became tired of analytically depicting nature, I searched for a reality that was more fully in my possession than the exterior world, and I found it waiting for me in the body- house in which I dwell, the realest and clearest reality..". —Maria LassnigExhibitions
Andachtsbild, Petzel Gallery, New York, May 3–June 22, 2019
warum! Bilder diesseits und jenseits des Menschen, Martin-Gropius-Bau Berlin, May 28– August 3,
2003, Curated by Matthias Flügge, Friedrich Meschede
Literature
Exh. cat.: Matthias Flügge, Friedrich Meschede (eds.): warum! Bilder diesseits und jenseits des Menschen. Ost ldern-Ruit: Hatje Cantz 2003, p. 189 (ill.)
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