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Sanya Kantarovsky: Center

Past exhibition
28 April - 11 June 2022
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Overview
Sanya Kantarovsky, Center

Opening: Thursday, 28 April, 6 – 8 pm

 

Capitain Petzel is pleased to present Center, an exhibition of paintings by Sanya Kantarovsky, made in 2021 and the first third of 2022.

 

Responding directly to the Soviet era modernist architecture of Kunst im Heim, Karl-Marx-Allee 45, Kantarovsky alters the space with a symmetrical arrangement of walls that evoke both religious architecture and anatomical symmetry.

 

This intervention sets the stage for motifs of anatomy, biology and spirituality that recur throughout the paintings. The title work, Center, presents a human organ system floating in space. The brain, perched on top of the esophagus, has a face with a look of concentration. Invoking the Qigong practice of visualizing one’s organs smiling, this brain seems able only to manifest his own belabored expression.

 

In Wordly Concerns (Milarepa), the Tibetan saint and murderer who attained redemption through Buddhist practice is pictured in his typical repose, with his right hand pressed against his ear, listening to the universe. In contrast, Lear presents the Shakespearean antihero, a victim of the ego, in a state of disconnection, with his crown slipping from his hidden hand. Growth presents a humanoid mushroom stretching enthusiastically upwards, set against a backdrop of meandering capillaries, veins and bowels – the hidden apparatus of life.

 

In Return a female figure gazes at an organ system that appears to have slithered into her lap, evoking images of the prodigal son’s return to the father. Throughout the paintings, figures in various states of decomposition and / or regeneration appear to dissolve into space and material, their corporeality bearing a spectral, impermanent quality. Art historical precedents reverberate throughout the surfaces, such as De Chirico’s late classicism in Spirits, or Van Gogh’s saturated impasto in Pumpkin.

 

Housed in the auxiliary galleries is a presentation of monotype prints created with the artist‘s long-time print-making collaborator Marina Ancona at 10 Grand Press. These prints lay bare the process of conjuring images through the re-working of “ghosts” – building on the residue of previously painted images on the plate. Functioning as both preliminary ideas and reflections on the paintings in the exhibition, the prints offer a dierent register of seeing, hinging on the indexical slippage between paper and acrylic glass.

 

The viewer is invited into a synesthesia in which the realms of experience, thought, form and materiality are violated, overlapped and disordered. The notion of self is fragmented in both object and image. Locating one’s center, the commonly proclaimed goal of Western contemporary wellness and self-help literature, is demonstratively absent. There is no center.

 

Sanya Kantarovsky (born 1982 in Moscow, lives and works in New York) has recently had institutional solo shows at Kunsthalle Basel and Fondazione Sandretto Re Rebaudengo, Turin. His works have been included in group shows such as 100 Drawings from Now, Drawing Center, New York; Radical Figures, Whitechapel Gallery, London; Baltic Triennial 13, Vilnius; The Arcades: Contemporary Art and Walter Benjamin, Jewish Museum, New York; The Eccentrics, Sculpture Center, New York. Kantarovsky’s works are held in many collections around the world including the Hirshhorn Museum and Sculpture Garden, Washington D.C.; Institute of Contemporary Art, Boston; Hammer Museum, Los Angeles; Los Angeles County Museum of Art, Los Angeles; Museum of Contemporary Art, Chicago; San Francisco Museum of Modern Art, San Francisco, Tate Modern, London and Whitney Museum of American Art, New York.

 

Download Exhibition Dossier Here

 

 


 

 

Eröffnung: Donnerstag, 28. April, 18 – 20 Uhr

 

Capitain Petzel freut sich, Sanya Kantarovskys Ausstellung Center mit Arbeiten zu präsentieren, die im Jahr 2021 und dem ersten Drittel dieses Jahres entstanden sind. 

 

Bezugnehmend auf die modernistische Sowjetarchitektur von Kunst im Heim, Karl-Marx-Allee 45, modifiziert Kantarovsky den Galerieraum mittels gleichschenkelig angeordneter Wände, die zugleich an religiöse Architektur und körperliche Symmetrie denken lassen. 

 

Diese Intervention bildet den Rahmen für Sujets aus den Bereichen Anatomie, Biologie und Spiritualität, die sich als Leitmotive durch die Werke des Künstlers ziehen. Center, die titelgebende Arbeit, zeigt ein menschliches Organsystem, das im Raum schwebt. Das auf der Speiseröhre sitzende Gehirn hat ein Gesicht mit konzentriertem Blick. Im Gegensatz zu der Qigong-Praxis, bei der man sich die eigenen Organe lächelnd vorstellt, scheint dieses Gehirn allerdings seiner angestrengten Verfasstheit Ausdruck zu verleihen. 

