Austin Martin White: The lie, the larp and the lusophile

10 September  —  17 October 2026
  • Capitain Petzel is pleased to announce The lie, the larp and the lusophile, Austin Martin White’s second solo exhibition with the gallery, spanning its entire exhibition space.

     

    What happens when history slips into myth?

    In his new exhibition, Austin Martin White explores the porous boundary between historical memory, cultural fiction and collective belief. Drawing on Brazil’s rich interplay of colonial history and popular image-making, White moves from the legendary Baroque sculptor Aleijadinho to the vivid tradition of literatura de cordel—tracing how images and stories shape our understanding of the past and, in an age increasingly defined by competing narratives, the present.

    DOWNLOAD EXHIBITION TEXT ENDE

  • Austin Martin White, Prophet5(Jonas), 2026

    Austin Martin White

    Prophet5(Jonas), 2026
    Acrylic medium, rubber, pigment, spray paint, vinyl, screen mesh, polyethylene film
    Aluminum artist’s frame
    255.2 x 128.4 cm
    100.5 x 50.6 inches
    $ 43,000.00
  • Austin Martin White, Prophet4(Baruc), 2026

    Austin Martin White

    Prophet4(Baruc), 2026
    Acrylic medium, rubber, pigment, spray paint, vinyl, screen mesh, polyethylene film
    Aluminum artist’s frame
    255.4 x 128.1 cm
    100.6 x 50.4 inches
  • Photo: Gunter Lepkowski
  • Austin Martin White, Pointing at Itacolomi Peak, 2026

    Austin Martin White

    Pointing at Itacolomi Peak, 2026
    Acrylic medium, rubber, pigment, spray paint, vinyl, screen mesh, polyethylene film
    128.4 x 385.2 cm
    50.6 x 151.7 inches
    $ 58,000.00
  • Austin Martin White, Conspiracy in the mine shaft, 2026

    Austin Martin White

    Conspiracy in the mine shaft, 2026
    Acrylic medium, rubber, pigment, spray paint, vinyl, screen mesh, polyethylene film
    223.9 x 112.6 cm
    88.2 x 44.3 inches
    $ 38,000.00
    • Austin Martin White Conspiracy in the mine shaft, 2026 Acrylic medium, rubber, pigment, spray paint, vinyl, screen mesh, polyethylene film Signed and dated verso 223.7 x 112.2 cm 88.1 x 44.2 inches
      Austin Martin White
      Conspiracy in the mine shaft, 2026
      Acrylic medium, rubber, pigment, spray paint, vinyl, screen mesh, polyethylene film
      Signed and dated verso
      223.7 x 112.2 cm
      88.1 x 44.2 inches
      $ 38,000.00
    • Austin Martin White Conspiracy in the mine shaft, 2026 Acrylic medium, rubber, pigment, spray paint, vinyl, screen mesh, polyethylene film Signed and dated verso 224 x 111.8 cm 88.2 x 44 inches
      Austin Martin White
      Conspiracy in the mine shaft, 2026
      Acrylic medium, rubber, pigment, spray paint, vinyl, screen mesh, polyethylene film
      Signed and dated verso
      224 x 111.8 cm
      88.2 x 44 inches
      $ 38,000.00
  • Austin Martin White brings together paintings and works on paper that extend his distinctive and unique visual language across painting, drawing and printmaking. Historical sources are fragmented and reconfigured, becoming something at once familiar and elusive. In White’s work, history is never fixed: it is continually rewritten through the images, stories and acts of imagination through which we construct—and believe in—the world around us.

  • Photo: Gunter Lepkowski
  • Austin Martin White, The studio visit (staging), 2026

    Austin Martin White

    The studio visit (staging), 2026
    Acrylic medium, rubber, pigment, spray paint, vinyl, screen mesh, polyethylene film on wood panel
    Aluminum artist's frame
    105.4 x 70 cm
    41.5 x 27.6 inches
    $ 20,000.00
  • Working with polyethylene film, screen mesh, pigment, rubber, vinyl, and spray paint, White creates layered surfaces that reflect the fragmented, mediated nature of historical narratives, inviting viewers to consider how stories are constructed, circulated, and ultimately believed.

