• Walead Beshty, "All the World’s Futures", Installation view La Biennale di Venezia, Venice, Italy, photo: Roberto Marossi
  • Walead Beshty, "Luchas Fraticidas (March 2–8, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico)", 2015, Ceramica Suro slip cast remnants, glaze, and firing plates, Installation view La Biennale di Venezia, Venice, Italy, photo: Roberto Marossi
  • Walead Beshty, "A Partial Disassembling of an Invention without a Future: Helter-Skelter and Random Notes in which the Pulleys and Cogwheels are Lying around at Random All over the Workbench", 2014 – 2015, Installation view Curve Gallery, Barbican Centre, London, UK, photo: Justin Piperger
  • Walead Beshty, "A Partial Disassembling of an Invention without a Future: Helter-Skelter and Random Notes in which the Pulleys and Cogwheels are Lying around at Random All over the Workbench", 2014 – 2015, Installation view Curve Gallery, Barbican Centre, London, UK, photo: Justin Piperger
  • Walead Beshty, "White Curl (CMY/Four Magnet: Los Angeles, California, February 27th 2013, Fuji Color Crystal Archive Super Type C, Em. No. 166-016, 05613)", 2013, color photographic paper, 132.1 x 269.9 cm / 52 x 106.3 in, photo: Walead Beshty Studios
  • Walead Beshty, "Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: October 22 - October 26 , 2013 LAX/DFW/DFW/LAX]", 2013, Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper, 116.8 x 152.4 cm / 46 x 60 in, photo: Walead Beshty Studios
  • Walead Beshty, "Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: October 22 - October 26 , 2013 LAX/DFW/DFW/LAX]", 2013, Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper, 116.8 x 152.4 cm / 46 x 60 in, photo: Walead Beshty Studios
  • Walead Beshty, "Copper (Fedex® Golf-Bag Box 2010 FedEx 163166 REV 10/10) Standard Overnight, Glendale-Los Angeles trk#798886320028, September 5-6, 2012, Standard Overnight, Los Angeles-Miami Beach trk#800983717784, December 1-3", 2012, polished copper, accrued FedEx shipping and tracking labels, 38.1 x 38.1 x 121.9 cm / 15 x 15 x 48 in, photo: Brian Forrest
  • Walead Beshty, "Securities and Exchanges", 2011, Installation view Ullens Center for Contemporary Art, Beijing, photo: Walead Beshty Studios
  • Walead Beshty, "Copper Surrogates (September 20-23/November 21-23, 2011, Beijing, China, June 13-18/November 21, 2012 Los Angeles, California)", 2011, polished copper, 189.9 x 90.2 x 3.8 cm / 74.8 x 35.5 x 1.5 in, photo: Walead Beshty Studios
  • Walead Beshty, "A Diagram of Forces", 2011, Installation view Malmö Konsthall, Malmö, Sweden, photo: Helene Toresdotter
  • Walead Beshty, "A Diagram of Forces", 2011, Installation view Malmö Konsthall, Malmö, Sweden, photo: Helene Toresdotter
  • Walead Beshty, "Picture Made by My Hand with the Assistance of Light", 2011, black and white fiber based photographic paper, 143.5 x 280.7 cm / 56.5 x 110.5 in, photo: Brian Forrest
  • Walead Beshty, "Copper Remnant (FedEx® Tube ©2005 FEDEX 139752 REV 10/05 SSCC, Glendale, California, September 2, 2011)" (detail), 2011, polished copper, 243.8 x 121.9 cm / 96 x 48 in, photo: Brica Wilcox
  • Walead Beshty, "Selected Works (2009–2011/November 15th 2010 – March 16th 2011)", 2011, color photographic paper, black and white fiber-based photographic paper, archival inkjet papers, 129.5 x 228.6 cm / 51 x 90 in, photo: Brian Forrest
  • Walead Beshty, "A Diagram of Forces", 2011, Installation view Malmö Konsthall, Malmö, Sweden, photo: Helene Toresdotter
  • Walead Beshty, "A Diagram of Forces", 2011, Installation view Malmö Konsthall, Malmö, Sweden, photo: Helene Toresdotter
  • Walead Beshty, "Southwyck Mall (Fountain View), Toledo, OH. Est. 1972, Demo. 2008", 2011, Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper, 55.9 x 39.4 cm / 22 x 15.5 in, photo: Walead Beshty Studios
  • Walead Beshty, "Randall Park Mall (View of Fountain), North Randall, OH. Est. 1976", 2011, Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper, 55.9 x 39.4 cm / 22 x 15.5 in, photo: Walead Beshty Studios
  • Walead Beshty, "Make-Ready 1 (Walead Beshty: Selected Correspondences 2001-2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4 – 6, 2010)", 2010, Four-color offset on coated paper, bound, 24.1 x 29.2 cm / 9.5 x 11.5 in, photo: Walead Beshty Studios
  • Walead Beshty, "Copper Tube (FedEx Tube 2005 FEDEX 139752 REV 10/05 SSCC), International Priority, Los Angeles-Paris trk#796334037867, October 12-14, 2010", 2010, polished copper, accrued FedEx shipping and tracking labels, 15.2 x 15.2 x 101.6 cm / 6 x 6 x 40 in, photo: Brian Forrest
  • Walead Beshty, "Black Curl (CMY/Five Magnet: Irvine, California, March 25th 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 04910)", 2010, color photographic paper, 132.1 x 283.2 cm / 52 x 111.5 in, photo: Brian Forrest
  • Walead Beshty, "Three Color Curl (CMY/Five Magnet: Irvine, California, January 2nd 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 09110)", 2010, color photographic paper
    132.1 x 276.9 cm / 52 x 109 in, photo: Brian Forrest
  • Walead Beshty, "Legibility on Color Backgrounds", 2009, Installation view Hirshhorn Museum and Sculpture Garden, Washington, DC, photo: James Ewing
  • Walead Beshty, "Wide-format Inkjet Printer (Epson), Los Angeles, California, July 25th 2008", 2009, Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper, 66 x 98.4 cm / 26 x 38.7 in, photo: James Ewing
  • Walead Beshty, "Fabricator (JD), Glendale. California, July 9th 2008", 2009, Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper, 66 x 98.4 cm / 26 x 38.7 in, photo: James Ewing
  • Installation view, Altermodern: 2009 Tate Triennial, 2009, Tate Britain, London, photo: Sam Drake, Tate Photography
  • Installation view, 2008 Biennial Exhibition, 2008, Whitney Museum of American Art, New York, photo: Mark Woods
  • Installation view, 2008 Biennial Exhibition, 2008, Whitney Museum of American Art, New York, photo: Mark Woods
  • Walead Beshty, "Travel Picture Sunset [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27-April 3, 2006]
    *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000", 2006/2008, chromogenic print, 225.1 x 127 cm / 88.6 x 50 in, photo: Richard Ivey

