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Natalie Czech, Installation view, "you see // but / you say", Heidelberger Kunstverein, Germany, 2017, Photographed by Markus Kaesler -
Natalie Czech, Installation view, "you see // but / you say", Heidelberger Kunstverein, Germany, 2017, Photographed by Markus Kaesler -
Natalie Czech, "A poem by repetition by Aram Saroyan #3" 2015, 3 Archival pigment prints, 3 frames, Part 1: 22 x 63,2 cm, Part 2: 19,2 x 63,2 cm, Part 3: 74 x 63,2 cm, Edition of 5 -
Natalie Czech, Installation view, "You are looking at something that never occurred", Zabludowicz Collection, London, UK, 2017, Photographed by Thierry Bal -
Natalie Czech, Installation view, "One can't have it both ways and both ways is the only way I want it.", CRAC Alsace, Altkirch, France, 2016, Photographed by Aurélien Mole -
Natalie Czech, Installation view, "One can't have it both ways and both ways is the only way I want it.", CRAC Alsace, Altkirch, France, 2016, Photographed by Aurélien Mole -
Natalie Czech, Installation view, "One can't have it both ways and both ways is the only way I want it.", CRAC Alsace, Altkirch, France, 2016, Photographed by Aurélien Mole -
Natalie Czech, Installation view, "Ocean of Images: New Photography 2015", Museum of Modern Art (MoMA), New York, 2015, Digital Image © 2015 The Museum of Modern Art, New York, Photographed by Thomas Griesel -
Natalie Czech, Installation view, "Eugen Gomringer &", Bielefelder Kunstverein, 2015 -
Natalie Czech, "A Critic’s Bouquet by Hili Perlson for Berlinde de Bruyckere", 2015, Archival pigment print, offset, 2 frames, Part 1: 107 x 79,4 cm, Part 2: 33 x 15,6 cm, Edition of 5 -
Natalie Czech, "A Critic’s Bouquet by Vanessa Desclaux for Marc Camille Chaimowicz", 2015, Archival pigment print, offset, 2 frames, Part 1: 107 x 79,4 cm, Part 2: 33 x 15,6 cm, Edition of 5 -
Natalie Czech, "Paperdraft", 2015 aus to [icon], Archival pigment print, 116,6 x 81 cm, Edition of 5 -
Natalie Czech, "A poem by repetition by Tom Raworth 2", 2015, 2 Archival pigment prints, 2 frames, each: 68.4 x 66.5 cm, total dimension: 68.4 x 133 cm, Edition of 5 -
Natalie Czech, "A poem by repetition by Cid Corman", 2015, 2 Archival pigment prints, 2 frames, left: 89 x 59.4 cm, right: 82.7 x 55.8 cm, total dimension: 89 x 113.4 cm, Edition of 5 -
Natalie Czech, Installation view, "Il Pleut", Palais de Tokyo, Paris, 2014 -
Natalie Czech, Installation view, "Il Pleut", Palais de Tokyo, Paris, 2014 -
Natalie Czech, "A poem by Repetition by Aram Saroyan", 2013, 3 colour-prints, 3 frames, museum glass, Ed. 5 + 2 AP, overall 98.6 x 65 cm -
Natalie Czech, "A poem by Repetition by Yunte Huang", 2013, Pen (lightfast) on 3 colour-prints, 3 frames, museum, Ed. 5 + 2 AP, overall 104.8 x 210.9 cm -
Natalie Czech, Installation view, Kunstverein Hamburg, 2013 -
Natalie Czech, Installation view, Kunstverein Hamburg, 2013 -
Natalie Czech, "A poem by Repetition by Allen Ginsberg", 2013, 3 colour-prints, 3 frames, museum glass, Ed. 5 + 2 AP, 140.1 x 243.9 cm -
