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  • Open a larger version of the following image in a popup: Austin Martin White, exodus, 2023

    Austin Martin White

    exodus, 2023
    Acrylic medium, pigment, vinyl and 3m reflective fabric
    Signed and dated verso
    208.3 x 182.9 cm
    82 x 72 inches
    B-AMWHITE-.23-0006
    Enquire
    %3Cdiv%20class%3D%22artist%22%3EAustin%20Martin%20White%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3Eexodus%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2023%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EAcrylic%20medium%2C%20pigment%2C%20vinyl%20and%203m%20reflective%20fabric%3C/div%3E%3Cdiv%20class%3D%22signed_and_dated%22%3ESigned%20and%20dated%20verso%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E208.3%20x%20182.9%20cm%3Cbr/%3E%0A82%20x%2072%20inches%3C/div%3E
    Austin Martin White's dense and tactile compositions intricately examine hierarchical frameworks within Western art history. His work 'Exodus' references historical imagery from a New Orleans archive, meticulously dissecting ethnographic content's...
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    Austin Martin White's dense and tactile compositions intricately examine hierarchical frameworks within Western art history. His work 'Exodus' references historical imagery from a New Orleans archive, meticulously dissecting ethnographic content's role in perpetuating colonial subjugation and racial biases. Through a distinct and singular artistic process, White undertakes a transformation of these visual fragments, which are deeply rooted in racialised phantasms and narratives of violence. By reclaiming the colonial image the artist redefines its meaning through abstraction — wresting control of representation from the dominion of prejudicial historiography — with his idiosyncratic use of color and texture, which emerges from an innovative technical process of extruded relief painting.
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