Xie Nanxing
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Biography
Born in 1970 in Chongqing, China
Lives and works in Beijing and Chengdu, China
Within the Chinese contemporary art scene, Xie Nanxing has carved out a distinctive position for himself through his ongoing exploration of the possibilities of painting: Over the course of his decades-long practice, he has continually challenged conventional modes of representation. From the photorealistic self-portraits and male nudes he presented at the 48th Venice Biennale in 1999, just three years after graduating from the Sichuan Fine Arts Institute, to the blurred renderings of nocturnal gardens he exhibited at documenta 12 in Kassel in 2007, Xie is consistently expanding the boundaries of the medium.
His work is currently included in the permanent collection display at M+ Museum, Hong Kong.
Xie’s recent solo and group exhibitions include Museo Jumex, Mexico City; Sigg Prize at M+ Museum, Hong Kong; Ullens Center for Contemporary Art Edge, Shanghai; Beijing Biennale; Song Art Museum, Beijing; Württembergischer Kunstverein, Stuttgart; Museum of Applied Art, Vienna; Ullens Center for Contemporary Art, Beijing; Red Brick Art Museum, Beijing; Museum of Contemporary Art Chengdu; Today Art Museum, Beijing; Shanghai 21st Century Minsheng Art Museum; Centre for Contemporary Culture at Palazzo Strozzi, Florence; and Kunsthalle Basel.
His work is included in renowned international contemporary art collections, among them M+ Museum, Hong Kong; The Rachofsky Collection, Dallas; Red Brick Art Museum, Beijing; Guangdong Museum of Art, Guangzhou; Today Art Museum, Beijing; Start Museum, Shanghai; Museum of Contemporary Art Chengdu; Württembergischer Kunstverein, Stuttgart; Museo d’Arte Moderna e Contemporanea - Casa Cavazzini, Udine; De Ying Foundation, China; K11 Art Foundation, Hong Kong; Long Museum, Shanghai; Goetz Collection, Munich; and By Art Matters, Hangzhou.
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When I paint something new, the mark that has come from my hand or my mind demands that I study it, that I analyse and try to understand it. Then finally, perhaps, I can make use of it. This process brings me closer to my thoughts and putting all of this into my work helps to create more layers and more possibilities.
– Xie Nanxing
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Works
Xie Nanxing
The Dwarfs’ Refrain #7, 2020Oil on canvasSigned and dated recto150 x 150 cm
59 x 59 inchesB-XNANXING-.23-0001Neither entirely abstract, nor figurative, Xie Nanxing’s painting 'The Dwarfs’ Refrain #7' depicts a scene evoking an exchange between two anthropomorphic figures. Rendered in sporadic brushstrokes against a bright red...Neither entirely abstract, nor figurative, Xie Nanxing’s painting 'The Dwarfs’ Refrain #7' depicts a scene evoking an exchange between two anthropomorphic figures. Rendered in sporadic brushstrokes against a bright red background, the figures appear murky and indistinct, inviting the viewer to fill in the gaps of negative space present within the painting. The title references a body of work by the artist, but can also serve to indicate the depiction of a specific event.
The original oil sketch is based on a small illustration by Nanxing’s father, one of several that Nanxing commissioned him to make in the cartoonish style of their childhood drawing lessons, which Nanxing hated. The “dwarfs” of these illustrations, clearly visible in 'The Dwarfs’ Refrain No. 2', now provide the source material for this new series of paintings, which sees them distorted in various ways: they are collaged onto garish children’s fabric, they are molded with clay, they morph into a traditional Chinese landscape.1of 17ExhibitionsExternal ExhibitionsNewsPressPublicationsVideoRequest more information


