Monica Bonvicini
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Since the mid-1990s Monica Bonvicini has been exploring political, social, and institutional situations and their impact on society, as well as on the conditions of artistic production. Her work is direct, merciless, political, and not without a dry sense of humor. In the process, she focuses on the relationship between architecture, gender roles, control mechanisms, and devices of power.
– Axel Köhne, Curator, Belvedere 21
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News
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WorksOpen a larger version of the following image in a popup:
Installation view, Monica Bonvicini, & Liberation, Galerie Gisela Capitain Petzel, Cologne, 2024
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Ph: Jens Ziehe
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Installation view, Monica Bonvicini, & Liberation, Galerie Gisela Capitain Petzel, Cologne, 2024
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Installation view, Monica Bonvicini, & Liberation, Galerie Gisela Capitain Petzel, Cologne, 2024
Monica Bonvicini
Picked Up and Thrown, 2020Spray paint on Fabriano paperDiptych
Each 150 x 100 cm / 59 x 39.4 inchesB-MBONVICINI-.24-0005Further images
Picked Up and Thrown is part of a recent body of work which began in the wake of insurgent movements such as #MeToo and Black Lives Matter. First exhibited at...Picked Up and Thrown is part of a recent body of work which began in the
wake of insurgent movements such as #MeToo and Black Lives Matter. First
exhibited at Kunsthalle Bielefeld in the solo exhibition Monica Bonvicini:
Lover‘s Material, these drawings feature text on soft pink, grey or black
backgrounds with faint grid lines, some incorporating images cast from
sprayed chains or barbed wire. Christina Végh, Director of Kunsthalle
Bielefeld, describes the series as „a cartography of emotions,“ exploring
various modes of connection and tension within relationships. Themes such
as love, aggression, feminism, and rage are depicted through fragments
from notable authors and literary works, in this case Roland Barthes and
Margaret Atwood, that have been reshaped by the artist into new syntactic
and semantic forms.Exhibitions
Monica Bonvicini, & Liberation, Galerie Gisela Capitain Petzel, Cologne, 2024ExhibitionsExternal ExhibitionsPressPublicationsVideoAnd Rose – Monica Bonvicini's solo show at San Carlo Cremona
BiographyBorn 1965 in Venice, Italy
Lives and works in Berlin, Germany
Monica Bonvicini’s powerful and incisive practice challenges conventions of architecture, power, gender and authority, combining conceptual rigor with a striking visual and material language.
Her work is currently included in group exhibitions at MoMA PS1, New York; Große Kunstschau, Worpswede; and Hamburger Bahnhof, Berlin. She has held major solo exhibitions at institutions including Pinacoteca Agnelli, Lingotto, Turin; Neue Nationalgalerie, Berlin; Kunst Museum Winterthur; Kunsthaus Graz; Kunsthalle Bielefeld; Belvedere 21, Vienna; Baltic Centre for Contemporary Art, Gateshead; Deichtorhallen, Hamburg; among others.
Bonvicini’s practice is represented in the permanent collections, including those of The Museum of Modern Art, New York; Centre Pompidou, Paris; Museum Kunstpalast, Düsseldorf; Walker Art Center, Minneapolis; Istanbul Museum of Modern Art; Museo d’Arte Moderna di Bologna; MAXXI, Rome; Castello di Rivoli, Turin; Jumex Museum, Mexico City; Migros Museum für Gegenwartskunst, Zurich; Museion, Bolzano; Neue Galerie, Graz; Neue Nationalgalerie, Berlin; Hamburger Bahnhof, Berlin; Sammlung Hoffmann, Berlin; Museum Abteiberg, Mönchengladbach; Lenbachhaus, Munich; and Kunst Museum Winterthur.
Over the course of her career, Bonvicini has received numerous prestigious awards: the Oskar Kokoschka Prize in 2020; the Roland Prize for Art in Bremen in 2013; the Nationalgalerie Prize for Young Art in Berlin in 2005; and the Golden Lion at the Venice Biennale in 1999.
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