Charline von Heyl
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Biography
Born 1960 in Mainz, Germany
Lives and works in New York and Marfa
Charline von Heyl’s abstract paintings, drawings and collages are endlessly layered, enigmatic visual experiences filled with surprising juxtapositions and interactions. Her work resolutely strives against maintaining a cohesive narrative or signature style, but instead is fearless in its formal diversity. It requires active perception and participation to take in her bold lines and gestures, and abstract shapes and patterns. Her configurations possess a unique dynamism and energy, imbued with flashes of humour but simultaneously unafraid of poetic depth and pathos.
Embodied in von Heyl’s work are series of experiences and emotions, often opposing to create an intriguing sense of contradiction and tension. They impart to the viewer an unpredictable chain of associations and subtle references. Her canvases are as thoughtful and cerebral as they are aesthetically balanced, with their bold but harmonious colour palettes and their almost printed, two-dimensional quality.
Von Heyl is a highly regarded figure in contemporary painting and abstract expressionism, and her work has been shown extensively internationally. Charline von Heyl has had solo shows at Hirshhorn Museum and Sculpture Garden, Washington; Museum Dhondt-Dhaenens, Deurle; Deichtorhallen, Hamburg; Tate Liverpool; Kunsthalle Nürnberg; Institute of Contemporary Art, Boston; Institute of Contemporary Art, Philadelphia; Le Consortium, Dijon; Dallas Museum of Art; Vienna Secession and many more. Her works were featured in the exhibition The Milk of Dreams, curated by Cecilia Alemani, at the 2022 Venice Biennale.
Von Heyl’s work is represented in the public collections of Tate, London; Dallas Art Museum; Hammer Museum, Los Angeles; Musée d'Art Moderne, Paris; Museum of Contemporary Art, Los Angeles; Museum of Modern Art, New York; San Francisco Museum of Modern Art, among others.
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I have always been a sucker for the look of prints and have often faked that look in my paintings, so maybe it makes sense that I am using printing techniques now in the same way that I paint, so that one cannot follow the steps.
- Charline von Heyl
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Works
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External Exhibitions
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