Mikołaj Sobczak
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Biography
Born 1989 in Poznań, Poland
Lives and works in Düsseldorf, Germany
Mikołaj Sobczak works in the fields of video and painting; collaborative performative forms of expression are also an essential element of his artistic practice. Sobczak's work depicts everyday scenes as well as alternative historical images; in his surreal, collaged pictorial narratives he inserts protagonists from queer and transgender activism and countercultural emancipatory movements.Sobczak studied at the Academy of Fine Arts in Warsaw in Miroslaw Balka's Studio for Spatial Activities, was a scholarship holder at the Berlin University of the Arts, and graduated as a Masters student in 2019 at the Kunstakademie Münster.Mikołaj Sobczak’s recent exhibitions include Salzburger Kunstverein; Kunstmuseum Moritzburg, Halle; Jester - Flanders Arts Institute, Genk, Belgium; Ludwig Forum, Aachen; Kunsthalle Münster; Haus der Kulturen der Welt, Berlin; MUDAM, Luxembourg and Museum of Modern Art, Warsaw.
Sobczak’s works are held in the collections of Los Angeles County Museum of Art (LACMA); Moderna Museet, Stockholm; Kunstsammlung Nordrhein-West- falen, Düsseldorf; Ludwig Forum, Aachen; The Perimeter, London; Museum of Modern Art, Warsaw and The National Museum, Gdańsk, among others.
In 2021, Sobczak was awarded Poland’s most prestigious art prize, the Paszport Polityk. He was an artist-in- residence at the Rijksakadmie van beeldende kunsten in Amsterdam and took part in the biannual residency program with Art Explora - Cité internationale des arts in Paris. As one of four selected artists, he was recently awarded the prestigious Villa Romana Prize for the year 2026.
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In times of political radicalization, Sobczak's art invites us to engage with the construction of history.
– Merle Radtke, Kunsthalle Münster
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News
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Works
Mikołaj Sobczak
Men are admitted but not welcome, 2023Oil on canvas on cardboardSigned, dated and titled versoImage dimensions:
46 x 33 cm / 18.1 x 13 inches
Framed dimensions:
49 x 39 cm / 19.3 x 15.3 inchesB-MSOBCZAK-.24-0005This painting is inspired by the research of writer and feminist activist Suzette Robichon on the life of Eva Kotchever. In the 1920s, Kotchever owned a Brooklyn tea house, distinguished...This painting is inspired by the research of writer and feminist activist Suzette Robichon on the life of Eva Kotchever. In the 1920s, Kotchever owned a Brooklyn tea house, distinguished by a sign at the entrance reading ‘Men are admitted but not welcome.’ The composition captures the reflection of a man peering into the tea house from the outside. A pervasive sense of melancholy permeates the artwork, prompting contemplation on historical practices that have systematically excluded individuals and groups from diverse social contexts.ExhibitionsExternal ExhibitionsPressVideoRequest more information




