• Robert Heinecken, Double Ultima, 1991, Cibachrome print, 16 x 20 inches / 40.6 x 50.8 cm, © Robert Heinecken, Courtesy The Robert Heinecken Trust
  • Robert Heinecken, Lessons in Posing Subjects/Lingerie (Teddy), 1981, 8 unique SX-70 Polaroid prints mounted in Rives BFK paper, letterpress title and text, 15 x 20 inches / 38.1 x 50.8 cm, © Robert Heinecken, Courtesy The Robert Heinecken Trust
  • Robert Heinecken, Lessons in Posing Subjects/Differentiati
    on by Facial Characteristics, 1981, 5 unique Polaroid SX-70 photographs with lithographic text, mounted to Reves paper, 15 x 20 inches / 38.1 x 50.8 cm, © Robert Heinecken, Courtesy The Robert Heinecken Trust
  • Robert Heinecken, Lessons in Posing Subjects/Lingerie (Full Length Nightgowns), 1981, 8 unique Polaroid SX-70 photographs with lithographic text, mounted to Reves paper, 15 x 20 inches / 38.1 x 50.8 cm, © Robert Heinecken, Courtesy The Robert Heinecken Trust
  • Robert Heinecken, "Bush and Friend", 1992, Dye bleach print on foamcore, 73 3/8 x 36 3/4 inches / 186.4 x 93.3 cm, © Robert Heinecken, Courtesy The Robert Heinecken Trust
  • Robert Heinecken, Security Officer #1, 1992/1997, Dye bleach print on foamcore, 72 3/4 x 23 1/2 inches / 184.8 x 59.7 cm, © Robert Heinecken, Courtesy The Robert Heinecken Trust
  • Robert Heinecken, Cat/Bird, 1992/1997, Dye bleach print on foamcore, 8 x 15 1/2 inches / 20.3 x 39.4 cm, © Robert Heinecken, Courtesy The Robert Heinecken Trust
  • Robert Heinecken, "Cybil Shepherd and Bicycle", 1994, Dye bleach print on foamcore, 64 7/16 x 21 inches / 163.7 x 53.3 cm, © Robert Heinecken, Courtesy The Robert Heinecken Trust
  • Robert Heinecken, "PP/Whiskey - Figures/E", 1994, Dye bleach print photogram from magazine page, 14 x 11 inches / 35.6 x 27.9 cm, © Robert Heinecken, Courtesy The Robert Heinecken Trust
  • Robert Heinecken, "PP/Groups - 3 Faces - H", 1987, Dye bleach print photogram from magazine page, 14 x 11 inches / 35.6 x 27.9 cm, © Robert Heinecken, Courtesy The Robert Heinecken Trust
  • Robert Heinecken, "PP/Estee Lauder", 1988, Dye bleach print photogram from magazine page, 14 x 11 inches /
    35.6 x 27.9 cm, © Robert Heinecken, Courtesy The Robert Heinecken Trust
  • Robert Heinecken, "PP/Deneuve", 1988, Dye bleach print photogram from magazine page, 14 x 11 inches / 35.6 x 27.9 cm, © Robert Heinecken, Courtesy The Robert Heinecken Trust
  • Robert Heinecken, Kodak Safety Film/Figure Horizon, 1971, Lithographic film, 7 parts, each part: 21 x 23 1/2 inches / 53.3 x 59.7 cm, © Robert Heinecken, Courtesy The Robert Heinecken Trust
  • Robert Heinecken, Blue Chip Stamp Girl, 1965, Gelatin silver print, 13 5/8 x 8 3/4 inches / 34.6 x 22.2 cm, © Robert Heinecken, Courtesy The Robert Heinecken Trust
  • Robert Heinecken, Tuxedo Striptease, 1984, Large-scale Polaroid prints, 10-part, 24 x 200 inches / 61 x 508 cm, © Robert Heinecken, Courtesy The Robert Heinecken Trust
  • Robert Heinecken, L is for Lemon Slices #3, 1971, Photogram with pastel and chalk, 4 1/16 x 7 inches / 10.3 x 17.8 cm, © Robert Heinecken, Courtesy The Robert Heinecken Trust
  • Robert Heinecken, TV Newswomen Corresponding (Faith Daniels and Barbara Walters), 1986, Eight silver dye bleach prints, offset lithographs, 55 x 40 15/16 inches / 139.7 x 104 cm, © Robert Heinecken, Courtesy The Robert Heinecken Trust
  • Robert Heinecken, Different Strokes, 1970, Photographic emulsion on canvas, 40 x 120 inches / 101.6 x 304.8 cm, © Robert Heinecken, Courtesy The Robert Heinecken Trust

ROBERT HEINECKEN

 

1931     

Born in Denver, CO

 

2006   

Died in Albuquerque, NM

 

EDUCATION

 

1964    

Founded the Photography Program, University of California, Los Angeles, CA 

 

1960    

Master of Arts, University of California, Los Angeles, CA

 

1959    

Bachelor of Arts, University of California, Los Angeles, CA

 

1953 – 1957     

Military Service, United States Marine Corps, Fighter Pilot

 

1949 – 1951  

Riverside Junior College, Riverside, CA

 

SELECTED SOLO EXHIBITIONS

 

2016

Petzel Gallery, New York, NY

 

2015    

Capitain Petzel, Berlin, Germany

Robert Heinecken: Lessons in Posing Subjects, Fri Art Kunsthalle, Fribourg, Switzerland

Robert Heinecken: Waking Up in News America, Museu da Imagem e do Som São Paulo, Brazil

Robert Heinecken: Surrealism on TV, Albright-Knox Art Gallery, Buffalo, NY

 

2014    

The believable Lie: Heinecken, Polk and Feldmann, The Cleveland Museum of Art, Cleveland, OH (curated by Lisa Kurzner)

I Am Involved in Learning To Perceive and Use Light, Petzel Gallery, New York, NY

Robert Heinecken: Object Matter, Museum of Modern Art, New York, NY (curated by Eva Respini; travelling to Hammer Museum, Los Angeles, CA)

 

2011     

Robert Heinecken: Copywork, Friedrich Petzel Gallery, New York, NY

Robert Heinecken: Object Matter, Cherry and Martin, Los Angeles, CA; Marc Selwyn Fine Art, Los Angeles, CA

 

2008    

Robert Heinecken, Marc Selwyn Fine Art, Los Angeles, CA

Robert Heinecken: Dream/Circle/Cycles, Rhona Hoffman Gallery, Chicago, IL

 

2007   

Robert Heinecken, 1932 – 2006, Sex and Food: A Memorial Exhibition, Museum of Contemporary Photography, Chicago, IL

Image as Object, Andrew Roth Gallery, New York, NY

 

2006   

Robert Heinecken: Magazines, The David and Alfred Smart Museum of Art, University of Chicago, Chicago, IL

A Fine Experiment: A Tribute to Robert Heinecken, UCLA Hammer Museum, Los Angeles, CA