 

Wordly Concerns (Milarepa) zeigt den tibetischen Heiligen und Mörder Milarepa, der durch seine buddhistische Praxis Erlösung erlangt hat. In einer typischen Pose, mit der rechten Hand hinter dem Ohr, lauscht er dem Universum. In der Arbeit Lear dagegen wird der gleichnamige Shakespeare’sche Antiheld und Opfer seines Egos in einem Zustand der Entfremdung dargestellt, als ihm die Krone aus der Hand gleitet. Growth wiederum hat einen humanoiden Pilz zum Motiv, der sich enthusiastisch in die Höhe reckt, vor einem Hintergrund aus gewundenen Kapillaren, Venen und Gedärmen – dem geheimen Apparat des Lebens. 

 

In Return blickt eine weibliche Figur auf ein Organsystem, das ihr auf den Schoß gekrochen zu sein scheint – eine Szene, die an das Gleichnis des verlorenen Sohnes erinnert, der zum Vater zurückkehrt. Die Gemälde zeigen durchweg Figuren in verschiedenen Stadien der Zersetzung und / oder Erneuerung. Sie haben eine gespenstisch und unbeständig anmutende Körperlichkeit und scheinen sich räumlich und materiell aufzulösen. In den Oberflächen der Bilder klingen kunstgeschichtliche Referenzen an, wie De Chiricos späte klassizistische Werke in Spirits oder Van Goghs sattes Impasto in Pumpkin. 

 

In anderen Bereichen der Galerie werden Monotypien ausgestellt, die in Zusammenarbeit mit der langjährigen Grafikerin und Mitarbeiterin des Künstlers, Marina Ancona, bei 10 Grand Press gedruckt wurden. Diese Grafiken legen den Prozess der Evozierung von Bildern durch das Überarbeiten von sogenannten „Geistern“ offen – den Rückständen von zuvor auf die Platte gemalten Motiven. Die Drucke, welche sowohl als vorbereitende Ideen als auch Reflexionen zu den Gemälden in der Ausstellung fungieren, eröffnen ein anderes Register des Sehens, das auf dem indexikalischen Gleiten zwischen Papier und Acrylglas beruht.

 

Die Betrachter*innen sind eingeladen, eine Synästhesie zu erleben, bei der die Bereiche der Erfahrung, des Denkens, der Form und der Materialität verletzt, überlagert und durcheinander gebracht werden. Der Begriff des Selbst ist sowohl im Objekt wie auch im Bild fragmentiert. Die Suche nach der eigenen Mitte, das allgemein proklamierte Ziel der zeitgenössischen westlichen Wellness- und Selbsthilfeliteratur, fehlt hier demonstrativ. Es gibt kein Zentrum. 

 

Sanya Kantarovskys (*1982 in Moskau, lebt und arbeitet in New York) jüngste institutionelle Einzelausstellungen fanden statt in der Kunsthalle Basel und der Fondazione Sandretto Re Rebaudengo, Turin. Seine Arbeiten wurden zudem in folgenden Gruppenausstellungen gezeigt: 100 Drawings from Now, Drawing Center, New York, Radical Figures, Whitechapel Gallery, London; Baltic Triennial 13, Vilnius; The Arcades: Contemporary Art and Walter Benjamin, Jüdisches Museum, New York, The Eccentrics, Sculpture Center, New York. Kantarovskys Werke befinden sich in zahlreichen institutionellen Sammlungen auf der ganzen Welt, darunter das Hirshhorn Museum and Sculpture Garden, Washington D.C., das Institute of Contemporary Art, Boston, das Hammer Museum, Los Angeles, die Tate Modern, London und das Whitney Museum of American Art, New York. 

 

