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Stephen Prina

Stephen Prina

  • Biography
  • Works
  • Gallery Exhibitions
  • External Exhibitions
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  • Biography
    Stephen Prina
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    Born in 1954 in Galesburg, IL

    Lives and works in Cambridge, MA and Los Angeles, CA

     

    Stephen Prina’s oeuvre is diverse, including installation, painting, sculpture, film and musical performance. Through these various mediums, Prina examines the cultural production and consumption process by making pre-existing works of art his regular points of departure. Without discarding their original meaning, Prina re-arranges and re-presents ideas to bring new possible signification to the fore.

     

    This deconstructive approach, which poses questions around authenticity, authorship and originality, has led his practice to be described as “post-conceptualist”. His autonomous but yet thematically related bodies of work form a continuous series, in which elements often get revisited over the course of his career. Prina’s re-contextualisation forms a framework of references that merge history with the contemporary, deftly drawing connections and challenging assumptions about representation and the role of art objects.

     

    The first in-depth exhibition focusing on Prina's performances will open at MoMA, New York in September 2025. Prina has has had numerous solo exhibitions worldwide at JUBG, Cologne (2023); Museo Tamayo, Mexico City (2020); Petzel Gallery, New York (2019); Museo Madre, Naples (2017); Museum Kurhaus Kleve (2016); Kunst Halle Sankt Gallen (2015) Secession, Vienna (2011); Los Angeles County Museum of Art (2013); Palais de Tokyo, Paris (2013); Galerie Gisela Capitain, Cologne (2014); Contemporary Art Museum St. Louis (2010); Bergen Kunsthall, (2009); Staatliche Kunsthalle Baden-Baden (2008); The Art Institute of Chicago (2002); Kunsthalle Basel (2002); Frankfurter Kunstverein, Frankfurt am Main (2000) among many others. His work has also been extensively shown in group shows, such as at the Familienbande, Museum Ludwig, Cologne (2019); MUMOK, Vienna (2018); Institute of Contemporary Art, Los Angeles (2018); Museum Brandhorst, Munich (2016); Museum Ludwig, Vienna (2015); Hammer Museum, Los Angeles (2014); Centre Pompidou, Paris (2014); Contemporary Arts Museum Houston, Houston (2013); Whitney Museum of American Art, New York (2008); The J. Paul Getty Museum, Los Angeles (2000). 

    Stephen Prina has also participated at the Whitney Biennale in 2008, documenta IX in 1992, the Venice Biennale in 1990.

     

    Prina’s work is held in the collections of the Albright Knox Art Gallery, Buffalo; Carnegie Museum of Art, Pittsburgh; Centro Andaluz de Arte Contemporáneo, Sevilla; Center for Curatorial Studies, Bard, Hudson, New York; Hammer Museum, Los Angeles; Los Angeles County Museum of Contemporary Art, Los Angeles; Mamco, Musée d'Art Moderne et Contemporain, Geneva; Museum Boijmans-van Beuningen, Rotterdam; Museum of Contemporary Art, Los Angeles; Museum of Contemporary Art, Chicago Museum of Modern Art, New York; Museum Moderner Kunst Stiftung Ludwing, Vienna; Museum Ludwig, Cologne; Tate, London; Vancouver Art Gallery, Vancouver; Whitney Museum of American Art, New York. 

    Download Artist's CV (PDF, opens in a new tab.)
  • Installation view: Stephen Prina, As He Remembered It, Capitain Petzel, Berlin, 2017
  • Stephen Prina, Exquisite Corpse: The Complete Paintings of Manet 244 of 556, Portrait d'Alice Lecouvé dans un Fauteuil (Portrait of...
    Artworks

    Stephen Prina

    Exquisite Corpse: The Complete Paintings of Manet 244 of 556, Portrait d'Alice Lecouvé dans un Fauteuil (Portrait of Alice Lecouvé in an Armchair), 1875?, Jamot and Wildenstein date it 1879, Bührle Collection, Zurich, May 5, 2014, 2014
    Two parts
    Left: Ink wash on rag, barrier paper
    26 x 28 cm / 10.2 x 11 inches
    Right: Offset lithography on paper
    66 x 83 cm / 26 x 32.6 inches
    Enquire
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  • Stephen Prina, Untitled, Exquisite Corpse: The Complete Paintings of Manet 255 of 556, Femme au Jardin (Woman in a Garden),...
    Artworks

    Stephen Prina

    Untitled, Exquisite Corpse: The Complete Paintings of Manet 255 of 556, Femme au Jardin (Woman in a Garden), 1876?, Formerly in Berlin, Liebermann Collection, 2017
    Black cord and brass escutcheon pins
    Left: 126 x 175 cm / 49.6 x 70 inches
    Right: 66 x 83 cm / 26 x 32.7 inches
  • Regardless of each particular work’s guise and form, they all seem to concern the articulation of the resulting resonances and multiple overtones of difference in a contextual flux. The ostensible subject of Prina’s work is the ways the work of others is culturally contextualized, though importantly and sometimes literally, Prina’s own voice emerges in their midst.