Robert Heinecken, Galerie Cent8, Sege le Borgne, Paris, FR

 

2003 

Robert Heinecken: A Material History, Center for Creative Photography, University of Arizona, Tucson, AZ

 

2000   

Media Amnesia: Robert Heinecken, Les Rencontres, Arles, FR

 

1999    

Robert Heinecken: Photographist, A Thirty-Five Year Retrospective, Museum of Contemporary Art, Chicago, IL (travelling to Los Angeles County Museum of Art, Los Angeles, CA)

Robert Heinecken: Editions, Suites, Portfolios, Artist Books, Magazines, Rhona Hoffman Gallery, Chicago, IL

 

1995    

Robert Heinecken: Miscellany, Ezell Gallery, Chicago, IL

 

1994    

Robert Heinecken: Altered Magazine, Linda Cathcart Gallery, Santa Monica, CA

 

1992    

Robert Heinecken: Recent Work, Pace/MacGill Gallery, New York, NY

Robert Heinecken: Recent Photograms, Printworks Gallery, Chicago, IL

Robert Heinecken: New Work, Fahey/Klein Gallery, Los Angeles, CA

 

1990    

Gallery MIN, Tokyo, Japan

 

1989    

Robert Heinecken: Selected Works from 1966 to 1989, Sunny-Gate Photography Gallery, Taipei, Taiwan

Robert Heinecken: A Retrospective 1962 – 1989, Pace/MacGill Gallery, New York, NY

Robert Heinecken: A Case Study in Finding an Appropriate TV Newswoman, Gallery 210, University of Missouri, St. Louis, MO (travelling to Robert Else Gallery, California State University, Sacramento, CA; South Dakota Museum of Art, Brookings, SD)

 

1988    

Robert Heinecken: The Nuclear Family, Vision Gallery, Boston, MA

 

1987    

Television/Source/Subject: Photographic Works and Installations by Robert Heinecken, The Art Institute of Chicago, Chicago, IL

Robert Heinecken: New Works, Printworks Gallery, Chicago, IL

Robert Heinecken: New Work, Fahey/Klein Gallery, Los Angeles, CA

 

1986    

Center for Creative Photography, University of Arizona, Tucson, AZ 

Heinecken: Selected Works from 1966 to 1986, Gallery MIN, Tokyo, Japan

 

1983    

Robert Heinecken: Food, Sex and TV, Fotoforum, Universität Kassel, Kassel, Germany 

Works by Robert Heinecken, Film in the Cities, St. Paul, MN

 

1982    

Museum of Art, Rhode Island School of Design, Providence, RI

 

1981    

University of Oregon, Eugene Light Gallery, New York, NY

Light Gallery, Los Angeles, CA

 

1980    

Werkstadt für Fotographie, Berlin, Germany

Robert Heinecken: A Selection of Photographic Work from 1960 ñ 1980, Fine Arts Gallery, University of Nevada, Las Vegas, NV

Nova Gallery, Vancouver, Canada

 

1979    

Northern Illinois University Art Gallery, DeKalb, IL

Mary Porter Sesnon Art Gallery, Porter College, University of California, Santa Cruz, CA

Light Gallery, New York, NY

Forum Stadtpark, Graz, Austria

 

1978    

Susan Spiritus Gallery, Newport Beach, CA

University Gallery, Old Dominion University, Norfolk, UK

 

1977    

Texas Center for Photographic Studies, Dallas, TX

George Eastman House, Rochester, NY (travelling to Chicago Center for Contemporary Photography, Columbia College, Chicago, IL; San Francisco Museum of Modern Art, San Francisco, CA; Wight Art Gallery, University of California, Los Angeles, CA)

 

1976    

Light Gallery, New York, NY

 

1974    

Madison Art Center, Madison, WI 

 

1973    

Light Gallery, New York, NY

Friends of Photography, Carmel, CA

Fine Arts Gallery, California State College, San Bernardino, CA

 

1972    

University of Rhode Island, Kingston Pasadena City College Gallery, Pasadena, CA

Robert Heinecken: Photographic Work, Pasadena Art Museum, Pasadena, CA

 

1971     

University of Oregon Gallery, Eugene, OR

University of Colorado, Boulder, CO

 

1970    

Witkin Gallery, New York Phoenix College Gallery, Phoenix, AZ

California State College, Northridge, CA

 

1969    

Thorne Hall Gallery, Occidental College, Los Angeles, CA

 

1968    

Focus Gallery, San Francisco, CA

 

1966    

Mills College Art Gallery, Oakland, CA

Fine Arts Gallery, California State College, Los Angeles, CA

 

1965    

Long Beach Museum of Art, Long Beach, CA

 

1964    

Mount St. Mary’s College Fine Arts Gallery, Los Angeles, CA 

 

1960    

Art Galleries at the University of California, Los Angeles, CA

 

SELECTED GROUP EXHIBITIONS

 

2015    

Richard Wright: Nine Chains To The Moon (Chapter 3), BQ, Berlin, Germany

Both Sides Now: Robert Heinecken Photograms, Palm Springs Art Museum, Palm Springs, CA
Robert Heinecken: Waking Up in News America
, Museu da Imagem e do Som Sao Paulo, Brasil
Robert Heinecken: Surrealism on TV, Albright-Knox Art Gallery, Buffalo, NY

 

2014    

Pop Departures, Seattle Art Museum, Seattle, WA

Collage in American Art Since the 1960s, Honor Fraser, Los Angeles, CA

Burning Down the House, Gwangju Bienniale, Gwangju, Korea

Believable Lie: Photographs by Robert Heinecken, Sigmar Polke and Hans-Peter Feldmann, 1968-1980, Cleveland Museum of Art, Cleveland, OH

PANOPTICUM, New York, NY (curated by Kevin Moore, Robert Miller)

Burning Down the House: 10th Gwanju Biennale, Gwanju, South Korea

 

2012    

LA Raw: Abject Expressionism in Los Angeles, 1945 – 1980, From Rico Lebrun to Paul McCarthy, Pasadena Museum of California Art, Pasadena, CA

 

2011     

Speaking in Tongues: Wallace Berman and Robert Heinecken, Armory Center for the Arts, Pasadena, CA

Social Media, Pace/MacGill, New York, NY

Photography into Sculpture, Cherry and Martin, Los Angeles, CA

Polaroid (Im)possible: Masterpieces of Instant Photography, The WestLicht Collection, Vienna, Austria

Pandora’s Box: Joseph Cornell Unlocks the MCA Collection, Museum of Contemporary Art, Chicago, IL

Pure Photography, Post Production, and Mixed Media, Phoenix Art Museum, Phoenix, AZ

X, Gio’ Marconi, Milan, Italy

Commodity/Fetish, Miguel Abreu Gallery, New York, NY (curated by Nicolás Guagnini)

 

2010    

The Artist’s Museum, Museum of Contemporary Art, Los Angeles, CA
Sunless (Journeys in California since 1933), Thomas Dane Gallery, London, UK 

