Leyla Yenirce
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Installation view: Carrying, Museum Brandhorst, Munich, 2026. Ph: Studio Maximilian Geuter. -
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Leyla Yenirce
28.01.2026, 2025Oil and silkscreen ink on canvas
200 x 480 cm
78.7 x 189 inches -
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Album: Souvenirs
Souvenirs is an aural experience channeling an archive of memories. This LP, composed under the artist’s music project Rosaceae, imagines a space in which the listener can convoke with the dead, where the living are long gone. During a residency in Paris, the artist visited the Sacré-Cœur cathedral in Montmartre, overlooking the city. Yenirce was reminded of the construction of the Ilisu Dam and the subsequent flooding in her home region, as the artist’s family had to exhume and relocate their ancestral tombs to the tops of neighboring mountains. Yenirce shapes sound through recorded vocals, field recordings, and ambient instrumentation. Through these soundscapes, Yenirce opens a space for exchange and transmission.
The album was written and produced by the artist with additional vocals by Shira Lewis, mixed by Anders Fallesen and mastered by Rashad Becker. The vinyl copy includes a text written by Mazlum Nergiz.
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Installation view: SO MUCH ENERGY, Kunsthaus Hamburg, 2022Leyla Yenirce
Nacht. Schlaf. Die Sterne., 2021Single-channel video and sound installation, color, five propellers operated with electric motors on steel stands, 17:06 min
Dimensions variable -
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On her canvases, Yenirce appropriates, alienates, and samples a photograph taken by a news agency to a point almost beyond recognition, superimposing it and even sabotaging its visual impact with hastily applied, electrified strips of brightly colored oil pastels, paint, and acrylic spray – like an emotionally driven smear attack against the interpretive sovereignty of the image.
– Elisa R. Linn
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News
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WorksOpen a larger version of the following image in a popup:
Installation view, 'the state I am in', curated by Elisa R. Linn and Lennart Wolff, Capitain Petzel, Berlin, 2022
Open a larger version of the following image in a popup:
Installation view, 'the state I am in', curated by Elisa R. Linn and Lennart Wolff, Capitain Petzel, Berlin, 2022
Leyla Yenirce
Being Strong Is Hard, 2021Single-channel video and sound installation, color, 4:13 minDimensions variableEdition of 3 + 1 APB-LYENIRCE-.22-0001Further images
A fast-paced flow of images edited from what was gathered online or made by the artist - images of Kurdish female fighters, activists and journalists, pixelated landscapes, animated phoenixes, and...A fast-paced flow of images edited from what was gathered online or made by the artist - images of Kurdish female fighters, activists and journalists, pixelated landscapes, animated phoenixes, and oil paintings - is sequenced to an electronic beat. Fusing stark opposites - music-video, a moving-image tribute to those killed or still-fighting, a slideshow of aesthetics of resistance - for those underrepresented or bore from sovereignty and self-determination. In a moment of intensified information or rather image warfare where war is spectated or “consumed” over TikTok, images create cohesion, purpose, and legitimacy for particular struggles and sites of a conflict. The video work, which Leyla Yenirce (*1992) describes as an “image machine”, reunites concepts of solidarity and resistance.Exhibitions
Finkenwerder Kunstpreis 2026, (Duo Show), ICAT der HFBK Hamburg, 2026
Ascendancy: The Self in Contemporary Art, Mattatuck Museum, Waterbury, Connecticut, 2026International Film Festival Rotterdam, 2024
Video Digest by Videonale and IMAI – Inter Media Art Institute, Moltkerei Werkstatt Köln, 2023
the state I am in, curated by Elisa R. Linn and Lennart Wolff, Capitain Petzel, Berlin, 2022
Leyla Yenirce. Being Strong is Hard, Digitalprojekte, Kunstverein Hamburg, 2021Publications
Leyla Yenirce, So Much Energy. Exhibition catalogue of the Kunsthaus Hamburg, Berlin, 2022, p. 1-7.ExhibitionsExternal ExhibitionsPressPublicationsVideoLeyla Yenirce – SO MUCH ENERGY | Kunsthaus Hamburg, 2022
Leyla Yenirce on Holy Water | ars viva Preis 2023
BiographyBorn 1992 in Qubîn, Kurdistan
Lives and works in Berlin, GermanyWorking across painting, video, installation, performance, and music, Leyla Yenirce explores themes of resistance, feminism, war, and cultural identity through an extensive archive of found images, films, and sounds. Her multidisciplinary practice combines sampling, layering, and collage to bring together seemingly opposing subjects, from pop culture and political violence to personal memory and collective history.
Currently, she is represented in the group exhibition Carrying at Museum Brandhorst, Munich. In 2026, the presented solo exhibitions at Landesmuseum Oldenburg; ICAT at HFBK Hamburg; 47m Contemporary, Leipzig; and participated in group exhibitions at Mudam Luxembourg and the Bienal del Agua, Cascais.
Yenirce has exhibited at Mattatuck Museum, Waterbury; NS Dokumentationszentrum, Munich; Kunstmuseum Magdeburg; Museum Folkwang, Essen; Deichtorhallen / Falckenberg Collection, Hamburg; Kunsthalle Münster; Haus der Kunst, Munich; Galerie für Zeitgenössische Kunst, Leipzig; Halle für Kunst Lüneburg; among others. Yenirce is a recipient of the 2026 Finkenwerder Förderpreis, the 2024 Berlin Art Prize, and the 2023 ars viva Prize.
She has also participated in various group exhibitions and festivals, including Moltkerei, Cologne; Studio Mondial, Berlin; Kampnagel, Hamburg; Kurdish Film Festival, Berlin and Kunstverein Harburger Bahnhof, Hamburg. Her work is held in the permanent collections of Mudam, Luxembourg; Detroit Institute of Arts Museum; Kunstmuseum Magdeburg; Landesmuseum Oldenburg and Kistefos Museum, Jevnaker.
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