Austin Martin White
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Biography
Born 1984 in Detroit, MI, USA
Lives and works in Philadelphia, PA, USA
Austin Martin White’s artistic practice explores images that shape historical memory, drawing on archival research to examine questions of identity, race, and postcolonialism. By recontextualizing historical images and fragments, his work interrogates the ways in which history is constructed, mediated, and remembered, revealing the tensions between competing perspectives.
He has participated in group exhibitions at the Southampton Arts Center, New York; Oakland University Art Gallery, Rochester; and The Jewish Museum, New York. White held his first solo exhibition at Capitain Petzel, Berlin, in 2022, followed by solo exhibitions at Petzel, New York, in 2023 and 2025, and his second solo exhibition at Capitain Petzel, Berlin, in 2026. In 2025, the first comprehensive monograph dedicated to his work was published by Petzel Gallery, New York (available at the gallery).
White’s work is part of the permanent collection of the Hessel Museum of Art, Annandale-on-Hudson, NY. His work has been featured in numerous international publications, including The New York Times, Artforum, Texte zur Kunst, Flash Art, 032c, and The Observer, among others.
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Austin Martin White
cordel_collection (spectrum2), 202611 parts
Acrylic medium, rubber, pigment, spray paint, vinyl, screen mesh, polyethylene film
Aluminum artist’s frame
32 x 226.8 cm
12.6 x 89.3 inches -
Austin Martin White
ferris wheel, 2024Ink, watercolor and tempera on Arches 140
Paper dimensions:
220.5 x 223.5 cm / 86.8 x 88 inches
Framed dimensions:
232.4 x 231.1 cm / 91.5 x 91 inches -
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WorksOpen a larger version of the following image in a popup:
Installation view, Austin Martin White, 'Last Dance', Capitain Petzel, 2022
Open a larger version of the following image in a popup:
In The Rubber Coils. Scene - The Congo ‚Free‘ State, Linley Sambourne depicts King Leopold II of Belgium as a snake entangling a congolese rubber collector / published in 1906
Austin Martin White
In the rubber coils, 2020Burlap, rubber, pigment, vinyl and screen mesh109 x 68.5 cm
42.9 x 27 inchesB-AMWHITE-.22-0007Further images
For White, colonial image production is entangled with a contemporary collective memory as well as the reproduction of racist power dynamics. This play of references permeating throughout White’s artistic practice...For White, colonial image production is entangled with a contemporary collective memory as well as the reproduction of racist power dynamics. This play of references permeating throughout White’s artistic practice operates like active traces that continuously recur in the past and influence the present. Jacques Derrida termed this phenomenon hauntology in 1993. Through the concept of hauntology, the colonial past can be imagined as a ghost, a spectre, that haunts history, and can thus help perceive the persistence of today’s coloniality. For White, this concept holds the key to his archival research and its later decolonial and deconstructive undoing.ExhibitionsExternal ExhibitionsPressPublicationsVideoRequest more information