Natalie Czech, "A poem by Repetition by Robert Creeley", 2013, 2 colour-prints, 2 frames, museum glass, Ed. 5 + 2 AP, overall 64.2 x 146 cm -
Natalie Czech, Installation view, Kunstverein Hamburg, 2013 -
Natalie Czech, "A poem by Repetition by Hart Crane", 2013, Pen on 2 C-Prints, 2 frames / museum glass, Ed. 5 + 2 AP, 2 parts, each: 55.6 x 45.4 cm -
Natalie Czech, Installation view, Kunstverein Braunschweig, 2013 -
Natalie Czech, "A poem by Repetition by Gregory Corso", 2013, 2 colour-prints, 2 frames, museum glass, Ed. 5 + 2 AP, overall: 64.2 x 141.6 cm -
Natalie Czech, Installation view "Made in Germany Zwei", Sprengel Museum, 2012 -
Natalie Czech, Installation view, KAI 10 / Arthena Foundation, 2011 -
Natalie Czech, Installation view, "Made in Germany Zwei", Sprengel Museum, 2012 -
Natalie Czech, Installation view, "Today I wrote nothing", 2009 -
Natalie Czech, "o.T." , C-Print, 38 x 28 cm, 2009, museum glass, framed, Series: Today I wrote nothing / Daniil Kharms -
Natalie Czech, Installation view, Kunstverein Langenhagen, 2011 -
Natalie Czech, "A small bouquet by Julien Bismuth", 2011, oil pastell on C-Print, museum glass, 85 x 60 cm, Series: A small bouquet by Frank O'Hara -
Natalie Czech, Installation view, Kunsthaus Bregenz, 2011 -
Natalie Czech, "A hidden poem by Rolf Dieter Brinkmann", 2010, Colour-print, framed behind museum glass, Ed. 5 + 1 AP, 58 x 76 cm
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NATALIE CZECH
Born in 1976, Neuss, Germany
EDUCATION
2000 – 2005
Kunstakademie Düsseldorf, Germany
Lives and works in Berlin, Germany
SOLO EXHIBITIONS
2019
Natalie Czech / Friederike Feldmann, KINDL – Zentrum für Zeitgenössische Kunst, Berlin, Germany
2018
meeting with the other as such, but still, (together with Mirjam Thomann), Bärenzwinger, Berlin,
Germany
if someone came up and started talking a poem at you how would you know it was a poem?, Kadel Willborn, Düsseldorf, Germany
Negative Calligramme, (in collaboration with John Holten), Broken Dimanche Press, Berlin, Germany2017
Heidelberger Kunstverein, Heidelberg, Germany
to icon, Capitain Petzel, Berlin, Germany
2016
gb Agency, Paris, France
One can’t have it both ways and both ways is the only way I want it., Crac Alsace – Centre Rhénan d’Art Contemporain, Altkirch, Franche
2015
My Vocabulary Did This To Me, Kadel Willborn, Düsseldorf, Germany2014
Kadel Willborn, Düsseldorf, Germany
Il Pleut, Interventions on the Building, Palais de Tokyo, Paris, France
Today I wrote Nothing, Philara, Düsseldorf, Germany
2013
I Cannot Repeat What I Hear, Capitain Petzel, Berlin, Germany
I Cannot Repeat What I Hear, Kunstverein Braunschweig, Braunschweig, Germany
I Cannot Repeat What I Hear, Kunstverein Hamburg, Hamburg, Germany
Poems by Repetition, Liste – The Young Art Fair, Basel, Switzerland (with Kadel Willborn)
2012
I have nothing to say. Only to show, Ludlow 38, New York, NY (invited by Clara Meister)
Et moi aussi je suis peintre oder Why I am not a painter, NKV Nassauischer Kunstverein, Wiesbaden, Germany
Upstairs, Galerie Kadel Willborn, Carlsruhe, Germany
Hidden Poems, Dorothea und Rudolf Zwirner, Berlin, Germany