WALEAD BESHTY

 

Born 1976, London, UK

 

EDUCATION

 

2002

MFA, Yale University School of Art, New Haven, CT

 

1999

BA, Bard College, Annandale-on-Hudson, NY

 

SOLO EXHIBITIONS

 

2016

Automat, Galerie Eva Presenhuber, Zurich, Switzerland

 

2015

Walead Beshty, Great Hall Exhibition, Institute of Fine Arts, New York University, New York, NY

Disponible, Travesía Cuatro, Guadalajara, Mexico

Walid AlBeshti, Regen Projects, Los Angeles, CA

 

2014

Gastarbeiten, Capitain Petzel, Berlin, Germany

Performances under Working Conditions, Petzel, New York, NY

Marginalia, Thomas Dane Gallery, London, UK

A Partial Disassembling of an Invention without a Future: Helter-Skelter and Random Notes in which the Pulleys and Cogwheels are Lying around at Random All over the Workbench, Curve Gallery, Barbican Centre, London, UK

Selected Bodies of Work, Regen Projects, Los Angeles, CA

 

2013

Walead Beshty, 8 rue Saint-Bon, Paris, France

Fair Use, Power Station, Dallas, TX (Ex. cat)

 

2012

Travel Pictures, Thomas Dane Gallery, London, UK

 

2011

PROCESSCOLORFIELD, Regen Projects, Los Angeles, CA

A Diagram of Forces, Malmö Konsthall, Malmö, Sweden (Ex. cat)

A Diagram of Forces, Centro de Arte Dos de Mayo, Madrid, Spain (Ex. cat)

Securities and Exchanges, Ullens Center for Contemporary Art, Beijing, China

Diapositives, Galerie Rodolphe Janssen, Brussels, Belgium

 

2009

Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, Washington, DC

Pulleys, Cogwheels, Mirrors, and Windows, University of Michigan Museum of Art, Ann Arbor, MI (Ex. cat)

Popular Mechanics, Wallspace, New York, NY

Passages, LAXART, Los Angeles, CA

Production Stills, Thomas Dane, London, UK

 

2008

Science Concrète, China Art Objects Galleries/Redling Fine Art, Los Angeles, CA

Industrial Pictures, Galerie Rodolphe Janssen, Brussels, Belgium

 

2007

The Grey Cloth, Das Institut im Glaspavillon/Galerie Meerrettich, Berlin, Germany

 

2006

The Maker and the Model, Wallspace, New York, NY

Hammer Project: Walead Beshty, EMBASSY! (a dismal science waiting room), Armand Hammer Museum of Art, Los Angeles, CA

 

2005

Parks, Hotels & Palaces, China Art Objects Galleries, Los Angeles, CA

 

2004

The Body-Body Problem, Wallspace, New York, NY

The Phenomenology of Shopping and Dead Malls, P.S.1 Contemporary Art Center, Long Island City, NY (curated by Bob Nickas)

 

TWO AND THREE PERSON EXHIBITIONS

 

2014

Crystal Voyager, collaboration with Kelley Walker, Paula Cooper Gallery, New York, NY

Hardbody Software, collaboration with Kelley Walker, Redling Fine Art, Los Angeles, CA

 

2012

I’m thinking how happy I am: Lutz Bacher, Walead Beshty, Euan Macdonald, Western Bridge, Seattle, WA

 

2010

Later Layer, collaboration with JohnstonMarklee Architects, Istituto Italiano di Cultura, Los Angeles, CA

 

2009

Plug n Play, Walead Beshty & Karl Haendel, Redling Fine Art, Los Angeles, CA

Play With Your Own Marbles: Walead Beshty, Karl Haendel, Patrick Hill, Noma Gallery, San Francisco, CA (curated by Betty Nguyen)

Walead Beshty, Kelley Walker, Christopher Williams, China Art Objects Galleries, Los Angeles, CA

 

2008

Walead Beshty & James Welling, The Suburban, Oak Park, IL

 

GROUP EXHIBITIONS

 

2016

Making & Unmaking, Camden Arts Centre, London, United Kingdom (curated by Duro Olowu)

Pièces Meublés, Galerie Patrick Seguin, Paris, France (curated by Bob Nickas)

Emanations: The Art of the Cameraless Photograph, Govett- Brewster Art Gallery, New Plymouth, New Zealand (curated by Geoffrey Batchen)

El Orden Natural De Las Cosas, Museo Jumex, Mexico City, Mexico
The Space Between, Massachusetts Museum of Contemporary Art, North Adams, Massachusetts

Takashi Murakami’s Superflat Collection—From Shōhaku and Rosanjin to Anselm Kiefer—, Yokohama Museum of Art, Yokohama, Japan

 

2015

All the World’s Futures, curated by Okwui Enwezor, 56th International Art Exhibition, La Biennale di Venezia, Venice, Italy 

Everything Must Go, Lewis Glucksman Gallery, University College Cork, Ireland

Blind Architecture, curated by Douglas Fogle, Thomas Dane Gallery, London, United Kingdom

At the Hub of Things: New Views of the Collection, New Skin, curated by Massimiliano Gioni, Aïshti Foundation, Beirut, Lebanon

Arrêter de me copier, FRAC Nord-Pas-de-Calais, Dunkirk, France

Selections from MOCA’s Permanent Collection, curated by Helen Molesworth, The Museum of Contemporary Art, Los Angeles, CA

Artists at Work, Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, Palo Alto, CA

A Blind Man in His Garden, POOL at LUMA/Westbau, Zurich, Switzerland

After Picasso: 80 Contemporary Artists, Wexner Center for the Arts, Columbus, OH

Threads: A Fantasmagoria about Distance, curated by Nicolas Bourriaud, 10th Kaunas Biennial, M.K. Čiurlionis National Museum of Art, Kaunas, Lithuania

