Karla Black
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Biography
Born 1972 in Alexandria, UK
Lives and works in Glasgow, UK
Karla Black’s abstract and immersive sculptures are created through her experimentation with unconventional materials. These monumental yet ephemeral and seemingly weightless chalked paper works continue her investigation of materiality, texture, and the emotions they evoke.
In 2027, Black will present solo exhibitions at Kunsthall Stavanger; Jupiter Artland, Edinburgh; and Quench Gallery, Margate. Her work has been exhibited at Kunstraum Dornbirn, Austria; Josef Albers Museum Quadrat, Bottrop; Bechtler Stiftung, Switzerland; Tate Britain, London; Centre Pompidou, Paris; Museum Ludwig, Cologne; Lenbachhaus, Munich; Schirn Kunsthalle, Frankfurt; Des Moines Art Center; Bundeskunsthalle, Bonn; and Deichtorhallen, Hamburg. She represented Scotland at the 54th and 57th Venice Biennales and participated in Manifesta 10 in St. Petersburg.
In 2025, Black received a Paul Hamlyn Foundation Award for Artists. She was previously shortlisted for the Turner Prize in 2011.
Black’s work is held in major public collections including Tate, London; Solomon R. Guggenheim Foundation, New York; Hammer Museum, Los Angeles; Scottish National Gallery of Modern Art, Edinburgh; and KiCo Collection, Munich, among others.
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Karla Black
Curious To Know, 2024Oil and glass paint on mirror
240 x 190 cm
94.5 x 74.8 inches -
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Karla Black‘s work has been resolutely abstract, founded in an implicit faith in the liberatory potential of a direct perception of the materiality of things: their texture, hue, quantity, relations, and so on.
– Barry Schwabsky
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News
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Works
Karla Black
Looking Glass Number 13, 2019Permanent marker pen (Sharpies) on mirror26 x 18 x 29 cm
10.2 x 7.1 x 11.4 inchesB-KBLACK-.20-0001Karla Black’s work skirts between mediums, at times veering close to installation, performance, or even painting, but always pulling back to sculpture in the last moment. The artist began experimenting...Karla Black’s work skirts between mediums, at times veering close to installation, performance, or even painting, but always pulling back to sculpture in the last moment. The artist began experimenting with mirror as an image carrier in 2019, which turned into a series of Looking Glass sculptures. The work presents a paradox: a reflective surface in which one’s reflection is obscured, instead, the viewer is transported into Black’s world of gestural abstraction and dream-like colours. For Black, materiality is closely tied to psychological states of being and her unique practice is an exploration of materiality and texture, and the emotions they transmit. Her interplay of delicate abstract forms, pastel colours and surprising materials demands a physical experience and encourages a new way of not only seeing but also perceiving.ExhibitionsExternal ExhibitionsPressPublicationsRequest more information