Methodical Inquiries, Polistar, Istanbul, Turkey (invited by Övül Durmusoglu and Adnan Yildiz)
2011
Hidden Poems, Kunstverein Langenhagen, Langenhagen, Germany
A Small Bouquet, Kunstverein für die Rheinlande und Westfalen / Project space, Düsseldorf, Germany
Hidden Poems, Galerie Catherine Bastide / Project room, Brussels, Belgium
A Small Bouquet, Uqbar, Berlin, Germany (invited by Valerie Chartrain)
2010
Je n’ai rien à dire. Seulement à montrer, Galerie Katharina Bittel, Hamburg, Germany
2009
Non Visible Collages, Liste 14, The Young Art Fair, Basel, Switzerland
Kunst aus NRW / Ehemalige Reichsabtei Kornelimünster, Aachen, Germany
2008
without words would / Peter Mertes Stipendium, Bonner Kunstverein, Bonn, Germany
Time and Timing, Galerie Katharina Bittel, Hamburg, Germany
Open Space, Art Cologne, Cologne, Germany
2007
an And and and, Büro DC, Cologne, Germany (invited by Julia Moritz)
2006
Studio Kunsthalle Darmstadt
GROUP EXHIBITIONS
2019
Durch die Blume – Florale Metamorphosen, Kunstverein Heilbronn, Germany
Situations/Foto Text Data, Fotomuseum Winterthur, Switzerland
Next Generations – Aktuelle Fotografie im Rheinland, Museum Morsbroich, Germany
2018
You Are Looking at Something That Never Occurred, MAMM Museum, Moscow, Russia
SHEGO/HEGO/EGO – McEvoy Family Collection, Paris Photo, Paris, France
Pissing in a River. Again!, Künstlerhaus Bethanien, Berlin, Germany
Natalie Czech and Mirjam Thomann – meeting with the other as such, but still, Bärenzwinger, Berlin, Germany
A l’heure du dessin, 6e temps / Tracé, Château de Servières, Marseille, France
Days of Reading. Plug In ICA, Winnipeg, Manitoba, Canada
Synonymie ambiante, Frac Provence Alpes Côte d’Azur, Marseille, France
Est-ce que je me contredis? C’est entendu, alors je me contredis. (Je suis vaste, je contiens des multitudes), Frac Champagne Ardenne, France
Ghost Nets, Galeria OMR, Mexico City, Mexico
Dropping Knowledge, Mécènes du Sud, Montpellier, France
Deutschland ist keine Insel, Bundeskunsthalle, Bonn, Germany
cooperation, ad/ad, Hannover, Germany
Blooming Signals, Kunstraum München, Germany2017
Asymmetrische Architexturen, Kunstverein Düsseldorf, Germany
Flowers are Documents – Arrangement I and II, ar/ge Kunst, Bozen, Italy
Zwischen den Zeilen. Kunst in Briefen von Niki de Saint Phalle bis Joseph Beuys, Sprengel Museum, Hannover, Germany
Art and Alphabet, Kunsthalle Hamburg, Germany
You are looking at something that never occurred, Zabludowicz Collection, London, UK
Stories in your mind, Villa Merkel, Esslingen, Germany
More Than Just Words [On the poetic], Kunsthalle Vienna, Austria
Du Verbe a la Communication, La collection de Josée et Marc Gensollen, Musée d’art contemporain de Nîmes, Nîmes, France
2016
Sought Poems, Company Gallery, New York, NY
Sighs Trapped by Liars – Language in Art, KM – Halle für Kunst & Medien, Graz, Austria
… und eine Welt noch, Kunsthaus Hamburg, Germany
The Present Order, Galerie für zeitgenössische Kunst (GfZK), Leipzig, Germany
2015
No Man’s Land, Rubell Family Collection, Miami, FL, USA