No Place Like Home: Selections from the Sue and John Wieland Collection of Contemporary ArtBrigham Young University Museum of Art, Provo, UT

Old News (again), curated by Jacob Fabricius, Le Centre National Édition Art Image, Chatou, France

Open Rhapsody, Beirut Exhibition Center, Beirut, Lebanon

An Imprecise Science, curated by Alexia Glass-Kantor with Talia Linz, Artspace, Sydney, Australia

Atopolis, Wiels at Mons 2015, Manège de Sury, Mons, Belgium 

Picasso in Contemporary Art, Deichtorhallen Hamburg, Germany

75 Gifts for 75 Years, Walker Art Center, Minneapolis, MN

Revelations: Experiments in Photography, Media Space, Science Museum, South Kensington, United Kingdom

Repetition and Difference, The Jewish Museum, New York, NY 

Works on Paper, Galerie Eva Presenhuber, Zurich, Switzerland

Linear Abstraction, curated by Alexandra Sachs and Aaron Levi Garvey, Gutstein Gallery, Savannah College of Art and Design, Savannah, GA

Partial Presence, Zabludowicz Collection, London, United Kingdom

Stars + Stripes: American Art of the 21st Century from the Goldberg Collection, Bathurst Regional Art Gallery, Bathurst, Australia / Grafton Regional Art Gallery, Grafton, Australia / Manly Art Gallery and Museum, Sydney, Australia / Cowra Regional Art Gallery, Cowra, Australia / Manning Regional Art Gallery, Taree, Australia / Western Plains Cultural Centre, Dubbo, Australia / Wagga Wagga Art Gallery, Wagga Wagga, Australia / Latrobe Regional Art Gallery, Morwell, Australia / Ipswich Art Gallery, Ipswich, Australia 

Damage Control: Art and Destruction Since 1950, curated by Kerry Brougher and Russell Ferguson, Kunsthaus Graz, Austria

 

2014

Melting Walls: The Babel Trilogy, University of Tel Aviv, Tel Aviv, Israel (curated by Sarit Shapira)

Beneath the Surface, De La Cruz Collection Contemporary Art Space, Miami, FL

Blackout, Galerie Rodolphe Janssen, Brussels, Belgium

Looking at Process, De La Cruz Collection Contemporary Art Space, Miami, FL

Damage Control: Art and Destruction Since 1950, Musée d’Art Moderne Grand-Duc Jean, Luxemburg City, Luxembourg (curated by Kerry Brougher and Russell Ferguson)

A World of Its Own: Photographic Processes in the Studio, Museum of Modern Art, New York, NY

Batalhão de Telegrafistas, Galeria Jaqueline Martins, São Paulo, Brazil (curated by Fernando Oliva and Tobi Maier)

Performance: Contemporary Photography from the Douglas Nielsen Collection, Center for Creative Photography, University of Arizona, Tucson, AZ (curated by Joshua Chuang)

Metal, Middlesbrough Institute of Modern Art, Middlesbrough, UK

Trouble with the Index, California Museum of Photography, University of California Riverside, Riverside, CA

Comic Future, Wexner Center for the Arts, Columbus, OH

 

2013

Test Pattern, Whitney Museum of American Art, New York, NY

Comic Future, Ballroom Marfa, Marfa, TX

Landscape into Abstraction, Orange County Museum of Art, Newport Beach, CA

Damage Control: Art and Destruction Since 1950, Hirshhorn Museum and Sculpture Garden, Washington, DC (curated by Kerry Brougher and Russell Ferguson)

More American Photographs, California Museum of Photography, University of California Riverside, Riverside, CA (curated by Jens Hoffman)

Museum of Modern Art and Western Antiques: Department of Light Recordings: Section IV: Lens Drawings, Marian Goodman Gallery, Paris, France (curated by Jens Hoffman)

Lat. 41′ 7” N. Long. 72′ 19” W., Martos Gallery, New York, NY (curated by Bob Nickas)

Transforming the Known: Works from the Bert Kreuk Collection, Gemeente Museum Den Haag, The Hague, The Netherlands

Ange de l’Histoire, Ecole Nationale Supérieure des Beaux Arts, Paris, France (curated by Nicolas Bourriaud)

Fragile, Le Stanze del Vtro, San Giorgio Maggiore, Venice, Italy

POST, Kunsthal Charlottenborg, Copenhagen, Denmark (curated by Jacob Fabricius)

Pattern: Follow the Rules, Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, MI

White Cube, Green Maze: New Art Landscapes, Yale School of Architecture Gallery, New Haven, CT (with JohnstonMarklee Architects)

More American Photographs, Wexner Center for the Arts, Columbus, OH (curated by Jens Hoffman)

0 to 60: The Experience of Time through Contemporary Art, North Carolina Museum of Art, Raleigh, NC

Correspondences, Espace Louis Vuitton, Paris, France

Walead Beshty: Untitled (Rose Art Museum, Brandeis University: Waltham, Massachusetts, February 12 – June 9, 2013), in conjunction with On the Matter of Abstraction (figs. A & B): Parallel Exhibitions of Post-War Non-Figurative Art from the Collection, Rose Art Museum, Brandeis University, Waltham, MA

 

2012

The Endless Renaissance, Bass Museum of Art, Miami Beach, FL

Only part of us will ever touch parts of others, Galerie Thaddaeus Ropac, Paris, France (curated by Timothee Chaillou)

White Cube, Green Maze: New Art Landscapes, Carnegie Museum of Art, Pittsburgh, PA (with JohnstonMarklee Architects)

The Revolution Must Be Made Little by Little, Galeria Raquel Arnaud, São Paulo, Brazil

Inaugural Exhibition of Gallery Artists, Regen Projects, Los Angeles, CA

9th Shanghai Biennale 2012, Walead Beshty, Los Angeles Pavilion, Shanghai, China

OC Collects, Orange County Museum of Art, Newport Beach, CA

Theatre of Thought, Bonnefantenmusem, Maastricht, The Netherlands

Foreigners Everywhere, Jewish Museum, Vienna, Austria (curated by Ami Barak)

Troubling Space: The Summer Sessions, Zabludowicz Collection, London, United Kingdom (curated by Helga Just Christoffersen and Natasha Llorens)