    – Dominic Eichler, Frieze

  • Installation view: Stephen Prina, English for Foreigners (abridged), Petzel Gallery, New York, 2019
  • Works
    • Stephen Prina, Exquisite Corpse: The Complete Paintings of Manet222 of 556Dame aux Éventails (Nina de Callias) (Woman with Fans) 1874Jeu de Paume, Louvre, Paris,, February 4, 2011
      Stephen Prina
      Exquisite Corpse: The Complete Paintings of Manet222 of 556Dame aux Éventails (Nina de Callias) (Woman with Fans) 1874Jeu de Paume, Louvre, Paris,, February 4, 2011
      left: 113.5 x 166.5 cm / 44.7 x 65.6 inches
      right: 66 x 83 cm / 26 x 32.7 inches
    • Stephen Prina, Exquisite Corpse: The Complete Paintings of Manet 252 of 556, Enfant dans les Fleurs (Jacques Hoschedé) II, (Child among the Flowers) II, 1876, Whereabouts Unknown, October 8, 2017
      Stephen Prina
      Exquisite Corpse: The Complete Paintings of Manet 252 of 556, Enfant dans les Fleurs (Jacques Hoschedé) II, (Child among the Flowers) II, 1876, Whereabouts Unknown, October 8, 2017
      Two parts:
      Left: ink wash on rag, barrier paper
      66,2 x 83 cm / 26.6 x 32.7 inches  
      Right: offset lithography on paper
      66 x 83 cm / 26 x 32.7 inches
    • Stephen Prina, Untitled, Exquisite Corpse: The Complete Paintings of Manet 253 of 556, Jeune Femme dans les Fleurs (Young Woman among the Flowers), 1876, Paul Steiner Collection, Berlin, 2017
      Stephen Prina
      Untitled, Exquisite Corpse: The Complete Paintings of Manet 253 of 556, Jeune Femme dans les Fleurs (Young Woman among the Flowers), 1876, Paul Steiner Collection, Berlin, 2017
      Black cord and brass escutcheon
      Left: 65,5 x 81 cm / 25.8 x 31.9 inches
      Right: 66 x 83 cm / 26 x 32.7 inches
    • Stephen Prina, Untitled, Exquisite Corpse: The Complete Paintings of Manet 255 of 556, Femme au Jardin (Woman in a Garden), 1876?, Formerly in Berlin, Liebermann Collection, 2017
      Stephen Prina
      Untitled, Exquisite Corpse: The Complete Paintings of Manet 255 of 556, Femme au Jardin (Woman in a Garden), 1876?, Formerly in Berlin, Liebermann Collection, 2017
      Black cord and brass escutcheon pins
      Left: 126 x 175 cm / 49.6 x 70 inches
      Right: 66 x 83 cm / 26 x 32.7 inches
    • Stephen Prina, As He Remembered It, Dressing Room Category Hiler, Dressing Room (Powder Room), No. 1, 2011
      Stephen Prina
      As He Remembered It, Dressing Room Category Hiler, Dressing Room (Powder Room), No. 1, 2011
      Acrylic enamel on PU coating on poplar plywood and metal
      214 x 231 x 185 cm
      84.3 x 91 x 72.8 inches