Picture Industry (Goodbye to All That), Regen Projects, Los Angeles, CA (curated by Walead Beshty)

They Have Not the Art to Argue with Pictures, Cherry and Martin, Los Angeles, CA 

A Relative Expanse, Renwick Gallery, New York, NY

Ruptures and Continuities: Photography Made after 1960 from the MFAH Collection, Museum of Fine Arts, Houston, TX

Starburst: Color Photography in America: 1970 ñ 1980, Cincinnati Art Museum, Cincinnati, OH (travelling to Princeton University Art Museum, Princeton, NJ)

In Numbers: Serial Publications by Artists since 1955, X Initiative, New York, NY
Fashion Room: Photography from the F.C. Gundlach Collection, Städtische Galerie Iserlohn, Iserlohn, Germany

The Sum of Myself: Photographic Self-Portraits from the Audrey and Sydney Irmas Collection, Los Angeles County Museum of Art, Los Angeles, CA

This Side of Paradise: Los Angeles, 1865 – 2008, Musée Nicéphore Niépc, Chalon-sur-Saone, France

 

2009   

The Private Collection of Fern M. Schad, Rick Wester Fine Art, New York, NY 

Fashion Room: Photography from the F.C. Gundlach Collection, Museum für Angewandte Kunst, Frankfurt am Main, Germany

Phot(o)bjects, Presentation House Gallery, Vancouver, Canada 

USA Today, Museum of Contemporary Art, Chicago, IL (curated by Bob Nickas)

This Side of Paradise: Los Angeles, 1865 – 2008, Musée de l’Elysée, Lausanne 

 

2008   

Photography on Photography: Reflections on the Medium since 1960, Metropolitan Museum of Art, New York, NY

Making a Photograph: Iconic Images and their Origins, Center for Creative Photography, University of Arizona, Tucson, AZ

A Mind at Play, The Art Institute of Chicago, Chicago, IL

 

2007   

Beauty and Blonde, Mildred Lane Kemper Art Museum, Washington University, St. Louis, MO

Die zweite Avantgarde, Stiftung Moritzburg, Halle, Germany

Kamera los das fotogramm, Museum der Moderne, Salzburg, Austria

Le Mouvement des Images, Centre Georges Pompidou, Paris, France

Sam Durant, Robert Heinecken, Cady Noland, and Richard Prince, Rowley Kennerk Gallery, Chicago, IL

 

2006   

A Curator’s Eye: The Legacy of Robert A. Sobieszek, Los Angeles County Museum of Art, Los Angeles, CA

Los Angeles: 1955 – 1985, The Birth of an Art Capital, Centre Georges Pompidou, Paris, Germany

 

2005   

D’une image qui ne serait pas du semblant – La Photographie ecrite, 1950 – 2005, Passage de Retz, Paris, France

Boxed Set – Portfolios of the Seventies, Center for Creative Photography, University of Arizona, Tucson, AZ

 

2004   

Festival of Contemporary Images, Printemps du Septembre, Toulouse, France; Les Abbatoirs – FRAC Midi-Pyrénées, Toulouse, France

Pieced Together: Photomontage from the Collection, The Art Institute of Chicago, Chicago, IL

In the Center of Things: A Tribute to Harold Jones, Center for Creative Photography, University of New Mexico, Tucson, AZ

 

2003   

Pictures from Within: American Photographs, 1958 – 2003, Whitney Museum of American Art, New York, NY

Some Assembly Required – Collage Culture in Post-War America, Polk Museum of Art, Lakeland, FL

Museum of Contemporary Art, Madison, WI

 

2002   

Robert Heinecken, Robert Rauschenberg, Pace/MacGill Gallery, New York, NY

Performative Images, Smart Museum of Art, University of Chicago, Chicago, IL 

Das zweite Gesicht: Metamorphosen des fotografischen Porträts, Deutsches Museum, Munich, Germany

 

2000   

Making Light: Photography and Humor, The Francis Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY

 

1999    

Apposite Opposites: Photography from the MCA Collection, Museum of Contemporary Art, Chicago, IL

Beyond the Photographic Frame, The Art Institute of Chicago, Chicago, IL

Bodies of Work: Series and Obsessions, The Center for Creative Photography, University of Arizona, Tucson, AZ

Looking into the Collection: Celebrity, The Center for Creative Photography, University of Arizona, Tucson, AZ

Radical PAST: Contemporary Art in Pasadena, 1960 – 1974, Norton Simon Museum, Pasadena, CA

 

1998    

John Baldessari, Robert Heinecken, Ed Ruscha, Pace/MacGill Gallery, New York, NY

Alternating Currents: American Art in the Age of Technology, Selections from the Permanent Collection of the Whitney Museum, San Jose Museum of Art, San Jose, CA

Collaborations 1998, Printworks Gallery, Chicago, IL

The Constructed Self: Who Do You Think You Are?, TBA Exhibition Space, Chicago, IL

Digital Frontiers: Photography’s Future at Nash Editions, George Eastman House, Rochester, UK

From Head to Toe: Concepts of the Body in Twentieth-Century Art, Los Angeles County Museum of Art, Los Angeles, LA

Metamorphosis: Photography in the Electronic Age, Ackland Art Museum, Chapel Hill, New Zealand

Photo Image: Printmaking 60s to 90s, Museum of Fine Arts, Boston, MA (travelling to Baltimore Museum of Art, Baltimore, PA)

Photography at Princeton: Celebrating Twenty-Five Years of Collecting and Teaching the History of Photography, Princeton University Art Museum, Princeton, NJ
Photography’s Multiple Roles, The Museum of Contemporary Photography, Columbia College, Chicago, IL

Pioneers in Digital Photography, Open Space Gallery, Allentown, PN

 

1997    

Beyond Seeing: American Photography in the Twentieth-Century, Colorado Springs Fine Art Center, Colorado Springs, CO

L’Empreime (The Imprint), Musée National d’Art Moderne, Centre Georges Pompidou, Paris, France

New Realities: Hand-Painted Photographs, 1839 to the Present, University of Wyoming Art Museum, Laramie, WY

Boise Art Museum, Boise, ID

James A. Michener Museum of Art, Doylestown, PA

De Cordova Museum and Sculpture Park, Lincoln, OR

Yellowstone Art Museum, Billings, MT

Picture This, Virginia Museum of Art, Richmond, VA

Selections from the Permanent Collection: Self-Portrait, The Center for Creative Photography, University of Arizona, Tucson, AZ

 

1996    

American Masters of Photography: A One-Hundred Year Survey, Southern Allegheny Museum of Art, Loretto, PA

Art in Chicago: 1945 – 1995, Museum of Contemporary Art, Chicago, IL

A Celebration of Twenty-Five Years of Light Gallery, International Center of Photography, New York, NY

Graham Nash’s Greatest Hits, The Photographers’ Gallery, London, UK

Illinois Photographers in the Nineties: The Midwest Photographers Project, Museum of Contemporary

Photography, Columbia College, Chicago, IL

Nash Editions, Digital Photography, Butler Institute of American Art, Youngstown, OH