More American Photographs, Museum of Contemporary Art, Denver, Denver, CO (curated by Jens Hoffman)

Inside Out and From the Ground Up, Museum of Contemporary Art, Cleveland, Cleveland, OH

Abstract Everyday – Everyday Abstract, James Cohan Gallery, New York, NY (curated by Matthew Higgs)

When Attitudes Became Forms, Becomes Attitude, CCA Wattis Institute, San Francisco, CA (curated by Jens Hoffman)

Status, Fotomuseum Winterthur, Zurich, Switzerland

Affective Turns?, Pepin Moore, Los Angeles, CA (organized by Phil Chang)

I Think and That is All I Am, Thomas Duncan Gallery, Los Angeles, CA

Out of Control, NEST, Den Haag, The Netherlands

Devouring Time, Western Bridge, Seattle, WA

Signed, Sealed, Delivered, Zach Feuer Gallery, New York, NY

 

2011

Benefit for the Student Mobilization Committee to End the War in Vietnam, Redling Fine Art, Los Angeles, CA

Antidote 7, Galerie des Galeries, Paris, France

Videowatercolors: Carel Balth Among His Contemporaries at the Henry Art Gallery, Henry Art Gallery, University of Washington, Seattle, WA

The More Things Change, San Francisco Museum of Modern Art, San Francisco, CA

More American Photographs, CCA Wattis Institute, San Francisco, CA (curated by Jens Hoffman)

the boy who robbed you a few minutes before arriving at the ball, Galerie Gisela Capitain, Cologne, Germany (curated by Kelley Walker)

Human Nature, Los Angeles County Museum of Art, Los Angeles, CA

Elements of Chance, 2011 Montréal Biennale, Montréal, QC

After Images, Musée Juif de Belgique, Brussels, Belgium (Ex. cat, curated by Fionn Meade)

Intimate Bureaucracies: Art and the Mail, University of Essex, Colchester, United Kingdom

Black Swan: The Exhibition, Regen Projects, Los Angeles (curated by Dominic Sidhu)

The Smithson Effect, Utah Museum of Fine Art, Salt Lake City, UT

Anti-Photography, Focal Point Gallery, Southend-on-Sea, UK (curated by Duncan Woolridge)

Catalogue of the Exhibition, Triple V, Paris, France (curated by Bob Nickas)

 

2010

Bedtime for Bonzo, M+B, Los Angeles, CA (curated by Matthew Porter)

Pleated Blinds, Petach Tikva Museum, Tel Aviv, Israel (Ex. cat, curated by Ory Dessau)

Let’s Dance, Musee d’Art Contemporain du Val-de-Marne, Vitry-sur-Seine, France (Ex. cat)

Vortexhibition Polyphonica, Henry Art Gallery, University of Washington, Seattle, WA

Milk Drop Coronet, Camera Austria, Graz, Austria

Art on Paper Biennial, Weatherspoon Art Museum, University of North Carolina at Greensboro, Greensboro, NC

One Fine Morning in May…, Gesellschaft für Aktuelle Kunst, Bremen, Germany

At Home / Not at Home: Works from the Collection of Martin and Rebecca Eisenberg, Center for Curatorial Studies Hessel Museum of Art, Bard College, Annandale-on-Hudson, NY (Ex.cat, curated by Matthew Higgs)

The Traveling Show, Fundación/Colección Jumex, Ecatepec, Mexico

I Want to See How You See, Julia Stoschek Collection, Deichtorhallen Hamburg, Hamburg, Germany (Ex. cat)

Haunted: Contemporary Photography/Performance/Video, Solomon R Guggenheim Museum, New York / Solomon R Guggenheim Museum, Bilbao (Ex.cat, curated by Jennifer Blessing and Nat Trotman)

Karl Haendel & Walead Beshty, Sheree Hovsepian, Barbara Kasten, Monique Meloche Gallery, Chicago, IL, (collaboration with Karl Haendel)

Photogenic, Blanket, Vancouver, Canada

De Rigueur, Richard Telles Fine Art, Los Angeles, CA

Infinite Fold, Galerie Thaddaeus Ropac, Paris, France

A Very, Very Long Cat, Wallspace, New York, NY

 

2009

Radical Autonomy, Le Grand Café, Centre d’Art Contemporain, Saint-Nazaire, France

Noise, Galerie Sfeir-Semler, Beirut, Lebanon (curated by Negar Azimi)

Proposal (Nacht Und Träume) for Stavanger, Galleri Opdahl, Stavanger, Norway (curated by Vincent Honoré)

Hyperborean Manners, Rob Tufnell, London, United Kingdom

New Photography: 2009, The Museum of Modern Art, New York, NY (curated by Eva Respini)

Radical Autonomy, Le Grand Café, Centre d’Art Contemporain, St. Nazaire, France (curated by Arno van Roosmalen)

Prune – Abstracting Reality, Fotografiemuseum Amsterdam, Amsterdam, the Netherlands (curated by Kathy Ryan)

Elements of Photography, The Museum of Contemporary Art, Chicago, IL (curated by Michael Green)

FIVE: Walead Beshty, Matthew Brannon, Wade Guyton, Sterling Ruby, and Kelley Walker, Baibakov Projects, Moscow, Russia

Still Revolution: Suspended in Time, Museum of Contemporary Canadian Art, Ontario, Canada (curated by David Liss and Bonnie Rubenstein)

Our Mirage, Art:Concept, Paris, France

Phot(o)bjects, Presentation House Gallery, Vancouver, Canada (curated by Bob Nickas)

Altermodern: The Tate Triennial, The Tate Britain, London, UK (curated by Nicolas Bourriaud)

The Space of the Work and the Place of the Object, Sculpture Center, Long Island City, NY

A Twilight Art, Harris Lieberman Gallery, New York, NY

Photography in the Abstract, Lora Roberts Gallery, Austin, TX (curated by Maureen Mahony)

To Be Determined, Andrew Kreps, New York, NY

The Photographic Object: between sculpture and photography, The Photographer’s Gallery, London, UK (curated by Clare Grafik)

 

2008

Now You See It, Aspen Art Museum, Aspen, CO (Ex. cat, curated by Heidi Zuckerman Jacobson)

Objects of Value, Miami Art Museum, Miami, FL (curated by Rene Morales)

The World Is All That Is The Case, Hudson Franklin, New York, NY (curated by Arthur Ou)

