• Walead Beshty, "All the World’s Futures", Installation view La Biennale di Venezia, Venice, Italy, photo: Roberto Marossi
  • Walead Beshty, "Luchas Fraticidas (March 2–8, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico)", 2015, Ceramica Suro slip cast remnants, glaze, and firing plates, Installation view La Biennale di Venezia, Venice, Italy, photo: Roberto Marossi
  • Walead Beshty, "A Partial Disassembling of an Invention without a Future: Helter-Skelter and Random Notes in which the Pulleys and Cogwheels are Lying around at Random All over the Workbench", 2014 – 2015, Installation view Curve Gallery, Barbican Centre, London, UK, photo: Justin Piperger
  • Walead Beshty, "A Partial Disassembling of an Invention without a Future: Helter-Skelter and Random Notes in which the Pulleys and Cogwheels are Lying around at Random All over the Workbench", 2014 – 2015, Installation view Curve Gallery, Barbican Centre, London, UK, photo: Justin Piperger
  • Walead Beshty, "White Curl (CMY/Four Magnet: Los Angeles, California, February 27th 2013, Fuji Color Crystal Archive Super Type C, Em. No. 166-016, 05613)", 2013, color photographic paper, 132.1 x 269.9 cm / 52 x 106.3 in, photo: Walead Beshty Studios
  • Walead Beshty, "Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: October 22 - October 26 , 2013 LAX/DFW/DFW/LAX]", 2013, Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper, 116.8 x 152.4 cm / 46 x 60 in, photo: Walead Beshty Studios
  • Walead Beshty, "Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: October 22 - October 26 , 2013 LAX/DFW/DFW/LAX]", 2013, Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper, 116.8 x 152.4 cm / 46 x 60 in, photo: Walead Beshty Studios
  • Walead Beshty, "Copper (Fedex® Golf-Bag Box 2010 FedEx 163166 REV 10/10) Standard Overnight, Glendale-Los Angeles trk#798886320028, September 5-6, 2012, Standard Overnight, Los Angeles-Miami Beach trk#800983717784, December 1-3", 2012, polished copper, accrued FedEx shipping and tracking labels, 38.1 x 38.1 x 121.9 cm / 15 x 15 x 48 in, photo: Brian Forrest
  • Walead Beshty, "Securities and Exchanges", 2011, Installation view Ullens Center for Contemporary Art, Beijing, photo: Walead Beshty Studios
  • Walead Beshty, "Copper Surrogates (September 20-23/November 21-23, 2011, Beijing, China, June 13-18/November 21, 2012 Los Angeles, California)", 2011, polished copper, 189.9 x 90.2 x 3.8 cm / 74.8 x 35.5 x 1.5 in, photo: Walead Beshty Studios
  • Walead Beshty, "A Diagram of Forces", 2011, Installation view Malmö Konsthall, Malmö, Sweden, photo: Helene Toresdotter
  • Walead Beshty, "A Diagram of Forces", 2011, Installation view Malmö Konsthall, Malmö, Sweden, photo: Helene Toresdotter
  • Walead Beshty, "Picture Made by My Hand with the Assistance of Light", 2011, black and white fiber based photographic paper, 143.5 x 280.7 cm / 56.5 x 110.5 in, photo: Brian Forrest
  • Walead Beshty, "Copper Remnant (FedEx® Tube ©2005 FEDEX 139752 REV 10/05 SSCC, Glendale, California, September 2, 2011)" (detail), 2011, polished copper, 243.8 x 121.9 cm / 96 x 48 in, photo: Brica Wilcox
  • Walead Beshty, "Selected Works (2009–2011/November 15th 2010 – March 16th 2011)", 2011, color photographic paper, black and white fiber-based photographic paper, archival inkjet papers, 129.5 x 228.6 cm / 51 x 90 in, photo: Brian Forrest
  • Walead Beshty, "A Diagram of Forces", 2011, Installation view Malmö Konsthall, Malmö, Sweden, photo: Helene Toresdotter
  • Walead Beshty, "A Diagram of Forces", 2011, Installation view Malmö Konsthall, Malmö, Sweden, photo: Helene Toresdotter