Ocean of Images: New Photography 2015, MoMA – Museum of Modern Art, New York, NY
Sagen und Zeigen, Kunstverein Bamberg, Bamberg, Germany
A SPACE IS A SPACE IS A SPACE, Deutsches Architektur Zentrum, Berlin, Germany
A Perfect Match, Pinakothek der Moderne, Munich, GermanyEugen Gomringer &, Bielefelder Kunstverein, Bielefeld, Germany
Ordne und finde mit, Philara, Düsseldorf, Germany
Words to be Looked at again, Kunstverein Leipzig, Germany
Reloaded – Konkrete Positionen in der Gegenwartskunst und -literatur, Museum Weserburg, Bremen, Germany
48 Drawings, Spike Berlin, Berlin, Germany
From a Poem to the Sunset, Daimler Contemporary, Berlin, Germany
More Konzeption Conception Now, Museum Morsbroich, Leverkusen, Germany
Unendliche Bibliothek, Gebert Stiftung / Alte Fabrik, Raperswill, Czech Republic
Selbstjustiz durch Fehleinkäufe – Neuerwerbungen der Sammlung Falckenberg 2011-2014, Deichtorhallen Hamburg – Sammlung Falckenberg, Hamburg, Germany
2014
Salon distingué — Hausrat in guter Gesellschaft, Museum Langmatt, Baden, Switzerland (curated by Nadia Schneider Willen)
Music Palace – The Power of Music Seen by Visual Artists, Boghossian Foundation, Brussels, Belgium
Bielefeld Contemporary, Bielefelder Kunstverein, Bielefeld, Germany
Kunstpreis der Böttcherstrafle, Kunsthalle Bremen, Bremen, Germany
New Ways of Doing Nothing, Kunsthalle Wien, Vienna, Austria
Wiederholen, Westfälischer Kunstverein, Münster, Germany
Der Leone Have Sept Cenbeças, Crac Alsace Centre d’Art Contemporain, Altkirch, France
RE:COLLECT, Kunstpalais Erlangen, Erlangen, Germany
Skeptical Thoughts on Love, Künstlerhaus Stuttgart, Stuttgart, Germany
Conceptual and Applied III: Surfaces and Pattern, Daimler Contemporary, Berlin, Germany
Tentura and Antitentura, FKSE Studio for the Association of Young Artists, Budapest, Hungary
Villa Romana, Florence, Italy
2013
XOXO & Josh Kline, Night Gallery, Los Angeles, CA
Eine Handvoll Erde aus dem Paradies, Museum Morsbroich, Leverkusen, Germany
Die Wörter in den vier Ecken, Galerie Krobath, Berlin, Germany
The Writing is on the Wall, Jonathan Viner Gallery, London, UK
Les Ateliers des Arques, LeBourg, France (curated by Olivier Michelon)
Die Wörter in den vier Ecken, Kunstbunker Nürnberg, Nürnberg, Germany (curated by Gunter Reski)
Pro Choice, Fri Art – Centre d’art de Fribourg, Fribourg, Switzerland (curated by Valérie Chartrain, Dorothée Dupuis, Lili Reynaud-Dewar)
Letters and Words, Galerie Katharina Bittel, Hamburg, Germany
The Shadow Knows, CLEARING, Brussels, Belgium
The Feverish Library (continued), Galerie Capitain Petzel, Berlin, Germany
2012
Robert Walser – Der Spaziergang, Galerie Zink, Berlin, Germany
Made in Germany Zwei. Internationale Kunst in Deutschland, Sprengel Museum, Hannover, Germany
Why Lame Ducks When Dogs Can Fly, Arratia Beer, Berlin, Germany (Performance Evening)
Jack Goldstein Connections, KuK, Aachen, Germany (curated by Anita Beckers)
Aneignung, Fotogalerie Wien, Vienna, Austria (curated by Petra Noll)
The weight of living, MOT International, London, UK
(dis) Placements, Schaartor 1, Hamburg, Germany (curated by Belinda Grace Gardner)