California Biennial, The Orange County Museum of Art, Newport Beach, CA/Estacion, Tijuana, Mexico (Ex. cat, curated by Lauri Firstenberg)

Number Two: Fragile, Julia Stoschek Collection, Dusseldorf, Germany (Ex.cat)

Signs of the Time, The Whitney Museum of American Art, New York, NY (curated by Elisabeth Sussman)

The Light of the Virgo, China Art Objects Galleries, Los Angeles, CA

the sickness of the hunting, Musée d’Art Moderne et d’Art Contemporain, Nice, France (Ex. cat, curated by Gilbert Perlein)

Word Event (After George Brecht), Kunsthalle Basel, Basel, Switzerland (curated by Maxine Kopsa and Roos Gortzak)

Los Angeles Confidential, Centre d’Art Contemporain, San Léger, France (curated by Sandra Patron)

Open Sky, Kunstverein Medienturm, Graz, Austria

No Room, Christopher Grimes Gallery, Los Angeles, CA (curated by Mark Lee and Sharon Johnston)

When a clock is seen from the side it no longer tells the time, Johann Koenig, Berlin, Germany

Please Stay Out We’re Open, Redling Fine Art, Los Angeles, CA

Recent Acquisitions, Museum of Contemporary Art Chicago, Chicago, IL

Biennial Exhibition, The Whitney Museum of American Art, New York, NY (Ex. cat, curated by Henriette Huldisch and Shamim M. Momin)

Facebook: Images of People in Photographs from the Collection, Frances Lehman Loeb Art Center, Poughkeepsie, NY (curated by Mary-Kay Lombino)

Past-Forward, Project Space 176, The Zabludowicz Collection, London, United Kingdom (Ex. cat, curated by Vincent Honoré)

Le Retour, Nice & Fit, Berlin, Germany

The Unfair Fair, 1:1 Projects, Rome, Italy (Ex. cat)

 

2007

Recent Acquisitions, the Whitney Museum of Art, New York, NY

From a Distance, Wallspace, New York, NY (curated by Vincent Honoré)

Meanwhile in Baghdad, The Renaissance Society, Chicago, IL (curated by Hamza Walker)

I am Eyebeam, Gallery 400 at the University of Illinois at Chicago, Chicago, IL (organized by Melanie Schiff and Lorelei Stewart)

Anything You Want: Walead Beshty, Anne Collier, Annette Kelm, Pump House Gallery, London, UK

88:88, The Project, New York, NY

Concrete Works, Mitchell-Innes & Nash, New York, NY

Radiant City, Cherry and Martin, Los Angeles, CA

Between Two Deaths, Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe, Germany (Ex. cat, curated by Ellen Blumenstein and Felix Ensslin)

Imaging & Imagining California, The Orange County Museum of Art, Newport, CA

The Trans-Aestheticization of Daily Life, UCR Sweeney Gallery, Riverside, CA (curated by Peter Zellner)

The Backroom, La Celda Contemporanea, Mexico City, Mexico, and Kadist Art Foundation, Paris, France (curated by Magali Arriola, Kate Fowle and Renaud Proch)

Secretariat, Aftermodern, San Francisco, CA (curated by Geof Oppenheimer)

Out of Body, Level B Gallery, Deutsche Bank, New York, NY

Hammer Contemporary Collection Part I, Armand Hammer Museum of Art, Los Angeles, CA

Spectral Evidence, The Rotunda Gallery, New York, NY (curated by Steven Lam)

 

2006

Looking Back: The White Columns Annual, White Columns, New York, NY (curated by Matthew Higgs)

The California Biennial, Orange County Museum of Art, Newport Beach, CA (Ex. cat, curated by Elizabeth Armstrong, Karen Moss, and Rita Gonzalez)

Chaos or Control, Perloff Hall, UCLA School of Architecture Gallery, Los Angeles, CA (curated by James Welling)

Dice Thrown (will never annul chance), Bellwether, New York, NY (curated by João Ribas and Becky Smith)

Walead Beshty, Roe Etheridge, Philip Lorca-diCorcia, Stephen Shore, Christopher Williams, Galerie Rodolphe Janssen, Brussels, Belgium

Bring the War Home, Elizabeth Dee Gallery, New York/ QED, Los Angeles (curated by Drew Heitzler)

Walead Beshty, Kim Fisher, John Pylypchuk, Pae White, China Art Objects Galleries, Los Angeles, CA

Studio City, Tal Esther Gallery, Tel Aviv, Israel / Pescali & Sprovieri, London, UK (curated by Efrat Shalem)

 

2005

The New City: Sub/Urbia in Recent Photography, The Whitney Museum of American Art, New York, NY (curated by Christina Kukielski)

Champion Fine Art: 2003-2005, Art 2102, Los Angeles, CA (curated by Drew Heitzler and Flora Wiegmann)

The Back Room, Los Angeles, CA (curated by Magali Arriola, Kate Fowle and Renaud Proch)

Rub out the Word, d.u.m.b.o. arts center, New York, NY (curated by Michael Wilson)

Gallery Exchange, Bowie Van Valen, Amsterdam, The Netherlands (with China Art Objects Galleries)

Precious Moments, Joymore, Brooklyn, NY (curated by Josh Kline)

Post No Bills, White Columns, New York, NY (curated by Matthew Higgs)

Bebe le Strange, D’Amelio Terras, New York, NY (curated by Rachel Uffner and Barb Choit)

Sugartown, Participant Inc., New York, NY

Bucolica, Wallspace, New York, NY

Walead Beshty, Sean Landers, Erlea Maneros, JP Munroe, and Andy Ouchi, China Art Objects Galleries, Los Angeles, CA

The ArtReview 25: Emerging US Artists, Phillips, de Pury & Company, New York, NY (curated by Daniel Kunitz & João Ribas)

What Once Passed For Future or Landscapes of the Living Dead, Art 2102, Los Angeles, CA (curated by Magali Arriola)

The February Show, Los Angeles, CA (curated by Chris Lipomi)

Manufactured Self, Museum of Contemporary Photography, Chicago, IL (curated by Natasha Egan)

 

2004

UPSTREAM: Idea Drawings, Hayworth Gallery, Los Angeles, CA (curated by Chris Lipomi)

