Austin Martin White
-
Biography
Born 1984 in Detroit, MI, USA
Lives and works in Philadelphia, PA, USA
Austin Martin White’s artistic practice explores images that shape historical memory, drawing on archival research to examine questions of identity, race, and postcolonialism. By recontextualizing historical images and fragments, his work interrogates the ways in which history is constructed, mediated, and remembered, revealing the tensions between competing perspectives.
He has participated in group exhibitions at the Southampton Arts Center, New York; Oakland University Art Gallery, Rochester; and The Jewish Museum, New York. White held his first solo exhibition at Capitain Petzel, Berlin, in 2022, followed by solo exhibitions at Petzel, New York, in 2023 and 2025, and his second solo exhibition at Capitain Petzel, Berlin, in 2026. In 2025, the first comprehensive monograph dedicated to his work was published (available at the gallery).
White’s work is part of the permanent collection of the Hessel Museum of Art, Annandale-on-Hudson. His work has been featured in numerous international publications, including The New York Times, Artforum, Texte zur Kunst, Flash Art, 032c, and The Observer, among others.
-
-
Austin Martin White
ferris wheel, 2024Ink, watercolor and tempera on Arches 140
Paper dimensions:
220.5 x 223.5 cm / 86.8 x 88 inches
Framed dimensions:
232.4 x 231.1 cm / 91.5 x 91 inches -
-
-
WorksOpen a larger version of the following image in a popup:
Las castas. Casta painting showing 16 racial groupings. Anonymous, 18th century, Museo Nacional del Virreinato, Tepotzotlán, Mexico
Austin Martin White
casta frag 1, 2020Jute, 3m reflective fabric, rubber, pigment, graphite, vinyl and screen meshSigned and dated verso91.5 x 76.5 cm
36 x 30.1 inchesB-AMWHITE-.22-0040Further images
A distinctive series in Austin Martin White’s body of work are his casta paintings. Casta paintings derive from 18th-century Spanish colonialism, which portrayed categories of class and race, specifically interracial...A distinctive series in Austin Martin White’s body of work are his casta paintings. Casta paintings derive from 18th-century Spanish colonialism, which portrayed categories of class and race, specifically interracial family lineages. The system portrayed by the paintings, which typically consisted of separate panels displayed a hierarchy of individuals and peoples in direct linkage to their mixture of their razas. Consequently, it created and displayed a caste system that aimed to secure white superiority while at the same time imposing a social order in which specific ideals and values were assigned to different ethnic groups. White addresses this type of image production adopting the panel structure, yet abstracts their content by blurring the figures, leaving them unrecognizable and almost claiming a right to opacity as Édouard Glissant argued, through diverse layers of materials and expressive color schemes.Exhibitions
KATHIA ST. HILAIRE & AUSTIN MARTIN WHITE
Celestial Transits
FEBRUARY 18 - MARCH 20, 2021
Derek Eller, New YorkExhibitionsExternal ExhibitionsPressPublicationsRequest more information