The Seventies: Photography in the Service of Ideas, Pace/Wildenstein/MacGill Gallery, New York, NY

Truths and Trials: Color Photography Since 1975, Minneapolis Institute of Art, Minneapolis, MN

 

1995    

The Body Photographic, Contemporary Arts Center, New Orleans, LO

Harvard Art Museum: 100 Years of Collecting, Harvard University, Cambridge, MA
Luz y Tiempo, Foundation of Cultural Television, Mexico City, Mexico

Moholy-Nagy and Present Company, The Art Institute of Chicago, Chicago, IL
Picturing Modernity: Photographs from the Permanent Collection, San Francisco Museum of Modern Art, San Francisco, CA

Twentieth-Century Photography, Museum Ludwig, Cologne, Germany

What Photographs Look Like, Princeton University Art Museum, Princeton, NJ

 

1994    

After Art: Re-Thinking 150 Years of Photography, Selections from the Joseph and Elaine Monson

Collection, Henry Art Gallery, University of Washington, Seattle, WA 

The Camera I, Self-Portraits from the Audrey and Sydney Irmas Collection, Los Angeles County Museum of Art, Los Angeles, CA

Experimental Visions: The Evolution of the Photogram Since 1919, Denver Art Museum, Denver, CO

Forecast: Shifts in Direction, Museum of Fine Arts, Santa Fe, NM

Lessons in Life: Photographic Works from the Boardroom Collection, The Art Institute of Chicago, Chicago, IL

Metamorphosis: Photography in the Electronic Age, Fashion Institute of Technology, New York, NY (travelling to Blaffer Gallery, University of Houston, Houston, TX; Tampa Museum of Art, Tampa, FL; Philadelphia Museum of Art, Philadelphia, PA; San Jose Museum of Art, San Jose, NM)

New Acquisitions / New York/ New Directions 2: Photography from the Collection, Los Angeles County Museum of Art, Los Angeles, CA

Permanent Collection Exhibition, Newport Harbor Art Museum, Newport Beach, CA
Recent Acquisitions, University Art Museum, University of New Mexico, Albuquerque, NM

Selections from the Permanent Collection: Fictions, The Center for Creative Photography, University of Arizona, Tucson, AZ

 

1993    

First Annual Group Show, Gallery 954, Chicago, IL

First Sightings: Recent Modern and Contemporary Acquisitions, Denver Art Museum, Denver, CO

Masquerade, Los Angeles County Museum of Art, Los Angeles, CA

The Mediated Image: American Photography in the Age of Information, University Art Museum, University of New Mexico, Albuquerque, NM

Multiple Images: Photographs since 1965 from the Collection, Museum of Modern Art, New York, NY

The Photographers Who Opened the Age: 1960’s-1970’s, Tokyo Metropolitan Museum of Photography, Tokyo, Japan

Proof: Los Angeles Art and the Photograph, 1960 – 1980, Laguna Art Museum, Laguna Beach, CA (travelling to De Cordova Museum and Sculpture Park, Lincoln, OR; Friends of Photography, Ansel Adams Center, San Francisco, CA; Montgomery Museum of Fine Arts, Montgomery, AL; Tampa Museum of Art, Tampa, FL; Des Moines Art Center, Des Moines, IA)

Recent Acquisitions, Museum of Modern Art, New York, NY

Selections from the Permanent Collection: Image and Text, Center for Creative Photography, University of Arizona, Tucson, AZ

Der Traum vom Fleigen, Fototage Exposition, Airport Gallery, Flughafen Frankfurt am Main, Frankfurt am Main, Germany

 

1992    

La Collection Photographique de la Fondation van Gogh, Arles, France

Confrontations and Dialogues: The Figure in Photography, Norton Simon Museum of Art, Pasadena, CA

Figure/Form: The Nude in Twentieth-Century Photography, Jan Kesner Gallery, Los Angeles, CA

Fotografica ’92, Breda, The Netherlands

Notes from the Material World: Contemporary Photo Montage, John Michael Kohler Arts Center, Sheboyan, WI

Permanent Collection Installation, Edward Steichen Photography Center, Museum of Modern Art, New York, NY

Photographic Book Art in the United States, Fine Arts Gallery, Texas Women’s University, Denton, TX

Seriously Sexual, B.C. Space, Laguna Beach, CA

Special Collections: The Photographic Order from Pop to Now, International Center of Photography, New York, NY; Friends of Photography, Ansel Adams Center, San Francisco, CA

Voyeurism, Jane Baum Gallery, New York, NY

 

1991     

American Photography Since 1920: From the Collection ofthe Center for Creative Photography, University of Arizona, Tucson, AZ (travelling to Fundación Caja des Pensiones, Madrid, Spain)

Cleveland Museum of Art, Cleveland, TN

Contemporary Photography: Images Don’t Lie, Evanston Art Center, Evanston, IL 

Past/Present: Photographs from the Collection of the Museum of Fine Arts, Houston, TX
Picture Plane to Object: Photographic Reality to Photographic Experience, Brea Civic and Cultural Center, Brea, CA

A Portrait is Not a Likeness, Center for Creative Photography, University of Arizona, Tucson

Spheres of Influence: Teacher/Student Relations in American Photography Since 1945, Center for Creative Photography, University of Arizona, Tucson, AZ
Thirty-Five Years of Acquisitions, The Grunwald Center for the Graphic Arts, Wight Art Gallery, University of California, Los Angeles, CA

Tappan Collection, International Center of Photography, New York, NY

With the Media, Against the Media, Long Beach Museum of Art, Long Beach, CA

 

1990    

Amb Els “Media,” Contra “Media”, Sala Arcs Fundación Caixa Barcelona, Primavera Fotografica 1990, Barcelona, Spain

Anwesenheit bei Abwesenheit: Das Fotogram in die kunst im 20 Jahrhundert, Kunsthaus Zürich, Zurich, Switzerland

Engaging Transformations: Experimental Photography of the Sixties, Harnet Gallery, University of Rochester, Rochester, NY

Pace/MacGill Gallery, New York, NY

The Indomitable Spirit, International Center of Photography, New York and Los Angeles Municipal Art Gallery, New York, NY; Los Angeles, CA

Learn to Read Art: Artistsí Books, Art Gallery of Hamilton, Hamilton, CA

New Mexico Collects, Museum of Fine Arts, Santa Fe, NM

Permanent Collection Installation, Edward Steichen Photography Center, Museum of Modern Art, New York, NY

Photography Until Now, Museum of Modern Art, New York, NY

Street Engagements: Social Landscape, Photography of the Sixties, George Eastman House, Rochester, NY

Thirty Years After “The Americans”, 1959 – 1990, Museum of Contemporary Photography, Columbia College, Chicago, IL

VARI Studios: Recent Collaborations, Northlight Gallery, Arizona State University, Tempe, AZ

 

1989    

Acceptable Entertainment, Los Angeles Municipal Art Gallery at Barnsdall Park, Los Angeles, CA