Inaugural Exhibition, Sandroni.Rey, Los Angeles, CA

Buy American, Galerie Chez Valentin, Paris, France (curated by Joe Scanlan)

Cool Intentions, Sandroni.Rey, Los Angeles, CA (curated by Alex Israel)

Behind Closed Doors, Katonah Museum of Art, Katonah, NY

Self-Evidence: Identity in Contemporary Art, DeCordova Museum and Sculpture Park, Lincoln, MA (Ex. cat, curated by Rachel R. Lafo)

 

2003

Photography For People; For Us, Wallspace, New York, NY

Ad Hoc Artists Committee to End Israeli West-Bank Occupation, Knitting Factory, New York, NY

Anti-Social, Wallspace, New York, NY (curated by Mark Wyse)

Control, Escape, Delete, Kansas City Society for Contemporary Photography, Kansas City, MO (curated by David Hilliard)

Photo ID, Pelham Art Center, Pelham, NY (curated by Titia Hulst)

 

SPECIAL PROJECTS

 

2010

Day & Night – curated by Charlotte Sprogoe and Jesper Elg, public works group exhibition (in conjunction with the Danish Arts Council and the Municipality of Copenhagen on the occasion of the 2010 Copenhagen Photo Festival), Copenhagen, Denmark

Site-specific billboard installations

 

2009

Billboard Project, Dust (2007-2008), 2640 South La Cienega Boulevard, March 16 – April 18, 2009, Los Angeles, California, 2640 South La Cienega Boulevard, Los Angeles, CA

Site-specific billboard at 2640 South La Cienega Boulevard, Los Angeles, CA (in conjunction with Passages, LAXART, Los Angeles, CA)

 

Docent Workshop, Hirshhorn Museum and Sculpture Garden, Washington, DC

Workshop with museum docents creating cyanotype photograms on the grounds of the Sculpture Garden (in conjunction with Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, Washington, DC)

 

2006

Film Screening, “24 hour Armageddon: A Cold War Slumber Party”, Armand Hammer Museum of Art, Los Angeles, CA (2006), Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe, Germany (2007), Kadist Foundation, Paris, France (2007), Whitney Museum of American Art, New York, NY (2008) 24-hour film screening of disaster films

 

CURATION

 

2016

“Systemically Open? New Forms for Contemporary Image Production”, Luma Foundation, Parc des Ateliers, Arles, France

 

2014

A Machinery for Living, Petzel, New York, NY. Participants: Atelier EB, Lewis Baltz, Thomas Barrow, BassamFellows, Maurice Blanchot, Claire Fontaine, Jay DeFeo, Nathalie Du Pasquier, Morgan Fisher, Dan Flavin, Rudi Gernreich, Liam Gillick, Liz Glynn, Eileen Gray, Jan Groover, Rachel Harrison, Larry Johnson, Craig Kauffman, Romain Kremer, Sharon Lockhart, Lee Lozano, Josiah McElheny, Lucy McKenzie, Helen Pashgian, Raymond Pettibon, Francis Picabia, Stephen Prina, Paul Scheerbart, Barbara T. Smith, Dr. Dain L. Tasker, Joaquim Tenreiro, Raoul Veneigem, Kelley Walker, James Welling, Henry Wessel, Franz West, and Christopher Williams.

 

2013

On the Matter of Abstraction (figs. A & B): Parallel Exhibitions of Post-War Non-Figurative Art from the Collection, Rose Art Museum, Brandeis University, Waltham, MA – in collaboration with Rose Art Museum Director Christopher Bedford. Rose Art Museum Permanent Collection. Participating Artists: Richard Anuszkiewicz, Ronald Bladen, Ross Bleckner, Mark Bradford, Calvin Brown, Anthony Caro, Sarah Charlesworth, Judy Chicago, Bruce Conner, Porforio DiDonna, Tina Feingold, Ruth Peedin Fields, Helen Frankenthaler,Charline von Heyl, Hans Hofmann, Douglas Huebler, Fritz Glarner, Philip Guston, Al Held, Jasper Johns, Asger Jorn, Donald Judd, Ellsworth Kelly, Willem de Kooning, Sol Lewitt, Alexander Liberman, Morris Louis, Robert Mangold, Conrad Marca-Relli, Agnes Martin, Ana Mendieta, Robert Motherwell, Louise Nevelson, Kenneth Noland, Jules Olitski, Alfonso Ossorio, Roxy Paine, Judy Pfaff, Rona Pondick, Lawrence Poons, Robert Rauschenberg, David Reed, Richard Serra, David Smith, Leon Polk Smith, Jessica Stockholder, Aldo Tambellini, and Jean Xceron.

 

Blind Spot Magazine, No. 46, guest editor. Participating Artists: Mel Bochner, Andrew Cameron, Liz Deschenes, Daniel Everett, Morgan Fisher, Wade Guyton, Karl Haendel, Ulrik Heltoft, Luisa Lambri, Elad Lassry, Daniel Lefcourt, Lucy McKenzie, Jack Pierson, Josephine Pryde, Eileen Quinlan, Jeroen de Rijke/Willem de Rooij, Miljohn Ruperto, Michael Snow, Kelley Walker, Christopher Williams, and Erlea Maneros Zabala.

 

2010

Sunless, Thomas Dane Gallery, London, United Kingdom. Participating Artists: Peter Alexander, Thom Andersen, Lewis Baltz, Thomas Barrow, Larry Bell, Bruce Conner, Mary Corse, Jay DeFeo, John Divola, Morgan Fisher, Wally Hedrick, Robert Heinecken, Craig Kauffman, Helen Pashgian, Raymond Pettibon, Ed Ruscha, Stephen Shore, Dr Dain L Tasker, and James Welling.

 

Picture Industry (Goodbye to All That), Regen Projects, Los Angeles, CA. Participating Artists: Tauba

Auerbach, Thomas Barrow, Carol Bove, Troy Brauntuch, Tony Conrad, Abraham Cruzvillegas, De Rijke / De Rooij, Liz Deschenes, Isa Genzken, Wade Guyton, Robert Heinecken, Charline Von Heyl, Karen Kilimnik, Imi Knoebel, Michael Krebber, Glenn Ligon, Albert Oehlen, Manfred Pernice, Seth Price, Richard Prince, Josephine Pryde, R.H. Quaytman, Eileen Quinlan, Miljohn Ruperto, Cosey Fanni Tutti, Kelley Walker, James Welling, Christopher Williams, Christopher Wool, and Erlea Maneros Zabala.