Download Ausstellungsdossier

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Works
  • Sanya Kantarovsky Growth, 2022 Oil on canvas Signed, dated, and titled verso 220.5 x 170 cm 86.8 x 66.9 inches
    Sanya Kantarovsky
    Growth, 2022
    Oil on canvas
    Signed, dated, and titled verso
    220.5 x 170 cm
    86.8 x 66.9 inches
  • Sanya Kantarovsky Discursive Thinking, 2022 Monotype Signed verso, on frame Paper dimensions: 53.4 x 43 cm / 21 x 16.9 inches Framed dimensions: 56.4 x 45.7 cm / 22.2 x 18 inches
    Sanya Kantarovsky
    Discursive Thinking, 2022
    Monotype
    Signed verso, on frame
    Paper dimensions:
    53.4 x 43 cm / 21 x 16.9 inches
    Framed dimensions:
    56.4 x 45.7 cm / 22.2 x 18 inches
  • Sanya Kantarovsky Pumpkin, 2022 Oil on canvas Signed, dated, and titled verso 190.7 x 139.6 cm 75.1 x 55 inches
    Sanya Kantarovsky
    Pumpkin, 2022
    Oil on canvas
    Signed, dated, and titled verso
    190.7 x 139.6 cm
    75.1 x 55 inches
  • Sanya Kantarovsky Return, 2022 Oil on canvas Signed, dated, and titled verso 286 x 200.2 cm 112.6 x 78.8 inches
    Sanya Kantarovsky
    Return, 2022
    Oil on canvas
    Signed, dated, and titled verso
    286 x 200.2 cm
    112.6 x 78.8 inches
  • Sanya Kantarovsky Spirits, 2022 Oil on canvas Signed, dated, and titled verso 200.4 x 260.3 cm 78.9 x 102.5 inches
    Sanya Kantarovsky
    Spirits, 2022
    Oil on canvas
    Signed, dated, and titled verso
    200.4 x 260.3 cm
    78.9 x 102.5 inches
  • Sanya Kantarovsky Liver with Funghi on a Gray Background, 2022 Monotype Signed verso, on frame Paper dimensions: 53.4 x 43 cm / 21 x 16.9 inches Framed dimensions: 56.4 x 45.7 cm / 22.2 x 18 inches
    Sanya Kantarovsky
    Liver with Funghi on a Gray Background, 2022
    Monotype
    Signed verso, on frame
    Paper dimensions:
    53.4 x 43 cm / 21 x 16.9 inches
    Framed dimensions:
    56.4 x 45.7 cm / 22.2 x 18 inches
  • Sanya Kantarovsky Center, 2022 Oil on canvas Signed, dated, and titled verso 260 x 200.5 cm 102.4 x 78.9 inches
    Sanya Kantarovsky
    Center, 2022
    Oil on canvas
    Signed, dated, and titled verso
    260 x 200.5 cm
    102.4 x 78.9 inches
  • Sanya Kantarovsky Little Vera, 2022 Oil on linen Signed, dated, and titled verso 40.4 x 30.1 cm 15.9 x 11.8 inches
    Sanya Kantarovsky
    Little Vera, 2022
    Oil on linen
    Signed, dated, and titled verso
    40.4 x 30.1 cm
    15.9 x 11.8 inches
  • Sanya Kantarovsky Woman in Plad, 2022 Oil on linen Signed, dated, and titled verso 40.2 x 30 cm 15.8 x 11.8 inches
    Sanya Kantarovsky
    Woman in Plad, 2022
    Oil on linen
    Signed, dated, and titled verso
    40.2 x 30 cm
    15.8 x 11.8 inches
  • Sanya Kantarovsky Hypoxia, 2022 Oil on linen Signed, dated, and titled verso 90.2 x 70.1 cm 35.5 x 27.6 inches
    Sanya Kantarovsky
    Hypoxia, 2022
    Oil on linen
    Signed, dated, and titled verso
    90.2 x 70.1 cm
    35.5 x 27.6 inches
  • Sanya Kantarovsky Wordly Concerns (Milarepa), 2022 Oil on canvas Signed, dated, and titled verso 220.5 x 170.1 cm 86.8 x 67 inches
    Sanya Kantarovsky
    Wordly Concerns (Milarepa), 2022
    Oil on canvas
    Signed, dated, and titled verso
    220.5 x 170.1 cm
    86.8 x 67 inches
  • Sanya Kantarovsky Lear, 2022 Oil on canvas Signed, dated, and titled verso 191 x 140.1 cm 75.2 x 55.1 inches
    Sanya Kantarovsky
    Lear, 2022
    Oil on canvas
    Signed, dated, and titled verso
    191 x 140.1 cm
    75.2 x 55.1 inches