  • Walead Beshty, "Southwyck Mall (Fountain View), Toledo, OH. Est. 1972, Demo. 2008", 2011, Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper, 55.9 x 39.4 cm / 22 x 15.5 in, photo: Walead Beshty Studios
  • Walead Beshty, "Randall Park Mall (View of Fountain), North Randall, OH. Est. 1976", 2011, Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper, 55.9 x 39.4 cm / 22 x 15.5 in, photo: Walead Beshty Studios
  • Walead Beshty, "Make-Ready 1 (Walead Beshty: Selected Correspondences 2001-2010, Bologna: Damiani Editore, 2010, Grafiche Damiani, Bologna, Italy, July 4 – 6, 2010)", 2010, Four-color offset on coated paper, bound, 24.1 x 29.2 cm / 9.5 x 11.5 in, photo: Walead Beshty Studios
  • Walead Beshty, "Copper Tube (FedEx Tube 2005 FEDEX 139752 REV 10/05 SSCC), International Priority, Los Angeles-Paris trk#796334037867, October 12-14, 2010", 2010, polished copper, accrued FedEx shipping and tracking labels, 15.2 x 15.2 x 101.6 cm / 6 x 6 x 40 in, photo: Brian Forrest
  • Walead Beshty, "Black Curl (CMY/Five Magnet: Irvine, California, March 25th 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 04910)", 2010, color photographic paper, 132.1 x 283.2 cm / 52 x 111.5 in, photo: Brian Forrest
  • Walead Beshty, "Three Color Curl (CMY/Five Magnet: Irvine, California, January 2nd 2010, Fujicolor Crystal Archive Super Type C, Em. No. 165-021, 09110)", 2010, color photographic paper
    132.1 x 276.9 cm / 52 x 109 in, photo: Brian Forrest
  • Walead Beshty, "Legibility on Color Backgrounds", 2009, Installation view Hirshhorn Museum and Sculpture Garden, Washington, DC, photo: James Ewing
  • Walead Beshty, "Wide-format Inkjet Printer (Epson), Los Angeles, California, July 25th 2008", 2009, Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper, 66 x 98.4 cm / 26 x 38.7 in, photo: James Ewing
  • Walead Beshty, "Fabricator (JD), Glendale. California, July 9th 2008", 2009, Epson Ultrachrome K3 archival ink jet print on Hahnemühle Photo Rag paper, 66 x 98.4 cm / 26 x 38.7 in, photo: James Ewing
  • Installation view, Altermodern: 2009 Tate Triennial, 2009, Tate Britain, London, photo: Sam Drake, Tate Photography
  • Installation view, 2008 Biennial Exhibition, 2008, Whitney Museum of American Art, New York, photo: Mark Woods
  • Installation view, 2008 Biennial Exhibition, 2008, Whitney Museum of American Art, New York, photo: Mark Woods
  • Walead Beshty, "Travel Picture Sunset [Tschaikowskistrasse 17 in multiple exposures* (LAXFRATHF/TXLCPHSEALAX) March 27-April 3, 2006]
    *Contax G-2, L-3 Communications eXaminer 3DX 6000, and InVision Technologies CTX 5000", 2006/2008, chromogenic print, 225.1 x 127 cm / 88.6 x 50 in, photo: Richard Ivey
Walead Beshty

Aichi Triennale 2019: Taming Y/Our Passion
Curated by Meruro Washida
Aichi Prefecture, Japan
August 1–October 14, 2019


Walead Beshty

Walead Beshty: Travel Pictures

Tate Modern, London, UK
December 2018 – December 2019



Walead Beshty, Wade Guyton, Martin Kippenberger, Adam McEwen, Laura Owens, Seth Price, Kelley Walker

More / Less

De la Cruz Collection

Miami, FL
December 1, 2018 – November 30, 2019



WALEAD BESHTY

 

Born 1976, London, UK

 

Texte zur Kunst
"The Magic Touch" by Hanna Magauer, Texte zur Kunst, March 2015, Nr. 97

Frieze d/e
Review Walead Beshty at Capitain Petzel by Hili Perlson, Frieze d/e, March - April 2015

Elephant
Invisible Transformations by Katya Tylevich, Elephant, Winter 2013-14

 

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