Letters from Home, Pauli Ochi Gallery, Sun Valley / Pacific Design Center, Los Angeles, CA (curated by Barney Kulok)
Differenza e ripetizione, Galleria Lia Rumma, Naples, Italy (curated by Gigiotto Del Vecchio)
Fliegende Fliegen, Schloss Ringenberg, Hamminkeln, Germany (curated by Jasmin Makk)
Reflexion und Einfühlung / Reflection and Empathy, Kai 10 / Arthena Foundations, Düsseldorf, Germany (curated by Julia Höner)
I’ll explain you everythiinnngggg, Galerie Chert, Berlin, Germany
2011
Jahresgaben, Kunstverein in Hamburg, Hamburg, Germany
Yeni Aya Cevaben/Responding to the New Moon/Antworten auf den Neumond: Prologue, Galerie Tanja Wagner, Berlin, Germany (curated by Övül Durmusoglu)
Unheimlich Vertraut – Bilder des Terrors / The Uncanny Familiar – Images of Terror, C/O Berlin, Berlin, Germany (curated by Felix Hoffmann)
Anfang gut. Alles gut. / Beginning good. All good (Actualisations of the Futurist opera „Victory over the sun“ (1913)), Kunsthaus Bregenz / KUB Arena, Bregenz, Austria (curated by Eva Birkenstock, Nina Köller and Kerstin Stakemeier)
Change of Scene, Der Schacht, Frankfurt, Germany (in collaboration with Alex Müller)
Museum Baden, Solingen, Germany
Commercial Break, Venice, Italy (curated by Neville Wakefield and organized by Garage Center Moscow)
Gemini Show, West Germany, Berlin, Germany
Visions on Film (screening), Deichtorhallen, Hamburg, Germany
FAX, Carpenter Center for the Visual Arts, Cambridge, UK (co-organized by The Drawing Center and ICI, NY)
2010
Der diskrete Charme des blinden Flecks, Westfälischer Kunstverein, Münster, Germany (curated by Katja Schröder)
Benefit of the doubt/ Le bénéfice du doute, Hôtel Fontfreyde, Clermont-Ferrand, France (curated by Aude Itting)
Milk Drop Coronet, Kunsthaus Graz / Camera Austria, Graz, Austria (curated by Reinhard Braun und Maren Lübbke-Tidow)
Landschaft ohne Horizont / Landscape without horizon, Ausstellungsprojekt der Galerien Katharina Bittel und Karin Guenther Museum Schloss Moyland Reemtsma Haus, Hamburg, Germany (curated by Bettina Paust)
Amor Parvi oder Die Liebe zum Kleinen, Kunstverein Langenhagen, Langenhagen, Germany (curated by Oliver Tepel)
Plat(t)form 10, Fotomuseum Winterthur, Winterthur, Switzerland
Ins Blickfeld gerückt, Institut francais, Berlin, Germany (curated by Gaelle Baoucand and Francisca Würz)
2009
7×2, Strausberger Platz 19, Berlin, Germany
Körpermuster, during the Photo Festival Images Recalled, Kunsthalle Mannheim, Mannheim, Germany (curated by Esther Ruelfs and Tobias Berger)
Art Forum Focus, Berlin (together with Oystein Aasan)
Grid & Line, Galerie Katharina Bittel, Hamburg, Germany
Hardly Anything, Upstairs, Berlin, Germany (curated by Christine Nippe)
Zeigen. Eine Audiotour, Temporäre Kunsthalle Berlin, Germany (curated by Karin Sander)
2008
A Sorry Kind of Wisdom, Perry Rubenstein Gallery, New York, NY
La Filature, Mulhouse, France
The Ubiquitous Image, New York Photo Festival, New York, NY (curated by Lesley A. Martin) *