California Photography: Remaking Make-Believe, Museum of Modern Art, New York, NY

Capturing an Image: Collecting 150 Years of Photography, Museum of Fine Arts, Boston, MA; the Fogg Museum of Art, Harvard University, Cambridge, MA
Decade by Decade: Twentieth-Century American Photography, Center for Creative Photography, University of Arizona, Tucson, AZ

Fifty-Four Master Photographers of 1960 – 1979; 150 Years of Photography, Photographic Society of Japan and the Toppan Corporation, Tokyo, Japan

A History of Photography from California Collections, San Francisco Museum of Modern Art, San Francisco, CA

Image: TV, College of DuPage Arts Center Gallery, Glen Ellyn, IL

Image World: Art and Media Culture, Whitney Museum of American Art, New York, NY

Invention and Continuity in Contemporary Photographs, The Metropolitan Museum of Art, New York, NY

Lies and More Lies: The Photography of Representation, Contemporary Arts Center, New Orleans, LO

Media Talk, Security Pacific Gallery, Costa Mesa, CA

Nature and Culture: Conflict and Reconciliation in Contemporary Photography, Friends of Photography, San Francisco, CA

New Acquisitions – New York – New Directions, George Eastman House, Rochester, NY

New Photographs by Old Friends, Oregon School of Arts and Crafts, Portland, CA
On the Art of Fixing a Shadow: One Hundred and Fifty Years of Photography, National Gallery of Art, Smithsonian Institution, Washington, D.C. (travelling to The Art Institute of Chicago, Chicago, IL; the Los Angeles County Museum of Art, Los Angeles, CA)

150 Years of Photography, Toppan Collection, Tokyo Metropolitan Museum of Art , Tokyo, Japan

One Hundred Years of Photography: What is Photography?, Manes Gallery, Prague, Czech Republic

Photographs from the Permanent Collection, Newport Harbor Art Museum, Newport Beach, CA

Photography Expanded, G.H. Dalsheimer Gallery, Baltimore, PA

Photography Illinois, State of Illinois Art Gallery, Chicago, IL (travelling to Illinois State Museum, Springfield, IL)

Photography is Dead, Fine Arts Gallery, University of Colorado, Boulder, CO
Photomontage/Photocollage: The Changing Picture 1920 – 1989, Jan Turner Gallery, Los Angeles, CA

That Was Then – This Is Now, Museum of Photographic Arts, San Diego, CA
Unconventional Perspectives, G. Ray Hawkins Gallery, Los Angeles, CA

 

1988    

Acceptable Entertainment, Alberta College of Art Gallery, Calgary, Canada

Active Process: Artists’ Books, Photographic and Contemporary, Gallery TPW, Toronto, Canada

Assemblage Art: A Poetic Transformation, Brea Civic and Culture Center, Brea, CA
Evocative Presence: Twentieth-Century Photographs in the Permanent Collection, Museum of Fine Arts, Houston, TX

Fabrications: Staged, Altered and Appropriated Photographs, Sert Gallery, Carpenter
Center for the Visual Arts, Harvard University, Cambridge, MA

Hybrid Images, Rena Bransten Gallery, San Francisco, CA

John Baldessari / Robert Heinecken / Ed Ruscha, Pace/MacGill Gallery, New York, NY

Lost and Found in California: Four Decades ofAssemblage Art, G. Ray Hawkins Gallery, Los Angeles, CA

Mixed Signals: Photographs with Text, Northlight Gallery, Arizona State University, Tempe, AZ

New Photographics Invitational, Blue Sky Gallery, Oregon Center for the Photographic Arts, Portland, CA (travelling to Sarah Spurgeon Gallery, Central Washington University, Ellensburg, WA)

Under Construction: New Photomontage, Cranbrook Academy of Art Museum, Bloomfield Hills, MI

Viewpoints: An Exhibition from the Permanent Collection, Museum of Photographic Arts, San Diego, CO

Visual Satire: Artists’ Books, Florida State University Fine Arts Gallery, Tallahassee, FL

 

1987    

Active Process: Artistsí Books, Photographic and Contemporary, Presentation House Gallery, Vancouver, Canada (travelling to Gallery TPW, Toronto, Canada)

A Collection Revisited, The Chrysler Museum, Norfolk, UK

Extending the Boundaries, Center for Creative Photography, University of Arizona, Tucson, AZ

Faces, Inaugural Exhibition in the New Twentieth-Century Wing, The Metropolitan Museum of Art, New York, NY

Fotogramme: 1918 bis heute, Goethe Institut, Munich, Germany

Illuminated Manuscript: Photography and Text, Cornish College of the Arts, Seattle, WA
L.A. Hot and Cool: Temperaments and Traditions, M.I.T. List Visual Arts Center, Cambridge, MA

Photographs from the Last Decade, San Francisco Museum of Modern Art, San Francisco, CA

Photographs in the Collection of the National Museum of Modern Art, Museum of Modern Art, Kyoto, Japan

Photography and Art: Interactions Since 1946, Los Angeles County Museum of Art, Los Angeles, CA

Thirty from Twenty-Five, Sheppard Fine Arts Gallery, University of Nevada, Reno, NV

Twentieth Anniversary Exhibition Part I, Friends of Photography, Carmel, CA

 

1986    

Black and White and Color II, Diverse Works, Houston California Matters, Herbert Palmer Gallery, Los Angeles, CA

Collaborations: The Energy of Shared Art Experience, Paper Press, Chicago, IL
Crosscurrents II: Recent Additions to the Collection, San Francisco Museum of Modern Art, San Francisco, CA

Das Akfoto 1840 – 1985, The Müncher Stadt Museum, Munich, Germany
Exhibition I: Contemporary American Photography, Gallery MIN, Tokyo, Japan
Stills: Cinema and Video Transformed, Seattle Art Museum, Seattle, WA

Teaching Artists: The U.C.L.A. Faculty of Art and Design, Wight Gallery, University of California, Los Angeles, CA

 

1985    

American Images: Photographs from 1945 to 1980, Barbican Art Gallery, London, UK

Extending the Perimeters of Twentieth-Century Photography, San Francisco Museum of Modern Art, San Francisco, CA

Fifteen Photographers We Like, Cleveland Institute of Art, Cleveland, TN

The Figure: Transformed by Technology, Irvine Fine Arts Center, Irvine, CA

Images of Excellence, George Eastman House, Rochester, NY

Imagine There’s a Future, Atlier Gallery, University of Southern California, Los Angeles, CA

Naked, Boulder Center for the Visual Arts, Boulder, CO

No Shadows: Recent Photographic Self-Portraiture, Laurence Miller Gallery, New York, NY

Permanent Collection, Newport Harbor Art Museum, Newport Beach, CA
Photograms, John Michael Kohler Arts Center, Sheboyan, WI

Portraits of Artists/Faces Photographed, San Francisco Museum of Modern Art, San Francisco, CA

Taking Back the Media, Aorta Gallery, Amsterdam, The Netherlands

 