 

2007

There is Always a Background/CMYK, curated project of magazine based works for Cabinet

Magazine, Fall. Participating Artists: Matthew Brannon, Morgan Fisher, Liam Gillick, Amy Granat, Elin Hansdottir & Darri Lorenzen, Leslie Hewitt, Corey McCorkle, and James Welling.

 

2006

The Gold Standard – co-curated with Bob Nickas, P.S.1 Contemporary Art Center, Long Island City,

NY. Participating Artists: John Armleder, Andisheh Avini, Barry X Ball, Marcel Broodthaers, Tim

Davis, Thomas Demand, Jessica Diamond, Sylvie Fleury, Felisa Funes, Piero Golia, Wayne Gonzales, Kent Henricksen, Thomas Hirschhorn, Fred Holland, Alfredo Jaar, Annette Kelm, Terence Koh, Yayoi Kusama, Louise Lawler, Daniel Lefcourt, Sherrie Levine, John Miller, Geof Oppenheimer, Mai-Thu Perret, Paul Pfeiffer, Seth Price, Rob Pruitt, David Ratcliff, Tim Rollins and K.O.S., Haim Steinbach, Sturtevant, Vincent Szarek, Wolfgang Tillmans, Kelley Walker, James Welling, and Eric Wesley.

 

2005

Invisible Hands and The Common Good, Champion Fine Art, Los Angeles, CA.  Participating Artists:

Joe Scanlan, Stephen Shore, Kelley Walker, James Welling, Eric Wesley, and Carey Young.

 

Pictures Are The Problem, Pelham Art Center, Pelham, NY. Participating Artists: Øystein Aasan,

Shannon Ebner, Isa Genzken, Chris Lipomi, Erlea Maneros, Emily Newman, Jesse Reed, Martha Rosler, Erika Vogt, Kelley Walker, and Lawrence Weiner.

 

PUBLIC COLLECTIONS

 

The Armand Hammer Museum of Art, Los Angeles, CA

The Art Institute of Chicago, Chicago, IL

The Baltimore Museum of Art, Baltimore, MD

The Francis Lehmann Loeb Art Center, Poughkeepsie, NY

FRAC Nord – Pas de Calais, Dunkerque, France

The Henry Art Gallery, Seattle, WA

The Guggenheim Museum, New York, NY

The Los Angeles County Museum of Art, Los Angeles, CA

The Miami Art Museum, Miami, FL

The Museum of Contemporary Art, Chicago, IL

The Museum of Contemporary Art, Los Angeles, CA

The Museum of Modern Art, New York, NY

The Orange County Museum of Art, Newport, CA

The Neuberger Berman Art Collection, New York, NY

The San Francisco Museum of Modern Art, San Francisco, CA

The University of Michigan Museum of Art, Ann Arbor, MI

The Utah Museum of Fine Arts, Salt Lake City, UT

The Whitney Museum of American Art, New York, NY

The Victoria and Albert Museum, London, United Kingdom

 

ACADEMIC POSITIONS AND PROFESSIONAL APPOINTMENTS

 

2008-

Associate Professor of Fine Art, Core Faculty, Graduate Art Department, Art Center

College of Design, Pasadena, CA

 

2008-2009

Graduate Faculty, Milton Avery Graduate School of the Arts, Bard College, Annandale-

on-Hudson, NY

 

2007-2008

Visiting Professor in Residence, Art Institute of Chicago, Chicago,IL

Graduate Faculty, Milton Avery Graduate School of the Arts, Bard College, Annandale-on- Hudson, NY

 

2006-2007

Visiting Professor, Department of Art, California Institute of the Arts, Los Angeles, CA

Visiting Faculty, Roski Graduate School of Fine Arts, University of Southern California, Los Angeles, CA

Graduate Faculty, Milton Avery Graduate School of the Arts, Bard College, Annandale-on- Hudson, NY

Lecturer, Department of Art, University of California, Los Angeles, Los Angeles, CA

Curatorial Board Member, Art 2102, Los Angeles, CA

 

2005-2006

Full-time Visiting Faculty, Department of Art, California Institute of the Arts, Los Angeles, CA

Visiting Faculty Department of Critical Studies, California Institute of the Arts, Los Angeles, CA

Lecturer, Visiting Faculty, Department of Art, University of California, Los Angeles, Los Angeles, CA

 

2004-2005

Lecturer, Visiting Faculty, Department of Art, University of California, Los Angeles, Los Angeles, CA

Visiting Artist, Department of Art, California Institute of the Arts, Los Angeles, CA

Lecturer, Department of Art, University of California, Irvine, Irvine, CA

 

2003-2004

Lecturer, Department of Art, University of California, Los Angeles, Los Angeles, CA

Lecturer, Department of Art, University of California, Irvine, Irvine, CA

Visiting Artist, Department of Art, California Institute of the Arts, Los Angeles, CA

 

2002-2003

Lecturer, Department of Art, University of California, Los Angeles, Los Angeles, CA

Teaching Assistant, Instructor of Record, Department of Art History, Yale University, New Haven, CT

 

GUEST LECTURES AND VISITING ARTIST POSITIONS

 

2013

Lecture on the occasion of Jay DeFeo: A Retrospective, Whitney Museum of American Art, New York, NY

Visiting Artist and Lecture Series, in conjunction with On the Matter of Abstraction (figs. A&B), Rose Art Museum, Brandeis University, Waltham, MA

Visiting Artist and Lecture Series, in conjunction with Ange de l’Histoire – curated by Nicolas Bourriaud, École nationale supérieure des beaux-arts, Paris, France

Visiting Artist, Shpilman Institute of Photography, Tel Aviv, Israel

Lecture, Tel Aviv Museum of Art, Tel Aviv, Israel

Visiting Artist, Lecture, and Workshops, Tel Aviv University, Tel Aviv, Israel

 

2012

Lecture, in conjunction with Excursus III: Ooga Booga, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA

Visiting Artist and Lecture, including conversation with George Baker, School of the Art Institute of Chicago, Parlor Room, Chicago, IL

Visiting Artist and Lecture, University of California Los Angeles, Los Angeles, CA

