Matthew Lutz-Kinoy
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Installation view: Matthew Lutz-Kinoy, Bolero Bordello, Capitain Petzel, Berlin, 2025 -
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When we move through the world we are constantly adjusting our bodies in relationship to space. I began to understand this dynamic through dance, where the body is constantly vibrating against architecture and other bodies redefining itself. In my paintings I use this as a starting point to open a discussion on audience and scale.
– Matthew Lutz-Kinoy
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Works
Matthew Lutz-Kinoy
When Forms Collapse Only Discipline Is Left, 2025Acrylic and colored pencil on canvasSigned and dated verso215 x 320 cm
84.7 x 126 inchesB-MLUTZKINOY-.25-0025Further images
The Ballets Russes’ legacy resonates today partly because it emerged from a Russia on the brink of revolution, when artists sought freedom of expression beyond state confines. Among its brightest...The Ballets Russes’ legacy resonates today partly because it emerged from a Russia on the brink of revolution, when artists sought freedom of expression beyond state confines. Among its brightest figures was Vaslav Nijinsky, whose radical choreography and magnetic performances embodied the troupe’s daring spirit. The company’s collaborations with composers like Igor Stravinsky, particularly the groundbreaking 1910 premiere of The Firebird, fused modernist music and dance into a new, electrifying form. In the current political climate, marked by censorship and geopolitical conflict, this history of cosmopolitan collaboration and artistic exile gains renewed urgency as a symbol of cultural openness and resistance to authoritarianism. Infused with a lyrical rhythm, Lutz- Kinoy’s use of historical ornament and material abundance interlace to form sensuous atmospheres that resonate with the Ballets Russes’ synthesis of dance, music, and visual art.1of 15External ExhibitionsNewsPressPublicationsThe exhibition video includes scenes from the 30-minute live performance Bolero Bordello – Berlin Rhapsody,which took place as part of the current exhibition Bolero Bordello at Capitain Petzel. Surrounded by paintings,objects, and architectural gestures, the performance transformed the gallery into an active stage, blurring theboundaries between installation, choreography, and concert.With Matthew Lutz-Kinoy and PRICE. Music Arrangement by Merlin Modulaw.BiographyBorn 1984 in New York, NY
Lives and works in Paris, France
Matthew Lutz-Kinoy works at the intersection of performance, installation, and painting. His practice explores the interaction between body and space, often drawing on dance or theater as reference points. By transforming scenes, objects, and environments, he creates poetic, sometimes surreal visual worlds where reality and fiction intertwine.
Lutz-Kinoy’s solo exhibitions include The Kitchen and Dia Beacon, New York; Cranford Collection, London; Museum Frieder Burda | Salon Berlin; Vleeshal, Middelburg; Le Consortium, Dijon; and MoMA PS1, New York. His work has also been featured in institutional group exhibitions at Singer Laren Museum; Luma Westbau, Zürich; Z33, Hasselt; Aïshti Foundation, Beirut; Musée d’Art Moderne de Paris; Kunsthalle Zürich; FRAC Nouvelle-Aquitaine MÉCA, Bordeaux; Sharjah Biennial; and Whitney Museum of American Art, New York.
His work is held in collections including ADN Collection; Aïshti Foundation; Collection Consortium Museum; Cranford Collection; FRAC Nouvelle-Aquitaine MÉCA; Homestead Museum; KADIST Foundation; Musée d’Art Moderne de Paris; Rennie Collection; S.M.A.K. Gent; Syz Collection; TBA21; and The Ekard Collection.
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