Jahresgaben, Kölnischer Kunstverein, Köln, Germany; Bonner Kunstverein, Bonn, Germany; Kunstraum Düsseldorf, Düsseldorf, Germany (together with Andreas Fischer) *
2007
Jahresgaben, Museum Abteiberg, Mönchengladbach, Germany
Great Expectations / Große Erwartungen, Union Gallery, London, UK (curated by Annja Theobald and René Schmitt)
Erscheinen / Verschwinden – Ein deutsches Album, Gallery of Contemporary Art Bunkier Sztuki, Krakow, Poland; Galerie Condé, Paris, France (curated by Michael Staab) *
Surreal, Galerie Jette Rudolph, Berlin, Germany
Nach dem Sputnik, KIT – Kunst im Tunnel, Düsseldorf, Germany *
2006
Stadtwerke, Kunsthalle Darmstadt, Germany
ReGeneration, Aperture Gallery, New York, NY *
Arbeitsplätze, Kunstverein Heidelberg; Museum der Arbeit, Hamburg, Germany*
2005
ReGeneration – 50 Photographers of Tomorrow, Musée de l’Elysée, Lausanne, France *
Rencontres Internationales de la Photographie Arles, France *
work places, Bundeskunsthalle, Bonn, Germany *
Regarding Düsseldorf, 701 e.V., Düsseldorf, Germany *
2002
Andere Räume, Kunstverein in Hamburg, Germany (curated by Yilmaz Dziewior) *
2001
einparken, Neuer Aachener Kunstverein, Aachen, Germany
Neue Besen kehren gut, Städtische Galerie Wolfsburg, Germany *
SCHOLARHIPS / AWARDS / RESIDENCIES
2014
Villa Romana Preis, Florence, Italy2013
Ateliers des Arques, Residency, Les Arques, France2012
Ellen Auerbach scholarship for Photography, Akademie der Künste Berlin, Berlin, Germany2011
Kunstfonds Katalogförderung für ausstellungsunabhängige Projekte, Stiftung Kunstfonds, Bonn, Germany2010
Alfried Krupp von Bohlen und Halbach Stipendum für „Zeitgenössische Fotografie“, Essen, Germany2008
Förderpreis für junge Kunst des Landes NRW, Düsseldorf, Germany
Förderpreis Bildende Kunst der Stadt Düsseldorf, Germany2007
Peter Mertes Stipendium, Bonner Kunstverein, Bonn, GermanyArbeitsstipendium Stiftung Kunstfonds e.V., Bonn, Germany
Else-Heiliger Fond, Arbeitsstipendium, Sankt Augustin, Germany2006
Kunstpreis Berlin – Förderpreis Bildende Kunst der Akademie der Künste, Berlin, Germany
2005
Arbeitsstipendium der Kunststiftung NRW, Düsseldorf, Germanyart pressNatalie Czech, by Vanessa Desclaux, art press, June, 2016
ApertureNatalie Czech, by Drew Sawyer, Aperture, Issue no 217, Winter 2014
Natalie Czech"Natalie Czech" by Rachel Valinksy, BOMB, October 22, 2014
SLEEKNatalie Czech. Capturing the Poetry of Synaesthesia, Sleek Nr. 41, Spring 2014
AD Architectural DigestZwischen den Zeilen, by Barbara Gärtner, AD, February 2014
KunstforumNatalie Czech, by Jens Asthoff, Kunstforum International, # 223, October 2013
Frieze D/ENatalie Czech, by Christy Lange, Frieze D/E, September - October 2012
Mousse MagazineNatalie Czech - Hidden Poems, Interview with Gigiotto Del Vecchio, Mousse Magazine 32 / March 2012
Camera AustriaA Lover's Distance / Fragment einer Sprache der Liebe, by Barry Schwabsky, Camera Austria International, no. 118, 2012
Camera AustriaReadings of Images - Photography of Natalie Czech / Bildlektüren - Fotografien von Natalie Czech, by Jens Asthoff, Camera Austria International, no. 118, 2012
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