  • Austin Martin White, gottacatchthemall1 (ruralcarnival), 2026

    Austin Martin White

    gottacatchthemall1 (ruralcarnival), 2026
    Acrylic medium, rubber, pigment, spray paint, vinyl, screen mesh, polyethylene film
    Aluminum artist’s frame
    130.9 x 92.1 cm
    51.5 x 36.3 inches
  • Austin Martin White, Surveying for a data center in Congonhas, 2026

    Austin Martin White

    Surveying for a data center in Congonhas, 2026
    Acrylic medium, rubber, pigment, spray paint, vinyl, screen mesh, polyethylene film
    128.4 x 510.2 cm
    50.6 x 200.9 inches
    $ 72,000.00
  • Photo: Gunter Lepkowski
  • Austin Martin White, cordel_collection(cream/purple), 2026

    Austin Martin White

    cordel_collection(cream/purple), 2026
    8 parts
    Acrylic medium, rubber, pigment, spray paint, vinyl, screen mesh, polyethylene film
    Aluminum artist’s frame
    31.6 x 165.4 cm
    12.4 x 65.1 inches
    $ 12,000.00
  • Austin Martin White, cordel_collection(Aleijadinho editions 2), 2026

    Austin Martin White

    cordel_collection(Aleijadinho editions 2), 2026
    5 parts
    Acrylic medium, rubber, pigment, spray paint, vinyl, screen mesh, polyethylene film
    Aluminum artist’s frame

    31.1 x 103.8 cm
    12.2 x 40.9 inches
    $ 9,000.00
  • Austin Martin White, cordel_collection(green/violet), 2026

    Austin Martin White

    cordel_collection(green/violet), 2026
    8 parts
    Acrylic medium, rubber, pigment, spray paint, vinyl, screen mesh, polyethylene film
    Aluminum artist’s frame
    31.5 x 165.4 cm
    12.4 x 65.1 inches
    $ 12,000.00
  • Photo: Gunter Lepkowski
  • Video
  • Biography Born 1984 in Detroit, MI, USA Lives and works in Philadelphia, PA, USA Austin Martin White‘s artistic practice explores...

    Biography

    Born 1984 in Detroit, MI, USA

    Lives and works in Philadelphia, PA, USA

     

    Austin Martin White‘s artistic practice explores images that shape our historical memory, drawing on archival research that addresses issues of identity, race and postcolonialism. White received a Bachelor of Fine Arts from the Cooper Union and holds a Master of Fine Arts in painting from The Milton Avery Graduate School of the Arts at Bard College.

     

    Using acrylic, spray-paint, vinyl, 3m reflective fabric and screen mesh mediums, the artist has developed a unique approach that combines paintings and works on paper with printmaking techniques, intertwining his themes with the historical conditions of the materials themselves. The play of references permeating throughout his work operates like active traces that continuously recur in the past and influence the present. The artist explores and reworks images that shape our historical memory, drawing on archival research of 17th and 18th century image production.

     

    White has been included in group exhibitions at the Southampton Arts Center, New York (2025); Oakland University Art Gallery, Rochester (2025); Jewish Museum, New York (2024). White has had solo exhibitions at Petzel, New York (2025 & 2023); Derek Eller Gallery, New York (2023); and Capitain Petzel, Berlin, Germany (2022), as well as at T293, Rome and at Y2K, New York. His work is part of the permanent collection of The Marieluise Hessel Foundation, Bard College, Annandale-on-Hudson.

     

    White’s work has appeared in numerous publications including The New York TimesImpulseArtforum, Texte zur Kunst, Flash Art, 032c, and The Observer, among others. 

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