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  • Open a larger version of the following image in a popup: Mikołaj Sobczak, Alex, 2024
    Open a larger version of the following image in a popup: Mikołaj Sobczak, Alex, 2024
    Open a larger version of the following image in a popup: Mikołaj Sobczak, Alex, 2024
    Open a larger version of the following image in a popup: Mikołaj Sobczak, Alex, 2024
    Open a larger version of the following image in a popup: Mikołaj Sobczak, Alex, 2024 Installation view "Mikolaj Sobczak. Impossible Songs", Jester | Flanders Arts Institute, Genk, 2024.
    Open a larger version of the following image in a popup: Mikołaj Sobczak, Alex, 2024 Otto Dix, ‘Großstadt (Metropolis)’, 1927-1928, Painting, Wood, distemper, Art Resource Page 1 of 4




    Page 1 of 4

    About the work

    Articles
    Materials
    Wood, distemper
    Size
    71 3/10 × 159 1/10 in | 181 × 404 cm
    Medium

    Painting
    Image rights
    Erich Lessing / Art Resource, NY / Dix, Otto (1891-1969) © ARS, NY
    OD
    OD
    Otto Dix
    German, 1891–1969

    Follow
    In his Expressionist prints and paintings, Otto Dix immortalized the unprecedented horrors of World War I and its crippling aftereffects on life in Berlin. Anguish radiates from Dix’s desolate landscapes of military trenches filled with barely distinguishable, decaying human remains, the legacy of the first industrialized war, while images of poor, disfigured, and lonely veterans invisible to passersby on the streets were comments on war’s unequal impact on different societal groups. Exploitation is also the theme of his “Femme Fatale” paintings, criticizing the narcissism that drove women to work the system in attempt to outdo one another—a representation of the social turmoil at the time. Along with George Grosz, Dix is widely considered one of the most important artists of the Neue Sachlichkeit (“New Objectivity”), a term used to characterize the turn of public attitudes in Weimar Germany toward the practical and functional and the art the emerged from it.

    High auction record
    £3.3m, Sotheby's, 1999
    Established
    Represented by industry leading galleries.
    Collected by a major museum
    Museum of Modern Art (MoMA)|Centre Pompidou|The Metropolitan Museum of Art|National Gallery of Art, Washington, D.C.|Dallas Museum of Art|Art Institute of Chicago|Moderna Museet, Stockholm
    Selected exhibitions
    2018
    Magic Realism: Art in Weimar Germany 1919-33, Tate
    2016
    Modern Masters: Degenerate Art at the Museum of Fine Arts Bern, Kunstmuseum Bern
    2015
    New Objectivity: Modern German Art in the Weimar Republic, 1919–1933, Los Angeles County Museum of Art
    View all
    AR
    Art Resource
    New York
    Otto Dix, Großstadt (Metropolis), 1927-1928

    Mikołaj Sobczak

    Alex, 2024
    In collaboration with Tom Alon
    Oil, print on wood, disassembled metal stand
    250 x 122 x 100 cm
    98.4 x 48 x 39.4 inches
    B-MSOBCZAK-.24-0024

    Further images

    • (View a larger image of thumbnail 1 ) Mikołaj Sobczak, Alex, 2024
    • (View a larger image of thumbnail 2 ) Mikołaj Sobczak, Alex, 2024
    • (View a larger image of thumbnail 3 ) Mikołaj Sobczak, Alex, 2024
    • (View a larger image of thumbnail 4 ) Mikołaj Sobczak, Alex, 2024
    • (View a larger image of thumbnail 5 ) Mikołaj Sobczak, Alex, 2024
    • (View a larger image of thumbnail 6 ) Mikołaj Sobczak, Alex, 2024
    Alex was born in 1906 in the Lublin region and lived for 65 years. He escaped binary gender patterns and openly performed his otherness. He wore high heels, makeup, and...
    Read more
    Alex was born in 1906 in the Lublin region and lived for 65 years. He escaped binary gender patterns and openly performed his otherness. He wore high heels, makeup, and often “feminine” clothes. Court and police records show that he used male pronouns and the term “homosexual”, but he might have used different gendered forms when speaking in his daily life. He was tried and sentenced to prison many times due to his sexual identity in Lublin and Warsaw before and during World War II. He actively participated in the life of is visible on the panel) and, after its bombing, in a restaurant in Warsaw.
    The document reproduced here was stolen by Alex from someone named Mieczysław, a citizen with no criminal record, to be adopted as his identity card. Throughout his life, Alex explored many passions and talents. He is shown playing the piano using a weight to push one of the keys, a reference to his experience as a student of commerce in Antwerp and of music in Warsaw.
    The artist borrows the characters of the triptych Großstadt (Metropolis) by Otto Dix to pay homage to the fantastical outfits he presumably has worn during his legendary parties.
    Close full details

    Exhibitions

    Mikołaj Sobczak, Le Boudoir de l'Amour, Capitain Petzel, Berlin, 2024


    "Mikolaj Sobczak. Le Boudoir de L'Amour", Capitain Petzel, 2024.
    "Mikolaj Sobczak. Impossible Songs", Jester | Flanders Arts Institute, Genk, 2024.
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