Jack O’Brien
-
-
Biography
Born 1993 in London, UK
Lives and works in London, UK
Jack O'Brien's work is grounded in a subtle interplay of material, personal experience, and cultural critique. His installations evoke a sense of precarity, reflecting both the physical and social fragility of the structures he constructs. O'Brien's sculptures are often informed by rapidly transforming urban landscapes that have shaped his understanding of space, and the social dynamics that unfold within these environments. The artist stretches found and repurposed objects to the point of abstraction, surrounding them with the material of consumer society: shrink wrap, epoxy, fabric, cable ties and PETG plastic. For O'Brien, this act of binding is more than a formal gesture; it mirrors the complexities of human relationships, where identities intertwine, merge, and evolve.
O'Brien is particularly interested in destabilizing the fixed nature of objects, forcing rigid materials like metal and glass into confrontations that evoke a sense of unease. His sculptures create a tension between hardness and softness, between impenetrable materials and malleable fabrics. Through these material clashes, O'Brien challenges notions of form and function with works that appear charged with nervous energy, as if on the verge of collapse. This precariousness becomes a metaphor for the broader, often fraught, dynamics of identity, particularly within the context of queer cultural histories and the lineage of queer abstraction. The artist employs abstraction not to obscure meaning, but to open up new ways of engaging with political and personal narratives. His use of materials as 'eloquent texts' imbues his sculptures with cultural significance.
Jack O'Brien's solo and duo exhibitions include Kestner Gesellschaft, Hanover (2025); Camden Art Centre, London (2024); Between Bridges, Berlin (2023); Sans Titre Invites, Paris (2023); Lockup International, London (2022) and Polamagnetczne Gallery, Warsaw (2022). Group exhibitions include Non-Specific Objects, Capitain Petzel, Berlin (2024); Support Structures, Gathering, London, (2023); Memory of Rib, N/A Gallery, Seoul, KR (2022); Something is Burning, Kunsthalle Bratislava (2022) and An Insular Rococo, Hollybush Gardens, London (2022).
Jack O'Brien was the recipient of the Camden Art Center's 2023 Emerging Artist Prize at Frieze. The artist is currently participating in a group shows at CAPC Bordeaux and Fondation CAB, Saint-Paul de Vence. His work is included in the Pinault Collection, Paris; The Rubell Museum, Miami, FL; TANK Shanghai and The Perimeter, London.
-
-
-
-
-
-
Jack O’Brien
Semblance, 2025Grand pianos, roofing asphalt and steel wire
181 x 371 x 48 cm
71.3 x 146.1 x 18.9 inches -
WorksOpen a larger version of the following image in a popup:
Installation view, Non-Specific Objects, Capitain Petzel, Berlin, 2024
Jack O’Brien
Return, 2023Soft pastel, spray paint, photographic print mounted on aluminium, heat-formed PETG plastic, aluminium pipe, butchers netting118.9 x 84.1 x 22 cm
46.8 x 33.1 x 8.7 inchesB-JOBRIEN-.23-0001Further images
The sculptures of Jack O’Brien, assembled by employing various found objects and repurposed materials, emphasize the ambiguity of the materials themselves. The works create confrontation with fragmented humanity. His practice...The sculptures of Jack O’Brien, assembled by employing various found objects and repurposed materials, emphasize the ambiguity of the materials themselves. The works create confrontation with fragmented humanity. His practice explores material culture through the lens of marginalized aesthetics to highlight the political histories of capitalism, and the production of desire.
Visible through layers of assemblage and melted plastic, the cherry motif is chosen by the artist as a symbol of sensuality and the erotic. The cherry maintains a constant presence within mainstream culture. Its symbolic etymology is traceable from the ancient Greeks as the elixir of prosperity to recent advertising campaigns for The United Colours of Benetton and Burberry. The appropriation of this associatevely dense and flirtatious image as the background can be seen as a nod to the fact that Jack O'Brien's work is ostensibly about desire.Exhibitions
Non-specific Objects, Capitain Petzel, Berlin, 2024
ExhibitionsExternal ExhibitionsNewsPressVideoRequest more information