SOUTERRAIN: Christopher Williams: KOCHGESCHIRR (ADAPTED FOR USE)

28 APRIL - 5 JUNE 2021
  • Christopher Williams’ (b. 1956 in Los Angeles, CA) exhibition in the lower exhibition space of the gallery brings together several...

    Christopher Williams’ (b. 1956 in Los Angeles, CA) exhibition in the lower exhibition space of the gallery brings together several threads of work that the artist has developed over the years, reflecting his preoccupation with the static, material, and physical, as an antithesis to the information-saturated and virtual age recently accelerated by the pandemic. Williams’ practice, which has continually investigated the methods of production and contexts of display of images and objects, has always extended beyond art objects to their construction and presentation, often foregrounding the “secondary materials” of exhibitions and artworks, such as publications and promotional material. This exhibition, in the absence of his photographic works, foregrounds printed matter, archival material, and film.

     

     

     

    Christopher Williams
    Untitled, 2021
    Enamel paint, glass, aluminum, and felt in three parts
    22 .5 x 22.5 in / 57 x 57 cm
    Edition of 4 (#4/4)
  • Christopher Williams’ (b. 1956 in Los Angeles, CA) exhibition in the lower exhibition space of the gallery brings together several threads of work that the artist has developed over the years, reflecting his preoccupation with the static, material, and physical, as an antithesis to the information-saturated and virtual age recently accelerated by the pandemic. Williams’ practice, which has continually investigated the methods of production and contexts of display of images and objects, has always extended beyond art objects to their construction and presentation, often foregrounding the “secondary materials” of exhibitions and artworks, such as publications and promotional material. This exhibition, in the absence of his photographic works, foregrounds printed matter, archival material, and film.

    • Christopher Williams MODEL, 2019 Aluminum, glass, felt, paper, and paint 56.5 x 152.7 cm 22.3 x 60.1 inches Edition of 6
      Christopher Williams
      MODEL, 2019
      Aluminum, glass, felt, paper, and paint
      56.5 x 152.7 cm
      22.3 x 60.1 inches
      Edition of 6
  • Continuing Williams’ interest in utilizing existing works as models for new production, the exhibition adapts and reuses the presentational vocabulary of recent installations, including his 2019 exhibition at C/O Berlin, adapting elements such as hand-painted signage, Hantarex monitors, Franz West sofas, Rauhfaser wallpaper, and six vitrines designed by Leone Pancaldi, initially used by Williams for his 2007 exhibition at Galleria d’Arte Moderna Bologna. Additionally, a new film work focuses on a page torn from the catalog Volume 54: Michael Oppitz. Mythical Landscapes (Kolumba, 2018), featuring a photograph by Candida Höfer.

     

    The six vitrines on show feature archival materials from two projects produced in Zürich over the past two decades that elaborate Williams’ interest in the conditions of production. This includes an annual report he produced in 2003 for the Swiss publishing house Ringier AG, along with a video and production documents for Supplement 2003, a cooking show made by using the existing production apparatus of Ringier’s television studio, whose primary product was a popular Swiss cooking show. Williams used the program’s shot list as a model for his version, with one shift: the duration of twelve of the shots was extended to correspond to the actual preparation time of the food, grafting the durational logic of the cooking process onto the logic of production, stretching the show’s running time from 50 to 332 minutes. Alongside the annual report, and related production documents, Williams presents spreads from the publication for his 2007 exhibition at Kunsthalle Zürich, which uses the advertising space historically used in exhibition catalogues, to highlight the economies of collaboration and sponsorship usually kept in the background of an exhibition’s presentation and reception.

  • Christopher Williams, Supplement 04 Ringier Jahresbericht 2003, 2004

    Christopher Williams

    Supplement 04 Ringier Jahresbericht 2003, 2004 Book, silkscreened poster, offset card, DVD
    Gmund Colors 19, light brown matt, 100/qm wood-free/chlorine-free
    Producer: Ringier AG, Unternehmenskommunikation, Zürich
    Film of 332 MIN 17 SEC
  • CHRISTOPHER WILLIAMS

    SUPPLEMENT 04 RINGIER JAHRESBERICHT 2003, 2004

    Book, silkscreened poster, offset card, DVD
    Gmund Colors 19, light brown matt, 100/qm wood-free/chlorine-free
    Producer: Ringier AG, Unternehmenskommunikation, Zürich
    Film of 332 MIN 17 SEC

  • This exhibition is closely interwoven in content and form with the simultaneous presentation at the haubrok foundation, which takes place across the street at Strausberger Platz. To arrange a visit to haubrok foundation, please contact or approach us directly. The exhibition is further complemented by a film screening at Kino International.  

     

    Williams has exhibited extensively worldwide, with recent solo exhibitions at C/O Berlin; Kestner Gesellschaft, Hannover; La Triennale di Milano; Whitechapel Gallery, London; Museum of Modern Art, New York; Musée d’art moderne et contemporain, Geneva; Museum Dhondt-Dhaenens, Deurle; Kunsthalle Baden-Baden; Kunsthalle Zürich; Secession, Vienna among many others. His work can be found in the collections of the Museum of Modern Art, The Metropolitan Museum of Art, Whitney Museum of American Art and Solomon R. Guggenheim Museum, all in New York; Hammer Museum, Los Angeles; Ludwig Museum, Cologne; Hamburger Bahnhof, Berlin; Hirshhorn Museum and Sculpture Garden, Washington, DC; The Art Institute of Chicago, and more. Since 2008, Williams has been a professor of photography at the Kunstakademie Düsseldorf.