Visiting Artist and Lecture, Art Institute of Chicago, Chicago, IL

Visiting Artist and Lecture, T.C. Colley Visiting Lecture Series, Rhode Island School of Design, Providence, RI

 

2011

Visiting Artist, Skowhegan School of Painting & Sculpture, Skowhegan, ME

 

2010

Visiting Artist Lecture, Hammer Museum, Los Angeles, CA

Lecture, Elaine Terner Cooper Education Fund: Conversations with Contemporary Artists, Solomon R. Guggenheim Museum, New York, NY

Lecture, Royal Danish Academy of Fine Arts (On the occasion of Day & Night, Copenhagen Photo Festival), Copenhagen, Denmark

Fellowship and Lecture, Distinguished Visiting Photography Fellow, Pilara Foundation, San Francisco Art Institute, San Francisco, CA

Visiting Artist, California College of the Arts, San Francisco, CA

Lecture, Blanton Museum of Art, University of Texas at Austin, Austin, TX

Visiting Artist, Columbia College Chicago, Chicago, IL

Juror, McKnight Fellowship for Photographers, Walker Art Center, Minneapolis, MN

In Conversation: Walead Beshty and Eva Respini, Midway Contemporary Art, Minneapolis, MN

Lecture, MassArt Photography Lecture Series, Massachusetts College of Art and Design, Boston, MA

Symposium, “Is Photography Over?”, San Francisco Museum of Modern Art, San Francisco, CA. with Vince Aletti, George Baker, Jennifer Blessing, Charlotte Cotton, Geoff Dyer, Philip- Lorca diCorcia, Okwui Enwezor, Peter Galassi, Corey Keller, Douglas Nickel, Trevor Paglen, Kathy Ryan, Blake Stimson, and Joel Snyder

Symposium, “Blurring the Lines: Art, Architecture and Design”, Third Annual Dallas Design Symposium, Nasher Sculpture Center, Dallas, TX. Moderator: Jeremy Strick, with Terence Riley, James Carpenter, Sharon Johnston & Mark Lee

Roundtable Discussion, “Uncertain Objects: A Panel Discussion on the Confluence of Art, Design, and Architecture”, Pacific Design Center, Los Angeles, CA. Moderator: Helen Varola, with Sharon Johnston & Mark Lee, and T Kelly Mason

 

2009

Lecture, Meadows Museum, Southern Methodist University, Dallas, TX

Lecture, John Morton Lecture in Photography, Birmingham Museum of Art, Birmingham, AL

Lecture, Scripps College, Claremont, CA

In Conversation: Walead Beshty and Jacob Proctor, (On the occasion of Pulleys, Cogwheels, Mirrors, and Windows), University of Michigan Museum of Art, Ann Arbor, MI

Roundtable Discussion, “After Materiality and Style” (On the occasion of The Pictures Generation, 1974-1984, Museum of Modern Art, New York), Art Center College of Design, Pasadena, CA. Moderator: Aram Moshayedi, with Carter Mull, Erika Vogt, and Elad Lassry

In Conversation: Walead Beshty and Evelyn Hankins, (On the occasion of Legibility on Color Backgrounds), Hirshhorn Museum and Sculpture Garden, Washington, DC

Lecture, Paul Branch Lecture Series, California Institute of the Arts, Valencia, CA

 

2008

Walead Beshty and James Welling in Conversation: Whitney Biennial Lecture Series, Whitney Museum of American Art, New York, NY

Lecture, All School: Graduate School of Fine Arts, School of the Art Institute of Chicago, Chicago, IL

 

2007

Panel Discussion, “Meanwhile in Baghdad”, The Renaissance Society, Chicago, IL

Panel Discussion, “The De-Instrumentalization of Avant-Garde Aesthetics” (On the occasion of Lazalo Moholy-Nagy and Joseph Albers: From the Bauhaus to the New World), Whitney Museum of American Art, New York, NY

Lecture, Zentrum fur Kunst und Media, Karlsruhe, Germany

Lecture, Kadist Foundation, Paris, France

Lecture, Graduate Lecture Series, University of California, Berkeley, CA

Lecture, California College of the Arts, San Francisco, CA

Lecture, Graduate Lecture Series, Pasadena Art Center, Pasadena, CA

Lecture, Graduate Lecture Series, University of California, Irivine, Irvine, CA

 

2006

Lecture, Armand Hammer Museum of Art, (On the occasion of Hammer Project: Walead Beshty, EMBASSY! (a dismal science waiting room))

Lecture, Orange County Museum of Art, Newport, CA

Roundtable Discussion, “Chaos or Control”, UCLA School of Architecture and Design, Los Angeles, CA. With George Baker, Eve Fowler, Arthur Ou, and James Welling

Symposium, “Fear”, California College of the Arts,  San Francisco, CA

Lecture, The Whitney Museum of American Art, New York, NY

Lecture, Bard College, Annandale-on-Hudson, NY

 

2005

Lecture, The Museum of Contemporary Photography, Chicago, IL

Lecture, Yale School of Art, New Haven, CT

Visiting Artist and Lecture, Handtman Photography Lecture Series, University of Southern California, Los Angeles, CA

 

2004

Visiting Artist and Lecture, School of Art, Otis College, Los Angeles, CA

Visiting Artist and Lecture, School of Art, California Institute of the Arts, Los Angeles, CA

Lecture, Department of Art, Art Center College of Design, Pasadena, CA

Panelist and Juror, UCLA Juried Exhibition, University of California, Los Angeles, CA

 

2003

Lecture and Symposium, SPE West, Conference on the Western Landscape, University of Nevada, Reno, Reno, NV

Lecture, Department of Art, Art Center College of Design, Pasadena, CA

Panelist and Juror, UCLA Juried Exhibition, University of California, Los Angeles, CA

 

2002

Guest Critic, Undergraduate Senior Project Review, Yale University School of Art, New Haven, CT

Lecture, Digital Media Seminar, Bard College, Annandale-on-Hudson, NY

Lecture, History of Photography, Yale University School of Art, New Haven, CT

 

 

Texte zur Kunst
"The Magic Touch" by Hanna Magauer, Texte zur Kunst, March 2015, Nr. 97

Frieze d/e
Review Walead Beshty at Capitain Petzel by Hili Perlson, Frieze d/e, March - April 2015

Elephant
Invisible Transformations by Katya Tylevich, Elephant, Winter 2013-14