Monica Bonvicini
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Since the mid-1990s Monica Bonvicini has been exploring political, social, and institutional situations and their impact on society, as well as on the conditions of artistic production. Her work is direct, merciless, political, and not without a dry sense of humor. In the process, she focuses on the relationship between architecture, gender roles, control mechanisms, and devices of power.
– Axel Köhne, Curator, Belvedere 21
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Ph: Roman März
Monica Bonvicini
Belt Exercise #2, 2018Bronze44 x 17 x 13 cm
17.3 x 6.7 x 5.1 inchesEdition of 5 + 2 APB-MBONVICINI-.23-0025Belt Exercise is a series of bronze sculptural works by Monica Bonvicini that follow a performance choreographed by the artist in 2016 at Herkulessaal in Munich. During the performance, a...Belt Exercise is a series of bronze sculptural works by Monica Bonvicini that follow a performance choreographed by the artist in 2016 at Herkulessaal in Munich. During the performance, a group of performers make clacking sounds using leather belts, as they sync with each other, it is as if the belts in their hands were musical instruments. Each piece of the series depicts a twisted or rolled belt, which is itself a cultural symbol of masculinity and discipline. The firm form of the sculpture implies a fixed moment, a momentary tension, giving an eerie sense that the belt could spring into action at any moment, whether a "clack" or even a whip. At the same time, the form the sculpture assumes has a quirky and witty sensibility, dismantling the objects dominating and preconceived cultural associations and categories.ExhibitionsExternal ExhibitionsPressPublicationsVideoAnd Rose – Monica Bonvicini's solo show at San Carlo Cremona
BiographyBorn 1965 in Venice, Italy
Lives and works in Berlin, Germany
Monica Bonvicini’s powerful and incisive practice challenges conventions of architecture, power, gender and authority, combining conceptual rigor with a striking visual and material language.
Her work is currently included in group exhibitions at MoMA PS1, New York; Große Kunstschau, Worpswede; and Hamburger Bahnhof, Berlin. She has held major solo exhibitions at institutions including Pinacoteca Agnelli, Lingotto, Turin; Neue Nationalgalerie, Berlin; Kunst Museum Winterthur; Kunsthaus Graz; Kunsthalle Bielefeld; Belvedere 21, Vienna; Baltic Centre for Contemporary Art, Gateshead; Deichtorhallen, Hamburg; among others.
Bonvicini’s practice is represented in the permanent collections, including those of The Museum of Modern Art, New York; Centre Pompidou, Paris; Museum Kunstpalast, Düsseldorf; Walker Art Center, Minneapolis; Istanbul Museum of Modern Art; Museo d’Arte Moderna di Bologna; MAXXI, Rome; Castello di Rivoli, Turin; Jumex Museum, Mexico City; Migros Museum für Gegenwartskunst, Zurich; Museion, Bolzano; Neue Galerie, Graz; Neue Nationalgalerie, Berlin; Hamburger Bahnhof, Berlin; Sammlung Hoffmann, Berlin; Museum Abteiberg, Mönchengladbach; Lenbachhaus, Munich; and Kunst Museum Winterthur.
Over the course of her career, Bonvicini has received numerous prestigious awards: the Oskar Kokoschka Prize in 2020; the Roland Prize for Art in Bremen in 2013; the Nationalgalerie Prize for Young Art in Berlin in 2005; and the Golden Lion at the Venice Biennale in 1999.
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