1984    

The Alternative Image II, John Michael Kohler Arts Center, Sheboyan, WI

American Photography Today 1984, Boulder Center for the Visual Arts, Boulder, CO

Contemporary  Constructs: 20 Los Angeles Photographers, Otis Parsons Gallery, Los Angeles, CA and Amsterdam, The Netherlands

In Search of an Honest Photograph, Department of Art Teaching Gallery, University Art Museum, University of New Mexico, Albuquerque, NM

Inaugural Installation of the Edward Steichen Permanent Collection Gallery, Museum of Modern Art, New York, NY

Newspeak, B.C. Space, Laguna Beach, CA

Out of Context, Mary Porter Sesnon Art Gallery, Porter College, University of California, Santa Cruz, CA

Photographic Alternatives: Works by Contemporary American Photographers, Hong Kong Arts Centre, Hong Kong

Photography in California: 1945 – 1980, San Francisco Museum of Modern Art, San Francisco, CA

Points of View: Contemporary Photographers, Maryland Institute College of Art, Baltimore, PA

Selections 2, Photo Kino, Cologne, Germany (travelling to Museum of Contemporary Photography, Columbia College, Chicago, IL; Museum of Art and History, Frieburg)

Sex-Specific: Photographic Investigations in Contemporary Sexuality, Maryland Institute College of Art, Baltimore, PA

Twelve on 20 x 24, Museum School Gallery, School of the Museum of Fine Arts, Boston, MA

 

1983    

Acquisitions: Newport Harbor Art Museum, Newport Beach, CA

The Big Picture, Museum of Photographic Arts, San Diego, CO

Big Pictures by Contemporary Photographers, Museum of Modern Art, New York, NY
Fotogramme – die lichtreichen Schatten, City Museum, Munich, Germany

Jo Ann Callis, Eileen Cowin, Robert Heinecken, Rio Hondo College Art Gallery, Whittier, CA

Lensless Photography, The Franklin Institute Science Museum, Philadelphia, PA
Looking at Women, Artemisia Gallery, Chicago, IL

Particulars: Selections from the Miller-Plummer Collection of Photography, George Eastman House, Rochester, NY

Political Photography, Stockton State College Art Gallery, Pomona, CA

Self as Subject: Visual Diaries by Fourteen Photographers, University Art Museum, University of New Mexico, Albuquerque, NM

 

1982    

Altered States, University of Illinois Photography Cooperative, Urbana- Champagne, IL

The Alternative Image: An Aesthetic and Technical Exploration of Nonconventional Photographic Printing Processes, John Michael Kohler Arts Center, Sheboyan (travelling to Emmanuel Gallery of Art, University of Colorado, Denver) 

American Photography Today, Emmanuel Gallery of Art, University of Colorado, Denver, CO

Art 1982 – Chicago Navy Pier, Young-Hoffman Gallery, Chicago, IL
California Photography, Museum of Art, Rhode Island School of Design, Providence, RI

Color as Form: A History of Color Photography, George Eastman House, Rochester, NY

New York, New York: Nineteenth to Twentieth Century Photography, Seibu Department Store Gallery, Tokyo, Japan

Photo Recycling: Photo oder die Fotografie im Zeitalter ihrer technischen Reproduziebarkeit, Fotoforum Universität, Kassel, Germany

Photography in Color, Stockton State College Art Gallery, Pomona, CA
Repeated Exposure: Photographic Imagery in the Print Media, Nelson-Atkins Museum of Art, Kansas City, KS

Target III: In Sequence, Museum of Fine Arts, Houston, TX

Ten Photographers, Art Gallery, Pierce College, Woodland Hills, CA

Visions of Reality, Color Photography: A Contemporary Art, Goddard-Riverside Community Center, Riverside, CA

 

1981     

Acquisitions: 1970 – 1980, George Eastman House, Rochester, NY

Altered Images, Center for Creative Photography, University of Arizona, Tucson, AZ
Color and Color Photographs, San Francisco Museum of Modern Art, San Francisco, CA

Contemporary Hand-Colored Photography, De Saisset Museum, Santa Clara University, Santa Clara, CA

Libres d’Artista/Artists’ Books, El Centre de Documentario d’Art Actual, Metronom, Barcelona, Spain

Light’s Tenth Anniversary/Photographerís Selections, Light Gallery, New York, NY

A Look at the Boundaries: Fourteen California Photographers, Memorial Union Art Gallery, University of California, Davis, CA

Master Photographers: A Sentimental Celebration, Focus gallery, San Francisco New Directions: A 

Corporate Collection, Sidney Janis Gallery, New York, NY

Photo Facts and Opinions, Addison Gallery of American Art, Phillips Academy, Andover, MA

Violence, A Photographic Exhibition, Cameravision Gallery, Los Angeles, CA

 

1980    

American Photographs 1970 – 1980, Whatcome Museum of History and Art, Bellingham, WA

The Magical Eye: Definitions of Photography, National Gallery of Canada, Ottawa, Canada 

NEA Purchase Award Artists, Center for Creative Photography, University of Arizona, Tucson, AZ

Photographs, Young-Hoffman Gallery, Chicago, IL

Photography: Recent Directions, De Cordova Museum and Sculpture Park, Lincoln, OR

Silver Interactions, University of South Florida Art Galleries, Tampa, FL

Six Photographers, Boulder Center for the Visual Arts, Boulder, CO

Southern California Photography: 1900 – 1965, The Photography Museum, Los Angeles, CA

Vis-à-vis and Photography, The Art Institute of Boston Main Gallery, Boston, MA

 

1979    

Alternative Images, Evanston Museum of Art, Syracuse, NY

American Photography of the Seventies, The Art Institute of Chicago, Chicago, IL
Approaches in Photography: A Historical Survey, Amarillo Art Center, Amarillo, TX
Attitudes: Photography in the Seventies, Santa Barbara Museum of Art, Santa Barbara, CA

Benefit Auction Exhibition, Cameravision Gallery, Los Angeles

Color: An Invitational Photography Exhibition, MoMing Gallery, Chicago, IL 

Cultural Artifacts, Fine Arts Gallery, Florida
School of the Arts, Palaka Domestic Scenes, In a Plain Brown Wrapper Gallery, Chicago, IL
Electroworks, George Eastman House, Rochester, NY

The Hand-Colored Photograph, Philadelphia College of Art, Philadelphia, PA
New Acquisitions: Photographs from the Collection of the Center for Creative Photography, University of Arizona, Tucson, AZ

Photographic Directions: Los Angeles, 1979, Security Pacific National Bank Gallery, Los Angeles, CA

Translations: Photographic Images with New Forms, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY

Venezia ’79 – La Fotografia, Contemporary American Photographs, Venice, Italy

 

1978    

Arkansas Art Center, Little Rock, AK

The Art of Offset Printing, The School of the Art Institute of Chicago Gallery, Chicago, IL

Art Words/Book Works, Los Angeles Institute of Contemporary Art, Los Angeles, CA

Contemporary California Photography/A Three Part Exhibition, San Francisco Camerawork, San Francisco, CA

