Monica Bonvicini
-
-
Since the mid-1990s Monica Bonvicini has been exploring political, social, and institutional situations and their impact on society, as well as on the conditions of artistic production. Her work is direct, merciless, political, and not without a dry sense of humor. In the process, she focuses on the relationship between architecture, gender roles, control mechanisms, and devices of power.
– Axel Köhne, Curator, Belvedere 21
-
-
-
-
-
-
-
-
-
-
News
-
WorksOpen a larger version of the following image in a popup:
Installation view, Monica Bonvicini, I do You, Neue Nationalgalerie, Berlin, Germany, 2022
Open a larger version of the following image in a popup:
Installation view, Monica Bonvicini, I do You, Neue Nationalgalerie, Berlin, Germany, 2022
Open a larger version of the following image in a popup:
Installation view, Monica Bonvicini, I do You, Neue Nationalgalerie, Berlin, Germany, 2022
Open a larger version of the following image in a popup:
Installation view, Monica Bonvicini, I do You, Neue Nationalgalerie, Berlin, Germany, 2022
Monica Bonvicini
StripLight, 2021LED tube, GreenTEC, leather, cable97 x 4 x 3.5 cm
38.2 x 1.6 x 1.4 inchesEdition of 10 + 3 APB-MBONVICINI-.23-0002Further images
Striplight consists of materials that can be seen as hallmarks of Monica Bonvicini’s varied multimedia practice, these being leather and light fixtures that are seamlessly juxtaposed. The reduced, minimal sculpture...Striplight consists of materials that can be seen as hallmarks of Monica Bonvicini’s varied multimedia practice, these being leather and light fixtures that are seamlessly juxtaposed. The reduced, minimal sculpture is made from a belt, a section of which has been elegantly removed and replaced with an LED light tube, reviving the otherwise static sculpture by equipping it with an energy source that emits an intense white glow. The title of the work can be read as descriptive of the formal qualities of the work, but also as having connotations with eroticized environments, namely darkened strip clubs and enclosed spaces that are illuminated by bright lights. The work also evokes Eileen Gray’s Tube Light lamp, a reference that furthers its feminist subtext.Exhibitions
just SEX (group show), Galerie Gruppe Motto, Hamburg, 2024
Monica Bonvicini, I do You, Neue Nationalgalerie, Berlin, 2022
Publications
Monica Bonvicini. I Do You. Exhibition catalogue of Neue Nationalgalerie, Berlin, 2023, p. 72-73, 140-141
Monica Bonvicini. As Walls Keep Shifting. Walter König Verlag, Berlin, 2023, unpaged.
´Vanessa Joan Müller, Ursula Maria Probst, and Rein Wolfs, Monica Bonvicini: Both Ends (Köln: Verlag der Buchhandlung Walther König, 2010), 508-509.
ExhibitionsExternal ExhibitionsPressPublicationsVideoAnd Rose – Monica Bonvicini's solo show at San Carlo Cremona
BiographyBorn 1965 in Venice, Italy
Lives and works in Berlin, Germany
Monica Bonvicini’s powerful and incisive practice challenges conventions of architecture, power, gender, and authority, combining conceptual rigor with a striking visual and material language.
Her work is currently included in group exhibitions at MoMA PS1, New York; Große Kunstschau, Worpswede; and Hamburger Bahnhof, Berlin. She has held major solo exhibitions at institutions including Pinacoteca Agnelli, Lingotto, Turin; Neue Nationalgalerie, Berlin; Kunst Museum Winterthur; Kunsthaus Graz; Kunsthalle Bielefeld; Belvedere 21, Vienna; Baltic Centre for Contemporary Art, Gateshead; and Deichtorhallen, Hamburg; among others.
Bonvicini’s practice is represented in the permanent collections, including those of The Museum of Modern Art, New York; Centre Pompidou, Paris; Museum Kunstpalast, Düsseldorf; Walker Art Center, Minneapolis; Istanbul Museum of Modern Art; Museo d’Arte Moderna di Bologna; MAXXI, Rome; Castello di Rivoli, Turin; Jumex Museum, Mexico City; Migros Museum für Gegenwartskunst, Zurich; Museion, Bolzano; Neue Galerie, Graz; Neue Nationalgalerie, Berlin; Hamburger Bahnhof, Berlin; Sammlung Hoffmann, Berlin; Museum Abteiberg, Mönchengladbach; Lenbachhaus, Munich; and Kunst Museum Winterthur.
Over the course of her career, Bonvicini has received numerous prestigious awards: the Oskar Kokoschka Prize in 2020; the Roland Prize for Art in Bremen in 2013; the Nationalgalerie Prize for Young Art in Berlin in 2005; and the Golden Lion at the Venice Biennale in 1999.
Request more information







