Monica Bonvicini is one of the most influential artists of her generation, well-known for her sharp and provocative artworks spanning sculpture, installation, drawing, video, and public projects. Her artistic exploration centers on the intersections of architecture, gender dynamics, and power structures, with a unique focus on both the built environment and the concept of destruction as a transformative agent. In her distinctive style, enriched with a dry and trenchant wit, Bonvicini's art remains unapologetically forthright, consistently forging a critical connection with the environments in which it is displayed, the very materials that constitute it, and the dynamic roles assigned to both the viewer and the artist.

Over the last three decades, Bonvicini's innovative practice has made her a prominent figure in the global contemporary art world. Her practice has remained steadfast in delivering incisive critiques of entrenched patriarchal and socio-cultural conventions, reshaping contemporary art discourse and practice. She is also a well-regarded scholar, having held a professorship in Sculpture and Performative Arts at the Vienna Fine Arts Academy from 2003 to 2017. Since October 2017, Bonvicini assumed the professorship for Sculpture at the Universität der Künste in Berlin. She has also been a guest lecturer at major universities in Europe and abroad.

Monica Bonvicini has held major solo exhibitions at institutions including Neue Nationalgalerie, Berlin; Kunst Museum Winterthur; Kunsthaus Graz; Kunsthalle Bielefeld; Belvedere 21, Vienna; Baltic Centre for Contemporary Art, Gateshead; Deichtorhallen, Hamburg, among others. From 2003 to 2017, Bonvicini was a Professor of Sculpture and Performance Art at the Akademie der Bildenden Künste in Vienna. Since 2017, she has been Professor of Sculpture at the Universität der Künste Berlin.

Her work has been featured in many prominent biennials, including Busan (2020); Istanbul (2017, 2003); Venice (2015, 2011, 2005, 2001, 1999); Berlin (2014, 2004, 1998); New Orleans (2008); Gwangju (2006); Sao Paulo (2006); Shanghai (2002); and Santa Fe (1999).

Bonvicini has earned several awards, including the Oskar Kokoschka Prize, Austria (2020); the Hans Platschek Prize for Art and Writing, Germany (2019); the Roland Prize for Art in Public Space from the Foundation Bremen, Germany (2013); the Preis der Nationalgalerie für junge Kunst from the Staatliche Museen zu Berlin (2005); the Golden Lion at the Biennale di Venezia (1999).

Bonvicini's artworks are permanently installed in Queen Elizabeth Olympic Park, London; on the waterfront at Bjørvika, before the Den Norske Opera & Ballett House, Oslo; and in the Weserburg Museum of Modern Art, Bremen. In 2012 Bonvicini was appointed Commander of the Order of Merit of the Italian Republic.

Bonvicini’s work is included in the permanent collections of Museum of Modern Art, New York; Centre Pompidou, Paris; Museum Kunstpalast, Düsseldorf; Walker Art Center, Minneapolis; Istanbul Museum of Art; Museo d’Arte Moderna di Bologna; MAXXI, Rome; Castello di Rivoli, Turin; Jumex Museum, Mexico City; Migros Museum für Gegenwartskunst, Zürich; Museion, Bolzano; Neue Galerie, Graz; Neue Nationalgalerie Berlin; Sammlung Hoffmann, Berlin; Städtisches Museum Abteiberg, Mönchengladbach; Städtische Galerie im Lenbachhaus und Kunstbau, Munich; Kunst Museum Winterthur, among others.