Charline von Heyl
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Biography
Born 1960 in Mainz, Germany
Lives and works in New York and Marfa
Charline von Heyl’s abstract paintings, drawings and collages are endlessly layered, enigmatic visual experiences filled with surprising juxtapositions and interactions. Her work resolutely strives against maintaining a cohesive narrative or signature style, but instead is fearless in its formal diversity. It requires active perception and participation to take in her bold lines and gestures, and abstract shapes and patterns. Her configurations possess a unique dynamism and energy, imbued with flashes of humour but simultaneously unafraid of poetic depth and pathos.
Embodied in von Heyl’s work are series of experiences and emotions, often opposing to create an intriguing sense of contradiction and tension. They impart to the viewer an unpredictable chain of associations and subtle references. Her canvases are as thoughtful and cerebral as they are aesthetically balanced, with their bold but harmonious colour palettes and their almost printed, two-dimensional quality.
Von Heyl is a highly regarded figure in contemporary painting and abstract expressionism, and her work has been shown extensively internationally. Charline von Heyl has had solo shows at The George Economou Collection, Athens; Hirshhorn Museum and Sculpture Garden, Washington; Museum Dhondt-Dhaenens, Deurle; Deichtorhallen, Hamburg; Tate Liverpool; Kunsthalle Nürnberg; Institute of Contemporary Art, Boston; Institute of Contemporary Art, Philadelphia; Le Consortium, Dijon; Dallas Museum of Art; Vienna Secession and many more. Her works were featured in the exhibition The Milk of Dreams, curated by Cecilia Alemani, at the 2022 Venice Biennale.
Von Heylʼs work is included in the collections of the Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; Tate Modern, London; Whitney Museum of Modern Art, New York; Musée dʼArt Moderne de Paris; Institute of Contemporary Art, Boston; Art Institute of Chicago; Hirshhorn Museum and Sculpture Garden, Washington; Kunstmuseum Bonn; and the San Francisco Museum of Modern Art; Kunsthalle Bielefeld, among others.
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I have always been a sucker for the look of prints and have often faked that look in my paintings, so maybe it makes sense that I am using printing techniques now in the same way that I paint, so that one cannot follow the steps.
- Charline von Heyl
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Works
Charline von Heyl
Titan Arum, 2024Acrylic, charcoal and oil on linenSigned and dated verso152.4 x 127 x 3.8 cm
60 x 50 x 1.5 inchesB-CVONHEYL-.25-0001Further images
'Titan Arum' is emblematic of Charline von Heyl’s pivot toward works combining bold stroke, vivid color, energetic mark-making (charcoal, paint), and a push-pull between abstraction, with hints of figuration. The...'Titan Arum' is emblematic of Charline von Heyl’s pivot toward works combining bold stroke, vivid color, energetic mark-making (charcoal, paint), and a push-pull between abstraction, with hints of figuration. The title’s reference to the enormous corpse-flower, notorious for its dramatic bloom and odor, suggests attention to extremes, both in visual intensity and temporal unfolding. In this work, contrasts of luminosity, gestural sweeps, and sculptural depth in paint weave a dynamic field.
Von Heyl’s major survey exhibition 'Giddy Road to Ruin' is currently on view at the George Economou Collection, Athens, which spans several decades of her work and includes her most recent pieces.ExhibitionsExternal ExhibitionsNewsPressPublications