    • Stephen Prina, As He Remembered It, Kitchen Category Harris, Kitchen, No. 1Harris, Kitchen, No. 2Hiler, Kitchen, No. 3Hiler, Kitchen, No. 4, 2011
      Stephen Prina
      As He Remembered It, Kitchen Category Harris, Kitchen, No. 1Harris, Kitchen, No. 2Hiler, Kitchen, No. 3Hiler, Kitchen, No. 4, 2011
      Acrylic enamel on PU coating on poplar plywood, linen and metal
      244 x 323 x 84 cm Harris Kitchen No 1
      203 x 322 x 56 cm Harris Kitchen No 2
      122 x 292 x 31 cm Hiler Kitchen No 3
      259 x 262 x 166 cm Hiler Kitchen No 4
    • Stephen Prina, Blind No. 7, Nineteen-foot Ceiling or Lower (Raw Umber/Burnt Umber Light/BurntSienna/Raw Sienna), 2011
      Stephen Prina
      Blind No. 7, Nineteen-foot Ceiling or Lower (Raw Umber/Burnt Umber Light/BurntSienna/Raw Sienna), 2011
      Acrylic on linen, window-blind mechanism
      3 panels, each:
      228 x 40.87 inches
      579.12 x 103.82 cm
    • Stephen Prina, Blind No. 8, Nineteen-foot Ceiling or Lower (Carbon Black/Bone Black), 2011
      Stephen Prina
      Blind No. 8, Nineteen-foot Ceiling or Lower (Carbon Black/Bone Black), 2011
      Acrylic on linen, window-blind mechanism
      2 panels, each:
      228 x 40.87 inches
      579.12 x 103.82 cm
    • Stephen Prina, THE WAY HE ALWAYS WANTED IT VII, 2011
      Stephen Prina
      THE WAY HE ALWAYS WANTED IT VII, 2011
      Griffin 100% natural silk bead cord with needle attached, 35mm film frames,
      Czech pressed-glass beads
      42,5 m length, installation dimensions variable
    • Stephen Prina, UntitledExquisite Corpse: The Complete Paintings of Manet227 of 556Baigneuses en Seine(Bathers in the Seine)1874?Museu de Arte, Sào Paulo, March 7, 2011
      Stephen Prina
      UntitledExquisite Corpse: The Complete Paintings of Manet227 of 556Baigneuses en Seine(Bathers in the Seine)1874?Museu de Arte, Sào Paulo, March 7, 2011
      Black cord, 8 nails with golden head
      left: 132 x 98 cm / 52 x 38.6 inches
      right: 66 x 83 cm / 26 x 32.7 inches
    • Stephen Prina, 5 parts:PUSH COMES TO LOVE: Bright BluePUSH COMES TO LOVE: Untitled, 1999Photo screenprint with acrylic and acrylic enamel on canvas350 ml of spray paintdimensions variable151 x 121 cmPUSH COMES TO LOVE: Golden Yellow, 1999Photo screenprint with acrylic a
      Stephen Prina
      5 parts:PUSH COMES TO LOVE: Bright BluePUSH COMES TO LOVE: Untitled, 1999Photo screenprint with acrylic and acrylic enamel on canvas350 ml of spray paintdimensions variable151 x 121 cmPUSH COMES TO LOVE: Golden Yellow, 1999Photo screenprint with acrylic a
  • Exhibitions
    • 25 for 2025