Eros and Photography, San Francisco Camerawork, San Francisco, CA

Forty American Photographers, E.B. Crocker Art Gallery, Sacramento, CA

Mirrors and Windows: American Photography Since 1960, Museum of Modern Art, New York (travelling to Cleveland Museum of Art, Cleveland, TN; Walker Art Center, Minneapolis, MN; The Speed Art Museum, Louisville, KY; San Francisco Museum of Modern Art, San Francisco, CA; Krannert Art Museum, University of Illinois, Champaign, IL; Virginia Museum of Fine Arts, Richmond, VI; Milwaukee Art Center, Milwaukee, WI)

New York, New York, Light Gallery, New York, NY

Photographers: Twenty-Three Directions, Kirklands International Photography Walker Art Gallery, Liverpool (travelling to Lake Placid School of Art, Lake Placid, NY)

Photography í78, Colby Community College, Colby, ME

 

1977    

The Great West: Real/Ideal, University of Colorado Art Gallery, Boulder, CO

Image Makers: An Introduction, Silver Image Gallery, Seattle, WA

Language and Image: Photo Linguistics, Contemporary Graphics Center, Santa Barbara Museum of Art, Santa Barbara, CA

National Print, Drawing and Photography Exhibition, 2nd Street Gallery, Charlottesville, VI

A Photographic Celebration, Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE

Photography as a Means, Boehm Gallery, Palomar College, San Marcos, CA
Photography: Four Stylistic Approaches, Katonah Gallery, Katonah, NY
Photography into Painting, Silver Image Gallery, Seattle, WA

Pix: Five Photographers, DeAnza College, Cupertino, CA

Sequential 77, Harkness House, New York, NY

Silver See, Los Angeles Institute of Contemporary Art, Los Angeles, CA

Southern California 100, Laguna Beach Museum of Art, Laguna Beach, CA

A Survey of Contemporary Photography, Cranbrook Academy of Art Museum, Bloomfield Hills, MI

The Target Collection of Contemporary Photography, Museum of Fine Arts, Houston, TX (travelling to Heckscher Museum of Art, Huntington, WV)

 

1976    

Aspects of American Photography 1976, Gallery 210, University of Missouri, St. Louis, MO

Contemporary American Photographers, Wight Art Gallery, University of California, Los Angeles, CA

Contemporary Photographic Arts Invitational Exhibition, Rio Hondo College Art Gallery, Whittier, CA

Contemporary Trends: Bernhard, Crane, Dater, Gibson, Gowin, Heinecken, Hosoe, Metzker, Siskind, Walker, Welpott, White, Columbia College Gallery, Chicago, IL
Exposing: Photographic Definitions, Los Angeles Institute of Contemporary Art, Los Angeles, CA

First Photographic Invitational Exhibit, Reno Church Fine Arts Gallery, University of Nevada, Reno, NV

Hybrid Vigor, Oakland Museum of California, Oakland, CA

One Eye Open, One Eye Closed – Three Photographers Look at the Nude: E.J. Bellocq, Robert Heinecken and Les Krims, Alberta College of Art Gallery, Calgary, Canada

100 Master Photographers, Cleveland Museum of Art, Cleveland, TN (from the collection of the Museum of Modern Art, New York, NY)

Photographic Process as Medium, Rutgers University Art Gallery, New Brunswick, NJ
Photography for Collectors, Art Lending Service, Museum of Modern Art, New York, NY

Photo/Synthesis, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY

A Temporary Possession: The Human Image in Twentieth-Century Photography, Museum of Art, Washington State University, Pullman, WA

Tenth Anniversary Exhibition, Focus Gallery, San Francisco, CA

Underware, The School of The Art Institute of Chicago Gallery, Chicago, IL

 

1975    

California Invitational Photography, Cypress College Art Gallery, Cypress Colors, Florida State University Art Gallery, Tallahassee, FL

Eighteen Faculty Artists, Wight Art Gallery, University of California, Los Angeles, CA

Erotica, Lamkin Camera Work Gallery, Fairfield, CT

First Annual All-California Photography Show, Laguna Beach Museum of Art, Laguna Beach, CA

History Transformed, Orange Coast College Art Gallery, Costa Mesa, CA (traveled to the Friends of Photography Gallery, Carmel, CA)

National Photography Invitational, Anderson Gallery, Virginia Commonwealth University, Richmond, VI

New American Graphics, Madison Art Center, Madison, WI

New Directions in Photography, Northeastern University Art Museum, Boston, MA 

Photography – A Sense of Timing, University of Hartford Art Museum, Hartford, CN
Pierce College Art Gallery, Woodland Hills, LA

Repeated Images, Slocum Gallery, East Tennessee State University, Johnson City, TN

Silver 70’s, University of Oregon Museum of Art, Eugene, OR

Third Annual Southern California Print and Drawing Exhibition, Santa Monica College Art Gallery, Santa Monica, CA

University of Alabama Art Gallery, Tuscaloosa, AL

University of Tennessee Art Gallery, Knoxville, TN

 

1974     

Artists’ Books, Moore College of Art, Philadelphia, PA (travelling to University of California Art Museum, Berkeley, CA)

Directions ’74, Focus Gallery, San Francisco, CA

The Fine Art of Food, Lang Art Gallery, Scripps College, Claremont, CA

First Light, Focus Gallery, San Francisco, CA

Hand-Colored Photographs, Ohio Silver Gallery, Los Angeles,CA
Language of Light, University of Kansas Museum of Art, Lawrence, KS

New Images in Photography/Object and Illusion, Lowe Art Museum, University of Miami, Coral Gables, FL

Photography ’74 – Added Dimensions, Los Angeles County Museum of Art Rental and Sales Gallery, Los Angeles, CA

Photography in America, Whitney Museum of American Art, New York, NY
Photography Unlimited, Fogg Art Museum, Harvard University, Cambridge, MA
Rip-Off Exhibition, Visual Studies Workshop, Rochester, NY

Ten American Photographers, The Photographer’s Gallery, London, UK

 

1973     

Acquisitions 1970 ñ 1973, George Eastman House, Rochester, NY

Concrete Media, University of Nevada, Las Vegas, NV

Contemporary Photographs, The Art Museum, Princeton University, Princeton, NJ (travelling to Photogenesis Gallery, Columbus, OH; Worcester Art Museum, Worcester, UK)

Emulsion ’73, Civic Arts Gallery, Walnut Creek, CA

Ideas and Images, Everson Museum of Art, Syracuse, NY

Light and Lens, Hudson River Museum, Yonkers, NY

Light and Substance, University Art Museum, University of New Mexico, Albuquerque, NY (travelling to Montgomery Gallery, Pomona College, Claremont, CA)

Magic Machines, University of California Extension Center Gallery, San Francisco, CA

Minor White, Robert Heinecken and Robert Cumming: Photograph as Metaphor/Photograph as Object/Photograph as Document of Concept, Fine Arts Gallery, California State University, Long Beach, CA