  • Sanya Kantarovsky Italian Artist, 2022 Oil on linen Signed, dated, and titled verso 40.3 x 30.2 cm 15.9 x 11.9 inches
    Sanya Kantarovsky
    Italian Artist, 2022
    Oil on linen
    Signed, dated, and titled verso
    40.3 x 30.2 cm
    15.9 x 11.9 inches
  • Sanya Kantarovsky Christian Boy, 2022 Oil on linen Signed, dated, and titled verso 40.2 x 30.2 cm 15.8 x 11.9 inches
    Sanya Kantarovsky
    Christian Boy, 2022
    Oil on linen
    Signed, dated, and titled verso
    40.2 x 30.2 cm
    15.8 x 11.9 inches
  • Sanya Kantarovsky Farinelli, 2022 Monotype, unique Signed verso, on frame Paper dimensions: 53.4 x 43 cm / 21 x 16.9 inches Framed dimensions: 56.4 x 45.8 cm / 22.2 x 18 inches
    Sanya Kantarovsky
    Farinelli, 2022
    Monotype, unique
    Signed verso, on frame
    Paper dimensions:
    53.4 x 43 cm / 21 x 16.9 inches
    Framed dimensions:
    56.4 x 45.8 cm / 22.2 x 18 inches
  • Sanya Kantarovsky Treptower Mom, 2022 Monotype Signed verso, on frame Paper dimensions: 53.4 x 43 cm / 21 x 16.9 inches Framed dimensions: 56.3 x 45.8 cm / 22.2 x 18 inches
    Sanya Kantarovsky
    Treptower Mom, 2022
    Monotype
    Signed verso, on frame
    Paper dimensions:
    53.4 x 43 cm / 21 x 16.9 inches
    Framed dimensions:
    56.3 x 45.8 cm / 22.2 x 18 inches
  • Sanya Kantarovsky Unconditional Friendliness, 2022 Monotype Signed verso, on frame Paper dimensions: 53.4 x 43 cm / 21 x 16.9 inches Framed dimensions: 56.4 x 45.8 cm / 22.2 x 18 inches
    Sanya Kantarovsky
    Unconditional Friendliness, 2022
    Monotype
    Signed verso, on frame
    Paper dimensions:
    53.4 x 43 cm / 21 x 16.9 inches
    Framed dimensions:
    56.4 x 45.8 cm / 22.2 x 18 inches
  • Sanya Kantarovsky Spontaneous Wisdom, 2022 Monotype Signed verso, on frame Paper dimensions: 53.4 x 43 cm / 21 x 16.9 inches Framed dimensions: 56.3 x 45.8 cm / 22.2 x 18 inches
    Sanya Kantarovsky
    Spontaneous Wisdom, 2022
    Monotype
    Signed verso, on frame
    Paper dimensions:
    53.4 x 43 cm / 21 x 16.9 inches
    Framed dimensions:
    56.3 x 45.8 cm / 22.2 x 18 inches
  • Sanya Kantarovsky Metaphysical Landscape (De Chirico), 2022 Monotype Signed verso, on frame Paper dimensions: 53.4 x 43 cm / 21 x 16.9 inches Framed dimensions: 56.3 x 45.8 cm / 22.2 x 18 inches
    Sanya Kantarovsky
    Metaphysical Landscape (De Chirico), 2022
    Monotype
    Signed verso, on frame
    Paper dimensions:
    53.4 x 43 cm / 21 x 16.9 inches
    Framed dimensions:
    56.3 x 45.8 cm / 22.2 x 18 inches
  • Sanya Kantarovsky Balda, 2022 Monotype Signed verso, on frame Paper dimensions: 53.4 x 43 cm / 21 x 16.9 inches Framed dimensions: 56.3 x 45.8 cm / 22.2 x 18 inches
    Sanya Kantarovsky
    Balda, 2022
    Monotype
    Signed verso, on frame
    Paper dimensions:
    53.4 x 43 cm / 21 x 16.9 inches
    Framed dimensions:
    56.3 x 45.8 cm / 22.2 x 18 inches
  • Sanya Kantarovsky Siddha, 2022 Monotype, unique Signed verso, on frame Paper dimensions: 53.4 x 43 cm / 21 x 16.9 inches Framed dimensions: 56.3 x 45.8 cm / 22.2 x 18 inches
    Sanya Kantarovsky
    Siddha, 2022
    Monotype, unique
    Signed verso, on frame
    Paper dimensions:
    53.4 x 43 cm / 21 x 16.9 inches
    Framed dimensions:
    56.3 x 45.8 cm / 22.2 x 18 inches
  • Sanya Kantarovsky Neubau, 2022 Monotype Signed verso, on frame Paper dimensions: 53.4 x 43 cm / 21 x 16.9 inches Framed dimensions: 56.4 x 45.8 cm / 22.2 x 18 inches
    Sanya Kantarovsky
    Neubau, 2022
    Monotype
    Signed verso, on frame
    Paper dimensions:
    53.4 x 43 cm / 21 x 16.9 inches
    Framed dimensions:
    56.4 x 45.8 cm / 22.2 x 18 inches
  • Sanya Kantarovsky Gut Spill II, 2022 Monotype Signed verso, on frame Paper dimensions: 53.4 x 43 cm / 21 x 16.9 inches Framed dimensions: 56.4 x 45.8 cm / 22.2 x 18 inches
    Sanya Kantarovsky
    Gut Spill II, 2022
    Monotype
    Signed verso, on frame
    Paper dimensions:
    53.4 x 43 cm / 21 x 16.9 inches
    Framed dimensions:
    56.4 x 45.8 cm / 22.2 x 18 inches
  • Sanya Kantarovsky Containment, 2022 Monotype Signed verso, on frame Paper dimensions: 53.4 x 43 cm / 21 x 16.9 inches Framed dimensions: 56.4 x 45.8 cm / 22.2 x 18 inches
    Sanya Kantarovsky
    Containment, 2022
    Monotype
    Signed verso, on frame
    Paper dimensions:
    53.4 x 43 cm / 21 x 16.9 inches
    Framed dimensions:
    56.4 x 45.8 cm / 22.2 x 18 inches
  • Sanya Kantarovsky Vagus, 2022 Oil on canvas Signed, dated, and titled verso 190.6 x 139.8 cm 75 x 55 inches
    Sanya Kantarovsky
    Vagus, 2022
    Oil on canvas
    Signed, dated, and titled verso
    190.6 x 139.8 cm
    75 x 55 inches
  • Sanya Kantarovsky Back to Nature II, 2022 Monotype Signed verso, on frame Paper dimensions: 53.4 x 43 cm / 21 x 16.9 inches Framed dimensions: 56.3 x 45.8 cm / 22.2 x 18 inches
    Sanya Kantarovsky
    Back to Nature II, 2022
    Monotype
    Signed verso, on frame
    Paper dimensions:
    53.4 x 43 cm / 21 x 16.9 inches
    Framed dimensions:
    56.3 x 45.8 cm / 22.2 x 18 inches
  • Sanya Kantarovsky Back to Nature I, 2022 Monotype Signed verso, on frame Paper dimensions: 53.4 x 43 cm / 21 x 16.9 inches Framed dimensions: 56.4 x 45.8 cm / 22.2 x 18 inches
    Sanya Kantarovsky
    Back to Nature I, 2022
    Monotype
    Signed verso, on frame
    Paper dimensions:
    53.4 x 43 cm / 21 x 16.9 inches
    Framed dimensions:
    56.4 x 45.8 cm / 22.2 x 18 inches
  • Sanya Kantarovsky Back to Nature III, 2022 Monotype Signed verso, on frame Paper dimensions: 53.4 x 43 cm / 21 x 16.9 inches Framed dimensions: 56.3 x 45.8 cm / 22.2 x 18 inches
    Sanya Kantarovsky
    Back to Nature III, 2022
    Monotype
    Signed verso, on frame
    Paper dimensions:
    53.4 x 43 cm / 21 x 16.9 inches
    Framed dimensions:
    56.3 x 45.8 cm / 22.2 x 18 inches
  • Sanya Kantarovsky Completely Blind Red Wall (After Akhmatova), 2022 Oil on canvas Signed, dated, and titled verso 220.2 x 170.4 cm 86.7 x 67 inches
    Sanya Kantarovsky
    Completely Blind Red Wall (After Akhmatova), 2022
    Oil on canvas
    Signed, dated, and titled verso
    220.2 x 170.4 cm
    86.7 x 67 inches
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Installation Views
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Press
  • Installation view, Sanya Kantarovsky: Center, Capitain Petzel, Berlin, 2022. Ph: Gunter Lepkowski

    Texte zur Kunst: "There is Light Somewhere" (Sanya Kantarovsky)

    Louisa Elderton, August 12, 2022
  • Berliner Zeitung: "Critics Picks: Das sind unsere Highlights zum Berliner Gallery Weekend ‘22"

    April 30, 2022
  • Sanya Kantarovsky, Growth, 2022

    Monopol: "Unsere Highlights zum Gallery-Weekend"

    April 29, 2022
Video

Related artist

  • Sanya Kantarovsky

    Sanya Kantarovsky

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CAPITAIN PETZEL

KARL-MARX-ALLEE 45

10178 BERLIN

CONTACT

 

TEL: +49 30 240 88 130

MAIL: info@capitainpetzel.de

WEB: www.capitainpetzel.de

OPENING HOURS

 

TUESDAY – SATURDAY

11 AM – 6 PM

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