      25 for 2025

      11 January  —  15 February 2025
      Explore
    • Stephen Prina

      Stephen Prina

      As He Remembered It 23 November 2017  —  3 February 2018
      Capitain Petzel is pleased to announce the second solo exhibition by visual artist and musician Stephen Prina, titled »As He Remembered It« which will be on view on three levels...
      Explore
    • Stephen Prina

      Stephen Prina

      Carve Out a Space of Intimacy 19 March  —  23 April 2011
      Gisela Capitain and Friedrich Petzel are delighted to announce the first solo exhibition by Stephen Prina at Capitain Petzel in Berlin, of works from 2009 to the present. – Gisela...
      Explore
    • Kunst im Heim

      Kunst im Heim

      COSIMA VON BONIN, MATTHEW BRANNON, TROY BRAUNTUCH, MARIA BRUNNER, GÜNTHER FÖRG, ANNA GASKELL, WADE GUYTON, MARGARETE JAKSCHIK, MARTIN KIPPENBERGER, MARIA LASSNIG, ZOE LEONARD, JOYCE PENSATO, ASCAN PINCKERNELLE, SETH PRICE, STEPHEN PRINA, SAM SAMORE and ma 31 October  —  17 December 2008
      Gisela Capitain and Friedrich Petzel are delighted to announce the inaugural exhibition of Capitain Petzel Berlin at Karl-Marx-Allee 45, a groupshow entitled ‚Kunst im Heim‘. From 1961 to 1964 seven...
      Explore
  • External Exhibitions
    Open a larger version of the following image in a popup: 2023 Fragment Oaid Ausstellung Lbh 053 327 Prinas Guytonw Lenbachhaus Simone Ga Nsheimer
    Open a larger version of the following image in a popup: Web2023 11 15 Jubg Stephen Prina Install 25 Web 720X480
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    Open a larger version of the following image in a popup: 2017 Stephen Prina Madre Install 12
    Open a larger version of the following image in a popup: Fa33223Eff0D6148Db4E6C2E5Ea6001E
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    Open a larger version of the following image in a popup: Petzel 20121
    Open a larger version of the following image in a popup: Ko Lnischer Kunstverein 2011
    Open a larger version of the following image in a popup: Cam St Louis 2010
    Open a larger version of the following image in a popup: Prina Secession 12
    Open a larger version of the following image in a popup: Prina Secession 2
    Open a larger version of the following image in a popup: Stephen Prina St Louis 2010
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    Open a larger version of the following image in a popup: Stephen Prina 2007 Gisela Capitain 01
    Open a larger version of the following image in a popup: 3B1572D98D52Cd526D6704F08Ecc18Cf
    Fragment of an infinite discourse, 2023
    Lenbachhaus, Munich
     
  • News
    • Stephen Prina

      Stephen Prina

      'Stephen Prina. A Lick and a Promise', MoMA, New York
      September – December 2025
      1 September 2023
      For the past three decades, artist, musician, and composer Stephen Prina has developed a singular and irreverent approach to installations, films, and musical performances. Prina...
      Read more
  • Press
    • A view of Stephen Prina’s 2011 sculpture, “As He Remembered It, Balcony Category Hiler, Balcony No. 1,” 2011. (Roadwork Studio)

      Los Angeles Times: "As the Schindler House turns 100, a new exhibition reexamines its complex legacy" (Stephen Prina)

      Carolina A. Miranda, 15 June 2022
    • Installation view: Stephen Prina: As He Remembered It, Capitain Petzel, Berlin, 2017/18

      Texte zur Kunst: "ROSE-COLORED GLASSES NICOLÁS GUAGNINI ON STEPHEN PRINA AT CAPITAIN PETZEL, BERLIN"

      14 March 2018
    • installation view: Stephen Prina, English for Foreigners, Museo Madre, Naples, 2017. Image courtesy of the artist and Petzel, New York. Photos by Amedeo Benestante.

      Artforum: "Stephen Prina: Museo MADRE"

      Paola Nicolin, 17 July 2017
    • Installation view: Stephen Prina: galesburg, illinois+, Petzel, New York, 2016.Courtesy of the artist and Petzel, New York

      Studio International: "Stephen Prina: 'The exhibition was really about considering whether I could embark on an autobiographical profect that I would deem acceptable"

      Allie Biswas, 17 May 2016
    • Installation view: As He Remembered It, Secession, Vienna, 2011. All images courtesy Petzel Gallery, New York. Photos Wolfgang Thaler.

      ArtNews: "In the Studio: Stephen Prina"

      Steel Stillman, 26 April 2013
  • Publications
    • Ross Bleckner, Barbara Bloom, Troy Brauntuch, Matt Mullican, Stephen Prina, Christopher Williams

      Ross Bleckner, Barbara Bloom, Troy Brauntuch, Matt Mullican, Stephen Prina, Christopher Williams

      Kunsthaus Graz, Kestnergesellschaft, Hannover, 2020 2020
      Softcover, 176 pages
      Publisher: Kunsthaus Graz, Kestnergesellschaft, Hannover
      ISBN: 978-3-903179-23-3
      Dimensions: 15 x 21 cm
      Read more
    • Stephen Prina

      Stephen Prina

      We need to talk... Artists and the public respond to the present conditions in America, 2017 2017
      Soft-fold, 40 pages
      Publisher: Hatje Cantz, Berlin and Petzel, New York
      ISBN: 978-3-7757-4339-6
      Dimensions: 50 x 38 cm
      Read more
    • Stephen Prina

      Stephen Prina

      galesburg, illinois+, 2016 2016 Read more
    • Stephen Prina

      Stephen Prina

      As He Remembered It, 2011 2011 Read more
    • Stephen Prina

      Stephen Prina

      Concerto for Modern, Movie, and Pop Music for Ten Instruments and Voice, 2010 2010 Read more
    • Stephen Prina

      Stephen Prina

      The Second Sentence of Everything I Read Is You, 2008 2008 Read more
    • Stephen Prina

      Stephen Prina

      Exquisite Corpses: The Complete paintings of Manet 57 through 66 of 556, 1989 1989 Read more

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