New Photographs ’73, Central Washington State College, Ellensburg, WA
Permanent Photography Collection, Pasadena, CA
Museum of Modern Art, Pasadena
Photo Phantasists, Florida
State University Art Gallery, Tallahassee, FL
Photography into Art, Camden Arts Centre, London, UK

Recent Acquisitions, Fogg Art Museum, Harvard University, Cambridge, MA
Selections from the Permanent Collection – Photography, Pasadena Museum of Modern Art, Pasadena, CA

24 from L.A., San Francisco Museum of Modern Art, San Francisco, CA

 

1972    

College of Liberal Arts Galleries, Northeast Louisiana University, Monroe, LO

Curran/Heinecken/McMillan, Orlando Gallery, Encino, CA

Los Angeles County Museum of Art Rental and Sales Gallery, Los Angeles, CA
Painting and Photography/Something in Common, Philadelphia Museum of Art, Philadelphia, PA

The Photographer as Musician, Memorial Union Art Gallery, University of California, Davis, CA

Photographics ’72, Central Washington State College, Ellensburg, WA
Photography Invitational, University of Nebraska, Lincoln, NE

Transparency ’72, University of California Extension Center Gallery, San Francisco, CA

Unique/Multiple: Sculpture/Photographs, Museum of Modern Art, New York, NY

A Photography Show, Bradley University School of Art, Peoria, IL

 

1971     

Criticís Choice, Humbolt State College, Arcata, CA

Eight Painters/Printmakers, Grunewald Graphic Arts Foundation, University of California, Los Angeles

Eight Photographers, University of Florida, Gainesville, FL

Extension to Museum Collection, Museum of Modern Art, New York, NY

Fifteen Photographers, Pensacola Junior College, Pensacola, FL

Graphic/Photographic, California State College, Fullerton, CA

Imageworks, Cambridge, MA

The Multiple Image, Massachusetts Institute of Technology (MIT) Creative Photography Gallery, Cambridge, MA (travelling to University of Rhode Island, Kingston)

New Photographics 1971, Central Washington State College, Ellensburg, WA

Photo Genics, College of Marin, Kentfield, CA

Photo Media, California State College, San Diego, CA

Photo Media, Museum of Contemporary Crafts, New York, NY

Photography Invitational 1971, Arkansas Arts Center, Little Rock, AK (travelling to University of Arkansas Arts Center Gallery, Fayetteville, AK)

The Second Sex, Museum of Modern Art, New York, NY

Twenty-Second National Exhibition of Prints, Library of Congress, Washington, D.C.

University of Nevada, Las Vegas, CA

 

1970    

American Arts Documentation Center, Exeter University, Exeter, UK

The Arrested Image, Oakland Museum of California, Oakland, CA

Artist/Photographer – Photographer/Artist, Bloomfield Art Association, Birmingham, UK

California Photographers 1970, Memorial Union Art Gallery, University of California, Davis, CA

Continuum, Downey Museum of Art, Downey, CA

Into the Seventies, Akron Art Institute, Akron, OH
Latent Image Gallery, Houston, TX

NuVues, Orlando Gallery, Encino, CA

Photography into Sculpture, Museum of Modern Art, New York, NY

Photography 70, Transylvania University, Louisville, KY

Photographic Synthesis, California College of Arts and Crafts, Oakland, CA

 

1969    

Affect/Effect, La Jolla Museum of Art, La Jolla, CA

The Film and Modern Art, Municipal Art Gallery, Barnsdall Park, Los Angeles, CA
The Manipulated Image, Lee Hall Gallery, Clemson University, Clemson, SC
Materials as Media, Live from Chicago Gallery, Chicago, IL

Nineteenth- and Twentieth-Century Photographs, Nelson-Atkins Museum of Art, Kansas City, KS

Photographs by Curran, Brown, Fichter, Heinecken, and Sievers, Sunset Canyon Recreation Center, University of California, Los Angeles, CA

Recent Acquisitions, Pasadena Museum of Art, Pasadena, CA

Rhode Island Festival of the Arts, Providence, RI

Serial/Modular Imagery, Purdue University Fine Arts Gallery, Lafayette, IN

USA in Your Heart, San Francisco Art Institute, San Francisco, CA

Vision and Expression, George Eastman House, Rochester, NY

 

1968    

Camera Work Southwest, Camera Work Gallery, Costa Mesa, CA

Contemporary Photographs 1968, Art Galleries at the University of California, Los Angeles, CA

Personal Images by 21 Photographers, N.W. Ayer Inc. Gallery, Philadelphia, PA 

Photographic Imagery – 1968, San Diego State College Gallery of Art, San Diego, CA 

Photography as Printmaking, Museum of Modern Art, New York, NY

 

1967

Contemporary Photography Since 1950, George Eastman House, Rochester, NY

The Persistence of Vision, George Eastman House, Rochester, NY

Photography for Collectors, Museum of Modern Art, New York, NY

Photography USA – 1967, De Cordova Museum and Sculpture Park, Lincoln, MA

Projected Art, Finch College Museum, Contemporary Wing, New York, NY

 

1966    

American Photography: The Sixties, Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE

Professors of Photography, University of Oregon Museum of Art, Eugene, OR

 

PUBLIC COLLECTIONS

Art Institute of Chicago, Chicago, IL

The Art Museum, Princeton University, Princeton, NJ

Baltimore Museum of Art, Baltimore, MD

Center for Creative Photography, University of Arizona, Tucson, AZ George Eastman House, Rochester, NY

High Museum of Art, Atlanta, GA

Los Angeles County Museum of Art, Los Angeles, CA

Maison EuropÈenne de la Photographie, Paris, France

Metropolitan Museum of Art, New York, NY

Museum of Contemporary Art, Chicago, IL

Museum of Contemporary Art, Los Angeles, CA

Museum of Contemporary Photography, Chicago, IL Museum of Fine Arts, Houston, TX

Museum of Modern Art, Kyoto, Japan

Museum of Modern Art, New York, NY

Museum of Photographic Arts, San Diego, CA

National Gallery of Canada, Ottawa, Canada

Polaroid Collection, Cambridge, MA

San Francisco Museum of Modern Art, San Francisco, CA
Seattle Art Museum, Seattle, WA

Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE
Spencer Museum of Art, University of Kansas, Lawrence, KS
Tokyo Metropolitan Museum of Photography, Tokyo, Japan
University of New Mexico, Albuquerque, NM

Virginia Museum of Fine Arts, Richmond, VA
Whitney Museum of American Art, New York, NY

Mousse
The Influentially Lewd Allure of Robert Heinecken by Andrew Berardini, Mousse, June 2014

Artforum
"Reality Effect: Matthew Biro on the Art of Robert Heinecken" by Matthew Biro, Artforum, October 2011

A Fine Experiment: A Tribute to Robert Heinecken
Essay by James Welling in occasion of the exhibition at Hammer Museum, Los Angeles (October 12-December 31, 2006)