Andrea Bowers, Charline von Heyl, Maria Lassnig, Laura Owens, Amy Sillman

'Making Their Mark: Works from the Shah Garg Collection' (Group Show), National Museum of Women in the Arts (NMWA), Washington, D.C.
February 27 – July 26, 2026

Making Their Mark: Works from the Shah Garg Collection brings together approximately 80 works by nearly 70 of the most influential artists of the 20th and 21st centuries, including Magdalena Abakanowicz, Cecily Brown, Sheila Hicks, Jenny Holzer, Julie Mehretu, Joan Mitchell, Faith Ringgold, Tschabalala Self, Amy Sillman, Lorna Simpson, Jaune Quick-to-See Smith, Pat Steir, Sarah Sze, Kara Walker, and Zarina. Featuring a wide variety of artworks from the past eight decades, including painting, sculpture, installation, textile, beadwork, and ceramics, the exhibition emphasizes connections between intergenerational and international artists who circumvent and upend conventions in art-making, embracing craft techniques, inventive methods, and alternative materials.

 

The exhibition is organized within seven sections that illustrate key thematic threads: Gestural Abstraction, Luminous Abstraction, Pixelated Abstraction, Disobedient Bodies, Of Selves and Spirits, The Power of Form, and Craft is Art. Each section juxtaposes works by emerging artists with the pathbreaking contributions of their predecessors, demonstrating how earlier generations anticipated contemporary perspectives on representation, identity, and power. Making Their Mark envisions art history as an interconnected web of influences and affinities among artists who subvert traditional narratives and hierarchies in a historically patriarchal field.

 

Many of the works on view question rigid and gendered distinctions between art and craft, eroding arbitrary and increasingly obsolete categories and value systems. Making Their Mark assembles significant works by artists whose innovative explorations demonstrate expansive vocabularies of art-making, highlighting the importance of prioritizing diverse perspectives to change the way art histories are told.

 

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27 February 2026