Over the last 20 years Andrea Bowers has gained an international reputation as an artist and social activist. For Bowers, political engagement and artistic expression are inseparable. Her practice, which includes drawings, videos and installations, addresses a wide range of relevant socio-political issues from women’s and worker’s rights and the arms industry, to immigration politics and the climate crisis. Storytelling is integral to the work, and part of her activism consists of highlighting the narratives of resistance and rebellion.

Bowers has been the subject of solo exhibitions at Glenstone, Potomac, MD (2026); Museum of Contemporary Art Cleveland (2024); Galleria d’Arte Moderna Milano in collaboration with Fondazione Furla, Milan (2022); The Hammer Museum, Los Angeles (2022); Museum of Contemporary Art Chicago (2021/2022); Museum Abteiberg, Mönchengladbach (2020); Weserburg Museum für moderne Kunst, Bremen (2019/2020); Contemporary Arts Center, Cincinnati (2017); Espace Culturel Louis Vuitton, Paris (2014); Wiener Secession, Vienna (2007); and The Power Plant, Toronto (2007). Bowers has exhibited internationally in biennials and major institutional group exhibitions, including Kunstmuseum Bonn (2023); Hayward Gallery, London (2023); Kunstmueum Ravensburg (2023); Kuntsmuseum Wolfsburg (2022); Carnegie Museum of Art, Pittsburgh (2022); Berkeley Art Museum (2021); Institute of Contemporary Art, Los Angeles (2021); Museum Kunstpalast, Düsseldorf (2020); Schirn Kunsthalle, Frankfurt (2018); Documenta 14, Fridericianum, Kassel (2017); Triennale Milano, Milan (2017); Aspen Art Museum (2016); and Albertina, Vienna (2015).

Bowers’ work is held in the collections of The Hammer Museum, Los Angeles; MoMA, New York; Whitney Museum of American Art, New York; Hirshhorn Museum and Sculpture Garden, Washington, DC; Museum of Contemporary Art, Los Angeles; Museum Of Contemporary Art, Chicago; Glenstone, Potomac, MD, among others.