Mikołaj Sobczak
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Biography
Born 1989 in Poznań, Poland
Lives and works in Amsterdam, Netherlands and Düsseldorf, Germany
Mikołaj Sobczak works in the fields of video and painting; collaborative performative forms of expression are also an essential element of his artistic practice. Sobczak's work depicts everyday scenes as well as alternative historical images; in his surreal, collaged pictorial narratives he inserts protagonists from queer and transgender activism and countercultural emancipatory movements.Sobczak studied at the Academy of Fine Arts in Warsaw in Miroslaw Balka's Studio for Spatial Activities, was a scholarship holder at the Berlin University of the Arts, and graduated as a Masters student in 2019 at the Kunstakademie Münster.Mikołaj Sobczak is currently part of the group exhibition House of Nisaba: New Stories of Painting at the Moderna Museet in Stockholm. In June, his solo exhibition Divide and Rule will open at the Polish Institute in Düsseldorf; he will also be featured at Manifesta 16 Ruhr and at FIRE at the St. Nikolai Memorial in Hamburg. His first book, Anti-Fascist Art Manifesto, will be published in the summer of 2026. The artist will present a performance of the same title in July at the NS Documentation Center in Munich.
Mikołaj Sobczak’s recent solo exhibitions include ROZENSTRAAT, Amsterdam; Salzburger Kunstverein; Jester – Flanders Arts Institute, Genk, Belgium; and Kunsthalle Münster. His works have been shown in numerous group exhibitions, including at the Ludwig Forum, Aachen; Shedhalle, Zurich; Haus der Kulturen der Welt, Berlin; MUDAM, Luxembourg; the Museum of Modern Art, Warsaw; the Whitechapel Gallery, London; and the Folkwang Museum, Essen. His works are included in the collections of the Los Angeles County Museum of Art (LACMA); Moderna Museet, Stockholm; the Kunstsammlung Nordrhein-Westfalen, Düsseldorf; the Ludwig Forum, Aachen; The Perimeter, London; the Museum of Modern Art, Warsaw; and the National Museum in Gdańsk, among others.
In 2021, Sobczak was awarded the Paszport Polityki, Poland’s most prestigious art prize. He has been an artist-in-residence at the Rijksakademie van beeldende kunsten in Amsterdam and participated in the Art Explora – Cité internationale des arts residency program in Paris. As one of four selected artists, he has recently been awarded
the Villa Romana Prize for 2026.
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Installation view: House of Nisaba: New Stories of Painting (Group Show), Moderna Museet, Stockholm, May 14 – August 30, 2026Mikołaj Sobczak
Parole, Parole, Parole, 2026Oil, acrylic and collage on canvas
220 x 590 cm
86.6 x 232.3 inches -
Together with a group of friends, I travelled to Capri to research queer resistance during the time of Nazi persecution, when the island functioned as a kind of refuge, almost a mythic sanctuary for queer lives.
– Mikołaj SobczakTo listen to the artist as he speaks about his work, click here.
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In times of political radicalization, Sobczak's art invites us to engage with the construction of history.
– Merle Radtke, Kunsthalle Münster
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News
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Works
Mikołaj Sobczak
Rooms, 2020Performance with Nicholas GrafiaCommissioned for the VII Moscow International Biennale for Young Art (2020), Zielona Góra Biennale (2020), Lubuski Theater, PolandGhosts and phantoms are ostensibly able to traverse time and space, cross through impenetrable walls and step into other dimensions. Firmly planted beyond the boundaries of logic and rationality, Nicholas...Ghosts and phantoms are ostensibly able to traverse time and space, cross through impenetrable walls and step into other dimensions. Firmly planted beyond the boundaries of logic and rationality, Nicholas Grafia and Mikołaj Sobczak, have been possessed over and over by various entities who tell intertwined stories of exclusion and injustice. Some of the themes addressed are sweeping in nature, stemming from global history and contemporary political events; or geographically localised around the particular narratives of Filipino myths, or Slavic folk tales. These sources uncover the content boiling in the universal unconsciousness and creating the very foundation of our cultures, based as they are on violence against the other.
Rooms, a thirty-minute scripted performance in which Grafia and Sobczak underline the artificiality and theatricality of their actions, is conceived as the ‘personification of phantoms of past events inhabiting the performers bodies’. In their performance, personal accounts are no longer confined to history but rather seen as an evolving narrative. Conceived with an intentional focus on minority communities, Rooms shows us the great gaps in history – episodes historians might have missed and those that have been purposefully ignored. It also underlines the subjective nature of memory – which is often steered by dreams, irrationality, emotions and ideologies.Exhibitions
Mudam, Luxembourg, October 2021
Zielona Góra Biennale, 2020
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