Austin Martin White
-
Biography
Born 1984 in Detroit, MI, USA
Lives and works in Philadelphia, PA, USA
Austin Martin White’s artistic practice explores images that shape historical memory, drawing on archival research to examine questions of identity, race, and postcolonialism. By recontextualizing historical images and fragments, his work interrogates the ways in which history is constructed, mediated, and remembered, revealing the tensions between competing perspectives.
He has participated in group exhibitions at the Southampton Arts Center, New York; Oakland University Art Gallery, Rochester; and The Jewish Museum, New York. White held his first solo exhibition at Capitain Petzel, Berlin, in 2022, followed by solo exhibitions at Petzel, New York, in 2023 and 2025, and his second solo exhibition at Capitain Petzel, Berlin, in 2026. In 2025, the first comprehensive monograph dedicated to his work was published by Petzel Gallery, New York (available at the gallery).
White’s work is part of the permanent collection of the Hessel Museum of Art, Annandale-on-Hudson, NY. His work has been featured in numerous international publications, including The New York Times, Artforum, Texte zur Kunst, Flash Art, 032c, and The Observer, among others.
-
-
-
Austin Martin White
cordel_collection (spectrum2), 202611 parts
Acrylic medium, rubber, pigment, spray paint, vinyl, screen mesh, polyethylene film
Aluminum artist’s frame
32 x 226.8 cm
12.6 x 89.3 inches -
Austin Martin White
ferris wheel, 2024Ink, watercolor and tempera on Arches 140
Paper dimensions:
220.5 x 223.5 cm / 86.8 x 88 inches
Framed dimensions:
232.4 x 231.1 cm / 91.5 x 91 inches -
-
Works
Austin Martin White
Blood moon, 2020Jute, rubber, pigment, vinyl and screen mesh134.5 x 134.5 cm
53 x 53 inchesB-AMWHITE-.22-0009'Blood Moon' is the first work that Austin Martin White created in a series of paintings about the death of James Cook: “When I initially started to work on the..."Blood Moon" is the first work that Austin Martin White created in a series of paintings about the death of James Cook: “When I initially started to work on the drawings for these paintings in the summer of 2020, I was consumed by the absurdity of Space X’s first manned shuttle launch which just happened to coincide with the George Floyd protests and a global COVID19 Pandemic. I brought this sentiment along with me when I visited the Metropolitan Museum’s online etching archive to research references for drawing. I was searching for an instance that occurred during the colonial period representing a regression in pursuit of the ideals of progress and pertaining to the Enlightenment and colonialism. What I discovered was the 1785 etching “The Death of Captain Cook” by Francesco Bartolozzi, which depicts a battle scene set on the shores of Hawaii. At the etching’s center is the moment right before the British explorer captain James Cook is killed by the Kanaka Maoli people.
Mark Twain is quoted as saying, “History doesn‘t repeat itself, but It often rhymes”. When looking through hundreds of images in art historical archives, one is struck by how true this phrase rings. Cook’s demise may not be repeated in future exploration of space, but I certainly anticipate it rhyming.”ExhibitionsExternal ExhibitionsPressPublicationsVideoRequest more information



